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• Kolekcionarstvo i umetnostchevron_rightKnjige

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• 29. Oct 2018.

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• halooglasi.com

Karađorđe 1-2 Milenko M. VukićevićSLOBODA, Beograd,1986.Povez :Tvrd povez, zlatotiskKNJIGA I 1752-1804 - 413strana + prilog mapeKNJIGA II 1804-1807. - 689 stranaStanje: Veoma dobro.

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• Kolekcionarstvo i umetnostchevron_rightKnjigechevron_rightStručna literatura

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• 13. Jun 2023.

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• Novi Beograd

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• kupindo.com

Karađorđe 1-2 Milenko M. VukićevićSLOBODA, Beograd,1986.Povez :Tvrd povez, zlatotiskKNJIGA I 1752-1804 - 413strana + prilog mapeKNJIGA II 1804-1807. - 689 stranaStanje: Veoma dobro.

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• Kolekcionarstvo i umetnost

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• 25. Sep 2022.

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• sasomange.rs

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Karađorđe 1-2 Milenko M. VukićevićSLOBODA, Beograd,1986. Povez : Tvrd povez, zlatotiskKNJIGA I 1752-1804 - 413strana + prilog mapeKNJIGA II 1804-1807. - 689 stranaStanje: Veoma dobro. Informacije ** BESPLATNA ISPORUKA NA TERITORIJI CELE SRBIJE UZ PREDHODNU UPLATU NA TEKUĆI RAČUN ! !! (ne važi za postexpress /dexpress, slanje pošiljaka pouzećem , kao ni za slanje pošiljaka van teritorije Srbije) za sve knjige kupljene sa našeg naloga:

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• Kolekcionarstvo i umetnostchevron_rightKnjigechevron_rightStručna literatura

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• 23. May 2023.

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• Novi Beograd

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• kupindo.com

KARAĐORĐE 1-2 Milenko Vukićević , Sloboda Beograd 1988,biografija vožda Karađorđa, reprint izdanja iz 1907,tvrd povez, zlatotisak, format 18,5 x 24,5 cm ,ćirilica, ilustrovano,412 + 689 strana + prilog mape.Stanje Vrlo dobro.

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• Vozila i delovichevron_rightDelovi i oprema

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• 17. Nov 2023.

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• polovni-delovi.com

Cena:40 €Vrsta gume:Gume za sve sezoneDimenzije gume:16 x 215 x 65Stanje:Polovne gumeProdavac:MILENKO PAVLOVIćTelefon 1:0641167385Telefon 2:Mesto:BeogradGume Lassa M S korišćene jednu sezonu kao nove, skinute sa džipa 4x4. Šara oko 8mm nije mereno .

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• Nekretnine i zemljišta

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• 13. Mar 2023.

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• fsbo.market

Površina25 m²NameštajKompletno nameštenStanjeKompletno renoviranTip stanaStan u zgradiTek izgrađen, nikad useljavan / UseljavanUseljavanBroj spavaćih soba, bez dnevnog boravkaGarsonjeraBroj terasa, balkona i lođaNemaVrsta grejanjaOstalo etažno grejanjeVrsta rashlađivanjaUgrađen klima uređajStrukturaUobičajenaSprat2. spratSpratnost5 spratovaLiftIma liftCena navedena iznad jeDnevnaDatum useljenja10.3.2023.Depozit (u evrima)50Minimalni period zakupaStan na danParkingPrivatni, uračunat u cenu zakupaBroj parking mestaBroj garažaPeriod plaćanjaDnevnoBroj kupatila1Broj WC-a (toaleta) odvojenih od kupatila1Visina plafonaUobičajena visina plafona

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• Sport i rekreacija

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• 3. Aug 2021.

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• Novi Sad

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• kupindo.com

Nova knjigaFoto, kino i video savez Vojvodine,Zlatno okoBorivoj Mirosavljević495str.tvrdi povez,30cmFK Vojvodina je srpski fudbalski klub iz Novog Sada. Osnovan je u proleće 1914. godine, i važi za jedan od najvećih klubova na prostoru bivše Jugoslavije. Navijačka grupa Vojvodine se zove Firma, a ona je osnovana 1989. godine, iako je Klub navijača FK Vojvodina osnovan još 15. decembra 1937.FK VojvodinaFK VOJVODINA GRB.jpgPuno imeFudbalski klub VojvodinaNadimakVoša,Crveno-beli ,`Lale`Osnovan6. mart 1914. god.; pre 107 godinaStadionStadion Karađorđe, Novi SadKapacitet14.853[1]PredsednikDragoljub SamardžićTrenerSlavoljub ĐorđevićLigaSuperliga Srbije2020/21.Superliga Srbije, 4.Veb-sajtwww.fkvojvodina.rsDomaća opremaGostujuća opremaIstorija UrediPočetak UrediKlub je osnovan 6. marta 1914. zaslugom novosadskih studenata. Dok se svet spremao za Prvi svetski rat, grupa omladinaca nošena ljubavlju prema tada malo popularnoj i znanoj igri, rešila je da osnuje fudbalski klub koji bi predstavljao srpsku zajednicu u Novom Sadu. Za ime novosadskog kluba uzet je naziv Vojvodina, kako bi se naglasilo sećanje na političko-teritorijalnu jedinicu Vojvodstvo Srbije u kom su Srbi, bar na papiru, dobili ravnopravnost u Habzburškoj carevini. Među osnivačima tog dana u štrikerskoj radnji Save Šijakova, u današnjoj Temerinskoj ulici na mestu Tehnometala, su bili budući tekstilni industrijalac Milenko Šijakov, budući univerzitetski profesor Vladimir Milićević, budući hemičar Milenko Hinić, budući pravnici Radenko Rakić i Kamenko Ćirić, Gojko Tošić, Đorđe Živanov, Branko Gospođinački, Živojin Bajazet i budući doktor prava Kosta Hadži. Među njima su bili i Milenkov brat, Đorđe Šijakov, i njihov otac, Sava.Posle rata, iz Praga je donesen komplet dresova FK Slavije, koji su ostali zaštitni znak Vojvodine do današnjih dana. Godine 1924, zajedno sa klubom Juda Makabi, Vojvodina gradi stadion „Karađorđe“, prema nacrtu inženjera i predsednika kluba Dake Popovića. Do tada, i jedni i drugi su igrali na stadionu kod Jodne banje, koji je pripadao novosadskom klubu UTK, koji je okupljao mađarsku omladinu.Prvu utakmicu FK Vojvodina je odigrala u Kovilju, na igralištu „Šajkaša“. Za crveno-bele tada su igrali uglavnom đaci i studenti. Vojvodina je dobila tu utakmicu rezultatom 5:0. Međutim, sledeći meč, novosadska ekipa je odigrala tek 1919, nakon završetka rata.Nakon Drugog svetskog rata UrediIako povremen učesnik prve lige u međuratnom periodu, ozbiljniju ulogu u prvoj ligi, Vojvodina je počela da igra pedesetih godina 20. veka. Prvi ozbiljniji rezultat je 4. mesto 1952/53. godine. Narednih godina, Vojvodina je redovno pobeđivala favorite, ali nije uspela da osvoji titulu. 1955. godine je izboren plasman u Mitropa kup (preteču kupa UEFA), a ostale su zapamćene pobede protiv Rome u Novom Sadu sa 4:1 i u Rimu sa 5:4. I narednih godina, Voša je učestvovala u ovom kupu i ostvarivala zapažene rezultate. Tadašnja zlatna generacija je stekla velike simpatije svojom lepršavom igrom, a najpoznatiji igrači su bili Vujadin Boškov i Todor Veselinović.Početkom 60-ih, izvršena je smena generacija i već 1962. godine, Vojvodina postaje vicešampion. Konačno, 1965/66. godine, Voša stiže do prve titule. Najpoznatiji igrači ovog tima su bili Ilija Pantelić i Silvester Takač. U Kupu šampiona, Voša stiže do četvrtfinala, gde je izbačena od Seltika iz Glazgova, koji je te godine i osvojio ovaj kup, a jedini poraz mu je nanela upravo Vojvodina u Novom Sadu.70-ih godina, Vojvodina je često bila u samom vrhu tabele, a 1974/75. godine je u poslednjem kolu ispustila titulu, ostavši na drugom mestu. 1977. Vojvodina je osvojila svoj prvi evropski trofej, Mitropa kup, pobedivši u grupi ispred Vašaša, Fjorentine i Sparte Prag.80-e godine su bile krizne, kulminirajući ispadanjem u drugu ligu 1985/86. Usledila je rekonstrukcija tima, koji se ekspresno vraća u Prvu ligu, a za dve sezone ovaj novi tim Vojvodine osvaja drugu titulu 1988/89., u jednoj od poslednjih sezona pred raspad SFRJ.Period od 90-ih Uredi90-e godine, Vojvodina dočekuje u smanjenoj Prvoj ligi SR Jugoslavije. U početku, Vojvodina važi za „večitog trećeg“, stiže do jesenje titule 1994. a umalo i do trofeja. Od većih uspeha je i plasman u finale Kupa 1997. godine, kao i finale Intertoto kupa 1998. godine, da bi posle raznih kriza, štrajkova igrača i smena rukovodstava, određena stabilizacija usledila tek 2006. godine.Povratak u Evropu, uspesi u prvenstvu i Evropi UrediU sezoni 2006/07. Vojvodina zauzima treće mesto u Superligi i igra u finalu nacionalnog kupa, a time obezbeđuje mesto u Kupu UEFA.Sezonu 2007/08. tim je započeo protiv malteškog tima Hibernijans koga je lako dobio kod kuće sa 5:1 i u gostima sa 2:0. U sledećem kolu kvalifikacija izgubio je od madridskog Atletika, rezultatima 0:3 u gostima i 1:2 kod kuće. Već u sledećoj sezoni 2008/09. klub je imao najuspešniju prvenstvenu sezonu od raspada Jugoslavije, završivši sezonu na drugom mestu, iza Partizana, a ispred Crvene zvezde, ali je imao isti učinak u Evropi kao i prethodne sezone. U sezoni 2009/10. klub nije bio toliko uspešan u prvenstvu, pošto je završio na 5. mestu, ali je zato stigao do finala Kupa Srbije, gde je poražen od Crvene zvezde sa 3:0.Sezonu 2010/11. završava na 3. mestu u Superligi, dok u Kupu Srbije stiže do finala. Finale je obeležio veliki skandal, kada su igrači Vojvodine u 83. minutu napustili teren pri rezultatu 2:1 za Partizan, posle nekoliko kontroverznih odluka sudije, kasnije je utakmica registrovana službenim rezultatom 3:0 u korist Partizana. Vojvodinu je tada bodrilo na gostujućem terenu 7000 navijača.[2]U sezoni 2012/13. Voša je zauzela 3. mesto u prvenstvu i izborila izlazak u Evropu. Sezona 2013/14. biće jedna od najboljih sezona još od raspada Jugoslavije. Klub je te sezone stigao do plej-ofa,prethodno eliminisavši Hibernijans, Honved i Bursaspor. Vojvodina je za protivnika u plej-ofu lige evrope dobila Šerif Tiraspolj. U prvom meču u Novom Sadu rezlutat je bio 1:1, međutim Voša biva poražena sa 2:1 u Tiraspolju.Trofeji u kupu Srbije UrediVojvodina je 7. maja 2014. prvi put u istoriji kluba osvojila Kup Srbije pod vođstvom Branka Babića. Pobedili su Jagodinu sa 2:0 i revanširali im se za prošlogodinji poraz u finalu kada su bili poraženi sa 1:0. Vojvodina je na taj način skinula „prokletstvo“ i posle šest finala najzad došli do tog željenog Kupa. Ovo je njihov prvi trofej još od 1989. godine kada je Vojvodina bila šampion Jugoslavije.[3] Sezonu 2014/15. u Super ligi Srbije, Vojvodina je završila na 4. mestu i izborila učešće u kvalifikacijama za Ligu Evrope. U sezoni 2015/16. eliminisala je MTK, Spartaks iz Jurmale, Sampdoriju, i stigla je do plej-of runde kvalifikacija za Ligu Evrope, gde je izgubila od Viktorije Plzenj. U prvenstvu Srbije, Vojvodina ponovila plasman iz prethodne sezone, okončavši takmičenje na 4. mestu.Nakon šest godina, u sezoni 2019/20. Vojvodina je ponovila uspeh u kupu. U prva dva kola lako je pobedila u gostima Zlatibor (4:1) i u Novom Sadu beogradski Sinđelić (4:0). U četvrtfinalu su nakon boljeg izvođenja penala bili bolji od Mladosti iz Lučana, a u polufinalu su golom Nemanje Čovića pobedili domaći Čukarički. U finalu na Čairu u Nišu sastali su se sa Partizanom. Nakon regularnog dela bilo je 2:2, pošto je Partizan izjednačio u poslednjim trenucima meča. Međutim, Vojvodina je bila bolja posle jedanaesterca sa 4:2 i došla do drugog trofeja u Kupu Srbije.[4] U kvalifikacijama za Ligu Evrope u sezoni 2020/21. Vojvodina je takmičenje započela od 3. kola kvalifikacija i za protivnika dobila Standard iz Liježa. Nakon 120 minuta igre eliminisana je rezultatom 2:1.Grb kroz istoriju UrediGrbovi FK VojvodinaGrb FK Vojvodina old logo1.PNGGrb FK Vojvodina old logo3.pngGrb FK Vojvodina old logo4.pngGrb FK Vojvodina old logo5.pngGrb FK Vojvodina old logo6.pngGrb FK Vojvodina stari grb.pngGrb FK Vojvodina 1.png1914–1946.1946–1950.1950–1967.1967–1982.1982–1992.1992–2002.2002–2009.od 2009.jubilarni grb 2014.Navijači UrediDetaljnije: Firma (navijačka grupa)Firma je navijačka skupina/grupa iz Novog Sada. Navijači su klubova koji čine Sportsko Društvo Vojvodina (fudbalski, rukometni i drugih). Oni su jedna od glavnih navijačkih skupina u Srbiji. Firma se sastoji od različitih pod-grupa. Neki od pod grupe su: Bački Odred (Bačka Palanka), Sremski Front, G-3, Pandora, Sanatorijum, UltraNS, Firma Beočin, Firma Novo Naselje, Firma Bulevar, Firma Centar, Firma Detelinara, Firma Sremska Kamenica, Firma Liman, Firma Ledinci, Firma Futog, Firma Kisač, Firma Klisa, Firma Petrovaradin, Firma Rumenka, Firma Salajka, Firma Telep, Firma Grbavica, Firma Banat itd. FK Vojvodina takođe ima skupinu svojih najstarijih pristalica, pod nazivom Stara Garda. Imaju posebne prijateljske odnose sa navijačkom grupom Lešinari iz Banjaluke i navijačima Slavije iz Praga.Stadion UrediStadion KarađorđeDetaljnije: Stadion KarađorđeVojvodina svoje domaće utakmice igra na stadionu Karađorđe. Stadion je izgrađen 1924. godine, a otvoren je 28. juna 1924. Stadion je od svog otvaranja do Drugog svetskog rata nosio naziv „Karađorđe“. Posle je bio poznat samo kao Gradski stadion, a 2. aprila 2007. vraćeno mu je staro ime „Karađorđe“. Dom fubalera Vojvodine nakon poslednje rekonstrukcije 2013. ima kapacitet od 15.000 sedećih mesta, pokrivenu zapadnu tribinu, kolor semafor marke Filips, kao i reflektore jačine 1700 lumena.Uspesi UrediTakmičenje Broj GodinaNacionalna takmičenja - 4Nacionalno prvenstvo - 2Prvenstvo SFR JugoslavijePrvak 2 1965/66, 1988/89.Drugi 3 1956/57, 1961/62, 1974/75.Treći 2 1958/59, 1991/92.Prvenstvo SR JugoslavijePrvak 0 /Drugi 0 /Treći 5 1992/93, 1993/94, 1994/95, 1995/96, 1996/97.Prvenstvo Srbije i Crne GorePrvak 0 /Drugi 0 /Treći 0 /Prvenstvo SrbijePrvak 0 /Drugi 1 2008/09.Treći 7 2006/07, 2007/08, 2010/11, 2011/12, 2012/13, 2016/17, 2019/20.Nacionalni kup - 2Kup SFR JugoslavijeOsvajač kupa 0 /Finalista 1 1951.Kup SR JugoslavijeOsvajač kupa 0 /Finalista 1 1996/97.Kup SrbijeOsvajač kupa 2 2013/14, 2019/20.Finalista 4 2006/07, 2009/10, 2010/11, 2012/13.Nacionalni superkupSuperkup SFR JugoslavijeOsvajač kupa 0 /Finalista 1 1989.Kontinentalna takmičenja - 2Coppacampioni (closer).png Liga šampiona (Kup evropskih šampiona)Pobednik 0 /Finalista 0 /Polufinale 0 /Četvrtfinale 1 1966/67.Intertoto kupOsvajač kupa 1 1976.Finalista 1 1998.Mitropa cup.jpg Mitropa kupOsvajač kupa 1 1977.Finalista 1 1957.Polufinale 2 1959, 1989.Trenutni sastav UrediAžurirano 23 . jul 2021.[5]Br. Pozicija Igrač1 Srbija G Nikola Simić2 Srbija O Marko Bjeković3 Srbija O Mladen Devetak4 Srbija S Novica Maksimović5 Bosna i Hercegovina O Siniša Saničanin6 Srbija O Vladimir Kovačević7 Srbija N Nemanja Čović8 Srbija S Mirko Topić10 Srbija S Dejan Zukić11 Srbija O Stefan Đorđević13 Bosna i Hercegovina G Goran Vukliš14 Srbija S Vladimir Miletić15 Srbija O Nikola Andrić18 Crna Gora S Nikola Drinčić (kapiten)19 Severna Makedonija S Vladan NovevskiBr. Pozicija Igrač20 Srbija O Đorđe Đurić21 Srbija S Veljko Simić22 Srbija S Bogdan Mladenović23 Bosna i Hercegovina N Momčilo Mrkaić24 Srbija N Petar Bojić27 Srbija G Željko Brkić28 Srbija N Miodrag Gemović30 Srbija O Aranđel Stojković32 Srbija G Nemanja Toroman70 Srbija S Uroš Kabić80 Srbija O Veljko Jelenković90 Srbija S Miljan VukadinovićBivši poznati igrači UrediJozef VelkerVlada AvramovMilan BelićVujadin BoškovMilorad JablanovVladimir TrifunovićTodor VeselinovićLjubomir VorkapićDejan GovedaricaLjubiša DunđerskiSlaviša JokanovićDušan MijićRajko AleksićStevan BenaStevan NeštickiSiniša MihajlovićPetar NikezićIlija PantelićMilan StepanovSilvester TakačMiroslav TanjgaDobrivoj TrivićMiloš ŠestićRatko SvilarMilan JovanovićZdravko RajkovJosip PirmajerŽarko NikolićRajko AleksićLeo LerincMiloš KrasićGojko KačarDušan TadićDžozef KizitoStiven ApijaMijat GaćinovićMirko IvanićOgnjen OžegovićNoviji rezultati UrediSezona Rang Liga Pozicija IG D N P GD GP GR Bod Kup1992/93 1 Prva liga SR Jugoslavije 3. Drugo kolo1993/94 1 Prva liga SR Jugoslavije 3. Prvo kolo1994/95 1 Prva liga SR Jugoslavije 3. Šesnaestina finala1995/96 1 Prva liga SR Jugoslavije 3. Prvo kolo1996/97 1 Prva liga SR Jugoslavije 3. 33 15 8 10 49 35 +14 53 Finalista1997/98 1 Prva liga SR Jugoslavije 4. 33 14 7 12 57 63 -6 49 Polufinale1998/99 1 Prva liga SR Jugoslavije 4. 24 13 3 8 45 22 +23 42 Polufinale1999/00 1 Prva liga SR Jugoslavije 10. 40 15 8 17 54 40 +14 53 Osmina finala2000/01 1 Prva liga SR Jugoslavije 6. 34 13 8 13 51 36 +15 47 Drugo kolo2001/02 1 Prva liga SR Jugoslavije 8. 34 10 16 8 34 26 +8 46 Polufinale2002/03 1 Prva liga SR Jugoslavije 6. 34 17 5 12 48 36 +12 56 Četvrtfinale2003/04. 1 Prva liga Srbije i Crne Gore 9. 30 10 10 10 33 33 0 40 Šesnaestina finala2004/05. 1 Prva liga Srbije i Crne Gore 8. 30 10 8 12 31 37 -6 38 Osmina finala2005/06. 1 Prva liga Srbije i Crne Gore 9. 30 11 10 9 28 27 +1 43 Šesnaestina finala2006/07. 1 Superliga Srbije 3. 32 16 6 10 38 25 +13 54 Finalista2007/08. 1 Superliga Srbije 3. 33 18 8 7 53 33 +20 62 Šesnaestina finala2008/09. 1 Superliga Srbije 2. 33 18 7 8 46 25 +21 61 Osmina finala2009/10. 1 Superliga Srbije 5. 30 13 6 11 51 30 +21 45 Finalista2010/11. 1 Superliga Srbije 3. 30 20 7 3 44 14 +30 67 Finalista2011/12. 1 Superliga Srbije 3. 30 14 10 6 44 26 +18 52 Polufinale2012/13. 1 Superliga Srbije 3. 30 17 10 3 40 20 +20 61 Finalista2013/14. 1 Superliga Srbije 4. 30 11 12 7 38 32 +6 45 Pobednik2014/15. 1 Superliga Srbije 4. 30 16 4 10 44 36 +8 52 Četvrtfinale2015/16. 1 Superliga Srbije 4. 37 16 11 10 57 44 +13 36 (59) Četvrtfinale2016/17. 1 Superliga Srbije 3. 37 22 6 9 58 31 +27 43 (72) Polufinale2017/18. 1 Superliga Srbije 8. 37 14 8 15 43 43 0 28 (50) Četvrtfinale2018/19. 1 Superliga Srbije 7. 37 10 11 16 27 43 -16 22 (41) Četvrtfinale2019/20. 1 Superliga Srbije 3. 30 19 5 6 47 27 +20 62 Pobednik2020/21. 1 Superliga Srbije 4. 38 21 8 9 62 41 +21 71 Polufinale2021/22. 1 Superliga Srbije — — — — — — — — — —FK Vojvodina u evropskim takmičenjima UrediDetaljnije: FK Vojvodina u evropskim takmičenjimaZbirni evropski rezultati UrediStanje 11. avgusta 2015.Takmičenje Mečeva D N I GD GPKup šampiona 9 5 1 3 10 9Kup pobednika kupova 0 0 0 0 0 0Kup UEFA / Liga Evrope 48 19 12 17 73 69Intertoto kup 10 6 1 3 18 9I. Ukupno UEFA takmičenja 67 30 14 23 101 87Mitropa kup 37 13 11 13 57 51Kup sajamskih gradova 23 9 6 8 27 22II. Ukupno ostala takmičenja 60 22 17 21 84 73Ukupno I. + II. 127 52 31 44 185 160Treneri UrediSrbija Slavoljub Đorđević (26. maj 2021—trenutno)Srbija Nenad Lalatović (1. jun 2019 - 20. maj 2021)Srbija Radovan Krivokapić (26. novembar 2018 - 1. jun 2019)Srbija Dragomir Okuka (8. septembar 2018 - 25. novembar 2018)Srbija Aleksandar Veselinović (9. april 2018 - 7. septembar 2018)Srbija Ilija Stolica (2. januar 2018 - 4. april 2018)Srbija Zoran Vasiljević (1. decembar 2017 - 1. januar 2018)Srbija Vladimir Buač (10. septembar 2017 - 30. novembar 2017)Srbija Nenad Vanić (30. jun 2017 - 9. septembar 2017)Crna Gora Radoslav Batak (23. april 2017 - 29. jun 2017)Srbija Aleksandar Veselinović (4. april 2017 - 21. april 2017)Srbija Dragan Ivanović (23. decembar 2016 - 3. april 2017)Srbija Nenad Lalatović (11. novembar 2015 - 17. decembar 2016)Srbija Zlatomir Zagorčić (17. mart 2015 - 22. oktobar 2015)Srbija Zoran Marić (19. jun 2014 - 16. mart 2015)Srbija Branko Babić (3. januar 2014 - 19. maj 2014)Srbija Marko Nikolić (7. jun 2013 - 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26. decembar 2004)Savezna Republika Jugoslavija Branko Smiljanić (2004 - 9. novembar 2004)Savezna Republika Jugoslavija Josif Ilić (2003)Savezna Republika Jugoslavija Miroslav Vukašinović 2002-2003Savezna Republika Jugoslavija Dragoljub Bekvalac 2000-2001Savezna Republika Jugoslavija Dragan Okuka 1999-2000Šablon:SacỊSRJ [Tomislav Ҭoša Manojlović−1998−1999]Savezna Republika Jugoslavija Ljupko Petrović 1996-1997Savezna Republika Jugoslavija Dragoljub Bekvalac/Severna Makedonija Đoko Hadžijevski 1995-1996Savezna Republika Jugoslavija Milorad KosanovićSocijalistička Federativna Republika Jugoslavija Ivica Brzić 1990-1991Socijalistička Federativna Republika Jugoslavija Ljupko Petrović 1988-1990Socijalistička Federativna Republika Jugoslavija Ivica Brzić 1987-1988Socijalistička Federativna Republika Jugoslavija Tonko Vukušić 1986-1987Socijalistička Federativna Republika Jugoslavija Željko Jurčić 1986Socijalistička Federativna Republika Jugoslavija Vladimir Savić 1986Socijalistička Federativna Republika Jugoslavija Tomislav Kaloperović 1985Socijalistička Federativna Republika Jugoslavija Vukašin Višnjevac 1985Socijalistička Federativna Republika Jugoslavija Jovan Kovrlija 1984-1985Socijalistička Federativna Republika Jugoslavija Josip Duvančić 1983-1984Socijalistička Federativna Republika Jugoslavija Tomislav Kaloperović 1983Socijalistička Federativna Republika Jugoslavija Dušan Drašković 1980-1983Socijalistička Federativna Republika Jugoslavija Marko Valok 1979-1980Socijalistička Federativna Republika Jugoslavija Ivica Brzić 1978-1979Socijalistička Federativna Republika Jugoslavija Milorad Pavić 1978Socijalistička Federativna Republika Jugoslavija Branko Stanković 1977-1978Socijalistička Federativna Republika Jugoslavija Todor Veselinović 1974-1977Socijalistička Federativna Republika Jugoslavija Gojko Zec 1973-1974Socijalistička Federativna Republika Jugoslavija Dragoljub Milošević 1969-1973Socijalistička Federativna Republika Jugoslavija Ratomir Čabrić 1968-1969Socijalistička Federativna Republika Jugoslavija Zdravko Rajkov 1967-1968Socijalistička Federativna Republika Jugoslavija Branko Stanković 1964-1967Socijalistička Federativna Republika Jugoslavija Franja Hirman 1961-1964Socijalistička Federativna Republika Jugoslavija Radomir Momirski 1960-1961Socijalistička Federativna Republika Jugoslavija Ratomir Čabrić 1959-1960Mađarska Antal Luka 1957-1959Socijalistička Federativna Republika Jugoslavija Gustav Lehner 1953-1957Socijalistička Federativna Republika Jugoslavija Milorad Ognjanov 1952Socijalistička Federativna Republika Jugoslavija Ljubiša Broćić 1952Socijalistička Federativna Republika Jugoslavija Branislav Sekulić 1948-1951Socijalistička Federativna Republika Jugoslavija Milorad Ognjanov 1945-1947Mađarska Janoš Noj 1939-1941Mađarska Karlo Nemeš 1939Kraljevina Jugoslavija Milorad Ognjanov 1938Austrija Fric Levitus 1936-1938Austrija Vili Šurman 1934-1935Mađarska Karlo Nemeš 1933Austrija Oto Hamaček 1931-1932Austrija Oto Nećaš 1930Kraljevina Jugoslavija Boško Simonović 1929Austrija Oto Nećaš 1926-1928Kraljevina Jugoslavija Kosta Hadži 1924-1926Fudbalski klub Vojvodina srpski fudbalski klubovi monografija

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format: LPartist: GRUPA 220 (Croatia, Yugoslavia)title: Slikerelease date: 1975label, Cat. No.: Suzy, LP-319style: prog rock, hard, 70`s rockPloča: MINT (5), perfektna, puštena 2-3 puta maximalno. Omot nije bio u zaštitnoj foliji, pa se zalepio za susedni i ima manju ogluljotinu u donjem levom uglu (vidi sliku), pa dobija nižu ocenu: VG- (4-). Svezajedno, odličan primerak, posebno imajući u vidu raritetnost albuma, a posebno primeraka gde je ploča u MINT stanju.Čitavih 7 godina nakon što su objavili prvi rock LP u SFRJ (`Žeteoci` ipak nisu rock grupa, nego hrišćanski pop), zagrebački rokeri (ovaj put bez Mlinarca) su objavili ovaj LP koji je zakasnio, makar 3-4 godine. Kada je najzad objavljen, situacija na muzičkom tržištu se znatno promenila, pa su ove pesme bile nekako `bajate`. Takođe, uprkos odličnom instrumentalnom umeću benda, ovde – nema hit pesme, koja bi se mogla puštati na radiju. Ubrzo po izlasku albuma Hus je napravio PARNI VALJAK, u kome mu se pridružio i drugi gitarista GRUPE 220 – Jurica Pađen (posle lider AERODROMA i gitarista AZRE). I bubnjar Piko Stančić je par godina kasnije došao u VALJAK, a kasnije prešao u FILM i svirao na `mali milion` albuma. I basista Nenad Zubak – Komad je formirao zapažen bend IZAZOV. Tako da niko više nije tugovao za GRUPOM 220, koja istini-za-volju, bez Draga Mlinarca i nije više bila ONA grupa.A1: Slike (4:56);A2: Bijeg (5:00);A3: Zlatna vrata (7:56);B1: Kraljica (4:22);B2: Nostalgija (4:39);B3: Marija (4:08);B4: Čovjek-Bubanj (5:04)====================================================================U svojoj prodajnoj kolekciji imam sledeće ploče DRAGA MLINARCA i njegove GRUPE 220:DRAGO MLINAREC - kompletna vinilna LP solo diskografija:1) LP DRAGO MLINAREC - `A ti se ne daj` (1971, Jugoton)https://www.kupindo.com/Ploce/62251769_LP-DRAGO-MLINAREC-A-ti-se-ne-daj-1971-1-press-superhttps://www.kupindo.com/Ploce/72379129_LP-DRAGO-MLINAREC-A-ti-se-ne-daj-1972-2-press-https://www.kupindo.com/Ploce/72379125_LP-DRAGO-MLINAREC-A-ti-se-ne-daj-1973-4-press-G-https://www.kupindo.com/Ploce/70376909_LP-DRAGO-MLINAREC-A-ti-se-ne-daj-1977-6-pres-M-VG-https://www.kupindo.com/Ploce/66568237_LP-DRAGO-MLINAREC-A-ti-se-ne-daj-1977-6-press-MINThttps://www.kupindo.com/Ploce/66568245_LP-DRAGO-MLINAREC-A-ti-se-ne-daj-1977-6-press-VG-https://www.kupindo.com/Ploce/73077793_LP-DRAGO-MLINAREC-A-ti-se-ne-daj-1978-PERFEKTNAhttps://www.kupindo.com/Ploce/64260869_LP-DRAGO-MLINAREC-A-ti-se-ne-daj-1978-7-pressinghttps://www.kupindo.com/Ploce/72379121_LP-DRAGO-MLINAREC-A-ti-se-ne-daj-1978-7-press-VG-https://www.kupindo.com/Ploce/62251785_LP-DRAGO-MLINAREC-A-ti-se-ne-daj-79-8-pres-odlicna2) LP DRAGO MLINAREC - `Pjesme s planine` (1972, Jugoton)https://www.kupindo.com/Ploce/66568265_LP-DRAGO-MLINAREC-Pjesme-s-planine-1972-2-pressinghttps://www.kupindo.com/Ploce/68171557_LP-DRAGO-MLINAREC-Pjesme-s-planine-1973-4-press-G-https://www.kupindo.com/Ploce/66568269_LP-DRAGO-MLINAREC-Pjesme-s-planine-1974-5-pres-VG-https://www.kupindo.com/Ploce/73077733_LP-DRAGO-MLINAREC-Pjesme-s-planine-1979-PERFEKTNAhttps://www.kupindo.com/Ploce/62251745_LP-DRAGO-MLINAREC-Pjesme-s-planine-1979-7-press-NMhttps://www.kupindo.com/Ploce/63858001_LP-DRAGO-MLINAREC-Pjesme-s-planine-1982-9-press-NM3) LP DRAGO MLINAREC - `Rođenje` (1975, Jugoton)https://www.kupindo.com/Ploce/73082693_LP-DRAGO-MLINAREC-Rodjenje-1979-3-press-PERFEKTNA4) LP DRAGO MLINAREC - `Negdje postoji netko` (1977, Jugoton)https://www.kupindo.com/Ploce/73077841_LP-DRAGO-MLINAREC-Negdje-postoji-netko-77-PERFEKTNAhttps://www.kupindo.com/Ploce/60899473_LP-DRAGO-MLINAREC-Negdje-postoji-netko-1978-3-press5) LP DRAGO MLINAREC - `Sve je u redu` (1979, Jugoton)https://www.kupindo.com/Ploce/64261037_LP-DRAGO-MLINAREC-Sve-je-u-redu-1979-1-press-VGhttps://www.kupindo.com/Ploce/72379085_LP-DRAGO-MLINAREC-Sve-je-u-redu-1979-2-press-NM-VGhttps://www.kupindo.com/Ploce/61534597_LP-DRAGO-MLINAREC-Sve-je-u-redu-1979-2-press-VG-https://www.kupindo.com/Ploce/70376841_LP-DRAGO-MLINAREC-Sve-je-u-redu-1979-2-pres-VG-VG6) LP DRAGO MLINAREC - `Tako lako` (1979, Jugoton)https://www.kupindo.com/Ploce/61534345_LP-DRAGO-MLINAREC-Tako-lako-1979-1-pressinghttps://www.kupindo.com/Ploce/64095581_LP-DRAGO-MLINAREC-Tako-lako-1979-2-press-ODLICNA7) LP DRAGO MLINAREC - `Sabrano` (1980, Jugoton)https://www.kupindo.com/Ploce/64095593_LP-DRAGO-MLINAREC-Sabrano-1980-PERFEKTNAhttps://www.kupindo.com/Ploce/64684717_LP-DRAGO-MLINAREC-Sabrano-1980-ODLICNAhttps://www.kupindo.com/Ploce/70376957_LP-DRAGO-MLINAREC-Sabrano-1980-1-press-VG-NMhttps://www.kupindo.com/Ploce/73082865_LP-DRAGO-MLINAREC-Sabrano-1980-2-pressing-VG8) LP DRAGO MLINAREC - `Pomaknuto` (1983, Jugoton)https://www.kupindo.com/Ploce/60899773_LP-DRAGO-MLINAREC-Pomaknuto-1983-https://www.kupindo.com/Ploce/66568213_LP-DRAGO-MLINAREC-Pomaknuto-1983-2-press-PERFEKTNA______________________________________________________________________DRAGO MLINAREC - kompletna vinilna singl (SP) solo diskografija:1) SP DRAGO MLINAREC - `Noćna ptica / U njegovom srcu` (1972, Jugoton)2) SP DRAGO MLINAREC - `Caracas / Kule od riječi` (1978, Jugoton)https://www.kupindo.com/Ploce/72471569_SP-DRAGO-MLINAREC-Caracas-1978-ODLICNA______________________________________________________________________DRAGO MLINAREC - kompletna vinilna diskografija zajedničkih i kompilacijskih albuma, sa popisom Mlinarecovih pesama:1) EP V/A - Split 68 (1968, Jugoton)pesma: ARSEN DEDIĆ i DRAGO MLINAREC uz `GRUPU 220` - Razgovaram s moremhttps://www.kupindo.com/Ploce/72486225_EP-V-A-Split-68-1968-GRUPA-220-Arsen-Vice-VG-2) 2LP V/A - `Pop Festival Ljubljana 72 - Boom` (1972, Helidon) - livepesme: a) D. MLINAREC, I. KIŠ, T. DOMICELJ - Kaj god Bluesb) D. MLINAREC, I. KIŠ, T. DOMICELJ - Skladište tišine2a) 2LP V/A - `Pop Festival Ljubljana 72 - Boom` (2022, Croatia Records) - live3) 2LP V/A - `Boom Pop Fest `73` (1973, Jugoton) - livepesma: DRAGO MLINAREC I NJEGOVI PRIJATELJI - Pjesma s planinehttps://www.kupindo.com/Ploce/72311585_2LP-V-A-Boom-73-1973-YU-grupa-TIME-DAH-220-VG-4) LP V/A - `Jugoslavenski festival revolucionarne i rodoljubne pjesme (Zagreb 20. 11. 1976. Koncertna dvorana »Vatroslav Lisinski«)` (1976, Jugoton) - livepesma: DRAGO MLINAREC - Domovinahttps://www.kupindo.com/Ploce/72379057_LP-V-A-YU-fest-revolucionarne-i-rodoljubive-pjesme-19765) 2LP V/A -`Randevu s muzikom` (1977, Jugoton) - livepesma: DRAGO MLINAREC I PRIJATELJI - Dijete zvijezdahttps://www.kupindo.com/Ploce/73077797_2LP-V-A-Randevu-s-muzikom-77-Time-Drago-PERFEKTNAhttps://www.kupindo.com/Ploce/70358017_2LP-V-A-Randevu-s-muzikom-77-SEPTEMBER-TIME-MINT6) LP V/A - `1978. Jugoslavenski festival revolucionarne i rodoljubne pjesme` (1978, Jugoton)pesma: DRAGO MLINAREC I PRIJATELJI - Budnica7) LP - V/A - `Opatija `79 - Rock grupe` (1979, Jugoton)pesma: DRAGO MLINAREC I NJEGOVI PRIJATELJI - Trkalište8) 2LP V/A - `Jugoton` (1982, Jugoton)pesma: DRAGO MLINAREC - Trkalište9) LP V/A - `Zagrebfest `86 - Novi trendovi šansone - Pusti suzu, za nas, vjetre` (1986, Jugoton) - livepesma: DRAGO MLINAREC i MILJENKO GALIĆ - Marjan Expres10) 2LP V/A - `Legende YU rocka` (1987, Jugoton) - livepesma: DRAGO MLINAREC - Osmijehhttps://www.kupindo.com/Ploce/71343185_2LP-V-A-Legende-YU-rocka-1987-TIME-Tocak-NM-VG-11) LP V/A - `Rock za Hrvatsku!` (1991, Jugoton)pesma: DRAGO MLINAREC & LE CINEMA - Sjećanja12) LP - V/A - `Zimzeleno a novo` (2015, Croatia Records)pesma: DRAGO MLINAREC - Negdje postoji netko********************************************************************************************************************************************GRUPA 220 - kompletna vinilna LP diskografija:1) LP `Naši dani` (1968, Jugoton)https://www.kupindo.com/Ploce/72785705_LP-GRUPA-220-Nasi-dani-1968-originalni-press-G-1a) LP `Naši dani` (2012, Croatia Records) - crni vinil1b) LP `Naši dani` (2012, Croatia Records) - crveni vinil2) LP `Slike` (1975, Suzy)https://www.kupindo.com/Ploce/73077821_LP-GRUPA-220-Slike-1975-PLOCA-MINT-5-3) LP `1967/68 Originali` (1987, Jugoton)https://www.kupindo.com/Ploce/72785733_LP-GRUPA-220-1967-68-Originali-1987-vrlo-dobra______________________________________________________________________GRUPA 220 - kompletna vinilna SP i EP diskografija1) EP `Osmijeh` (1967, Jugoton)2) EP `Kad bih bio Petar Pan` (1968, Jugoton)3) SP `Prolazi jesen / Plavi svijet` (1968, Jugoton)https://www.kupindo.com/Ploce/72785777_SP-GRUPA-220-Prolazi-jesen-1968-ODLICNA4) 6` flexy Single Sided `Plavi svijet`5) SP `Prva Ljubav / Povratak` (1971, Jugoton)6) SP `Do viđenja vještice / Sivilo perona` (1971, Jugoton)7) SP `Dubi Du-Di, Dubi Du-Da / Kiši i malo je hladno` (1972, Jugoton)8) SP `Balada o gjevojci sa sela / Ponovo na putu` (1975, PGP RTB)*********************************************************************GRUPA 220 na kompilacijskim i zajedničkim pločama:1) EP `Zagreb 68 - ploča 2` (1968, Jugoton)pesma: GRUPA 220 – Kamo vodi sad sve tohttps://www.kupindo.com/Ploce/72774537_EP-V-A-Zagreb-68-plcoca-2-1968-GRUPA-220-retko-2) EP `Festival Split 68` (1968, Jugoton)pesma: ARSEN DEDIĆ I DRAGO MLINAREC UZ `GRUPU 220` - Razgovaram s moremhttps://www.kupindo.com/Ploce/72486225_EP-V-A-Split-68-1968-GRUPA-220-Arsen-Vice-VG-3) LP V/A - `Novi zbor` (1968, Jugoton)pesma: GRUPA 220 - Sreća4) 2LP V/A - Boom Pop Fest `73 (1973, Jugoton)pesma: GRUPA 220 - Pop pjevačhttps://www.kupindo.com/Ploce/72311585_2LP-V-A-Boom-73-1973-YU-grupa-TIME-DAH-220-VG-5) 2LP V/A - `Pop Festival Ljubljana `74 - Boom` (1974, Jugoton)pesma: GRUPA 220 – Čovjek - Bubanj6) LP V/A - `Beat na moru (Originalne snimke 1966.-1975.)` (1991, Jugoton)pesma: ARSEN DEDIĆ I GRUPA 220 – Razgovaram s morem7) LP V/A -`Jugobeat Explosion (60s Punk From Yugoslavia)` (2000, Red Beat`)pesma: GRUPA 220 – Osmijeh8) LP V/A -`Jugobeat Explosion Vol. 2 (60s Punk From Yugoslavia)` (2000, Red Beat`)pesma: GRUPA 220 – Kamo vodi sad sve to

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format: LP, 1. pressingartist: DRAGO MLINAREC (Croatia, Yugoslavia)title: A ti se ne dajrelease date: 1971label, Cat. No: Jugoton, LPYVS 50926style: folk rock / prog rockPloča: VG+/NM (4+/5-), omot: NM (5-), odlično očuvano, iako je prošlo preko 50 godina od objavljivanja.1. pressing, crno-srebrna etiketaOva ploča je doživela 8 pressinga, od 1971. do 1979., (od kojih su samo 6 pomenuti na Discogsu), pa ovde dajem informacije koje će vam olakšati snalaženje.1. PRESSING (1971): crno-srebrna etiketa, na poleđini omota u donjem desnom uglu je logo `Plavog vjesnika`, dok u gornjem desnom uglu NEMA oznake `25 godina Jugotona`, pošto je ta godišnjica proslavljena 1972. godine. Organizacija koja štiti autorska prava je BIEM, stranice su označene velikim slovima `A` i `B`, a ploča nosi ovaj matriks: (A): LPYVS 50926 A 21 12 71 ZP VP /(B): LPYVS 50926 B 21 12 71 ZP VP2. PRESSING (1972, nema ga na Discogsu): sve isto kao kod 1. pressinga, ali ovde u gornjem desnu uglu zadnje strane omota IMA oznake `25 godina Jugotona`.3. PRESSING (1972, nema ga na Discogsu): crno-srebrna etiketa, sa istim matriksom kao na prethodna 2 pressinga, ali su ovde strane označene malim slovima `a`i `b`, ispod kojih je napisano `GRUPA 220`, a poleđina omota je ista kao kod 2. pressinga (`Plavi vjesnik` i `25 godina Jugotona`)4. PRESSING (1975): crno-srebrna etiketa, strane su obeležene sa `STRANA 1` i `STRANA 2`, a prvi put se pojavljuje oznaka SOKOJ, kao organizacije koja štiti autorska prava, a kako je ista dobila to ime 1975 (do tada je bila SAKOJ), ovaj pressing je iz 1975, ili 1976. godine.5. PRESSING (1976?): teget, tamno plava etiketa sa vertikalnom ornamentisanom srebrnom linijom, i ovim matriksom: (Side 1): LPYVS 50926 A 211271-231271 ZP-VP / (Side 2): LPYVS 50926 B 211271-231271 ZP-VP6. PRESSING (1977?): tirkizna etiketa sa plavom ornamentisanom linijom, i istim matriksom kao kod 5. pressinga.7. PRESSING (1978?) tirkizna etiketa sa plavom punom linijom, na kojoj je iznad centralne rupice napisano DRAGO MLINAREC, a ispod nje `A TI SE NE DAJ`, dok je `GRUPA 220` napisano sa desne strane, iznad oznake strane. Ploča nosi ovaj matriks: (A): LPYVS 50926 A 211271 231271 ZP-VP / (B): LPYVS 50926B 211271 ZP8. PRESSING (1979?) tirkizna etiketa sa plavom punom linijom, na kojoj je iznad centralne rupice, u tri reda ispisano: A TI SE NE DAJ / Drago Mlinarec / `GRUPA 220` i matriksom kao na prva 4 pressinga.Ubrzo nakon odlaska iz GRUPE 220 Mlinarec je objavio ovaj album (na kome ga muzički prate drugari iz 220) koji i danas slovi za kultni. U to vreme do LP-ja se stizalo veoma, veoma teško, pa je i samo objavljivanje bio znak kvaliteta i vere izdavača u muzičkog umetnika.A1 Pop pjevač;A2 Moje lađe;A3 Srebri se mraz;A4 Ja sam feniks;A5 A ti se ne dajB1 Bar dok si tu;B2 Izgleda ostat ćeš sam;B3 Grad;B4 Posmrtna osveta====================================================================U svojoj prodajnoj kolekciji imam sledeće ploče DRAGA MLINARCA i njegove GRUPE 220:DRAGO MLINAREC - kompletna vinilna LP solo diskografija:1) LP DRAGO MLINAREC - `A ti se ne daj` (1971, Jugoton)https://www.kupindo.com/Ploce/62251769_LP-DRAGO-MLINAREC-A-ti-se-ne-daj-1971-1-press-superhttps://www.kupindo.com/Ploce/72379129_LP-DRAGO-MLINAREC-A-ti-se-ne-daj-1972-2-press-https://www.kupindo.com/Ploce/72379125_LP-DRAGO-MLINAREC-A-ti-se-ne-daj-1973-4-press-G-https://www.kupindo.com/Ploce/70376909_LP-DRAGO-MLINAREC-A-ti-se-ne-daj-1977-6-pres-M-VG-https://www.kupindo.com/Ploce/66568237_LP-DRAGO-MLINAREC-A-ti-se-ne-daj-1977-6-press-MINThttps://www.kupindo.com/Ploce/66568245_LP-DRAGO-MLINAREC-A-ti-se-ne-daj-1977-6-press-VG-https://www.kupindo.com/Ploce/73077793_LP-DRAGO-MLINAREC-A-ti-se-ne-daj-1978-PERFEKTNAhttps://www.kupindo.com/Ploce/64260869_LP-DRAGO-MLINAREC-A-ti-se-ne-daj-1978-7-pressinghttps://www.kupindo.com/Ploce/72379121_LP-DRAGO-MLINAREC-A-ti-se-ne-daj-1978-7-press-VG-https://www.kupindo.com/Ploce/62251785_LP-DRAGO-MLINAREC-A-ti-se-ne-daj-79-8-pres-odlicna2) LP DRAGO MLINAREC - `Pjesme s planine` (1972, Jugoton)https://www.kupindo.com/Ploce/66568265_LP-DRAGO-MLINAREC-Pjesme-s-planine-1972-2-pressinghttps://www.kupindo.com/Ploce/68171557_LP-DRAGO-MLINAREC-Pjesme-s-planine-1973-4-press-G-https://www.kupindo.com/Ploce/66568269_LP-DRAGO-MLINAREC-Pjesme-s-planine-1974-5-pres-VG-https://www.kupindo.com/Ploce/73077733_LP-DRAGO-MLINAREC-Pjesme-s-planine-1979-PERFEKTNAhttps://www.kupindo.com/Ploce/62251745_LP-DRAGO-MLINAREC-Pjesme-s-planine-1979-7-press-NMhttps://www.kupindo.com/Ploce/63858001_LP-DRAGO-MLINAREC-Pjesme-s-planine-1982-9-press-NM3) LP DRAGO MLINAREC - `Rođenje` (1975, Jugoton)https://www.kupindo.com/Ploce/73082693_LP-DRAGO-MLINAREC-Rodjenje-1979-3-press-PERFEKTNA4) LP DRAGO MLINAREC - `Negdje postoji netko` (1977, Jugoton)https://www.kupindo.com/Ploce/73077841_LP-DRAGO-MLINAREC-Negdje-postoji-netko-77-PERFEKTNAhttps://www.kupindo.com/Ploce/60899473_LP-DRAGO-MLINAREC-Negdje-postoji-netko-1978-3-press5) LP DRAGO MLINAREC - `Sve je u redu` (1979, Jugoton)https://www.kupindo.com/Ploce/64261037_LP-DRAGO-MLINAREC-Sve-je-u-redu-1979-1-press-VGhttps://www.kupindo.com/Ploce/72379085_LP-DRAGO-MLINAREC-Sve-je-u-redu-1979-2-press-NM-VGhttps://www.kupindo.com/Ploce/61534597_LP-DRAGO-MLINAREC-Sve-je-u-redu-1979-2-press-VG-https://www.kupindo.com/Ploce/70376841_LP-DRAGO-MLINAREC-Sve-je-u-redu-1979-2-pres-VG-VG6) LP DRAGO MLINAREC - `Tako lako` (1979, Jugoton)https://www.kupindo.com/Ploce/61534345_LP-DRAGO-MLINAREC-Tako-lako-1979-1-pressinghttps://www.kupindo.com/Ploce/64095581_LP-DRAGO-MLINAREC-Tako-lako-1979-2-press-ODLICNA7) LP DRAGO MLINAREC - `Sabrano` (1980, Jugoton)https://www.kupindo.com/Ploce/64095593_LP-DRAGO-MLINAREC-Sabrano-1980-PERFEKTNAhttps://www.kupindo.com/Ploce/64684717_LP-DRAGO-MLINAREC-Sabrano-1980-ODLICNAhttps://www.kupindo.com/Ploce/70376957_LP-DRAGO-MLINAREC-Sabrano-1980-1-press-VG-NMhttps://www.kupindo.com/Ploce/73082865_LP-DRAGO-MLINAREC-Sabrano-1980-2-pressing-VG8) LP DRAGO MLINAREC - `Pomaknuto` (1983, Jugoton)https://www.kupindo.com/Ploce/60899773_LP-DRAGO-MLINAREC-Pomaknuto-1983-https://www.kupindo.com/Ploce/66568213_LP-DRAGO-MLINAREC-Pomaknuto-1983-2-press-PERFEKTNA______________________________________________________________________DRAGO MLINAREC - kompletna vinilna singl (SP) solo diskografija:1) SP DRAGO MLINAREC - `Noćna ptica / U njegovom srcu` (1972, Jugoton)2) SP DRAGO MLINAREC - `Caracas / Kule od riječi` (1978, Jugoton)https://www.kupindo.com/Ploce/72471569_SP-DRAGO-MLINAREC-Caracas-1978-ODLICNA______________________________________________________________________DRAGO MLINAREC - kompletna vinilna diskografija zajedničkih i kompilacijskih albuma, sa popisom Mlinarecovih pesama:1) EP V/A - Split 68 (1968, Jugoton)pesma: ARSEN DEDIĆ i DRAGO MLINAREC uz `GRUPU 220` - Razgovaram s moremhttps://www.kupindo.com/Ploce/72486225_EP-V-A-Split-68-1968-GRUPA-220-Arsen-Vice-VG-2) 2LP V/A - `Pop Festival Ljubljana 72 - Boom` (1972, Helidon) - livepesme: a) D. MLINAREC, I. KIŠ, T. DOMICELJ - Kaj god Bluesb) D. MLINAREC, I. KIŠ, T. DOMICELJ - Skladište tišine2a) 2LP V/A - `Pop Festival Ljubljana 72 - Boom` (2022, Croatia Records) - live3) 2LP V/A - `Boom Pop Fest `73` (1973, Jugoton) - livepesma: DRAGO MLINAREC I NJEGOVI PRIJATELJI - Pjesma s planinehttps://www.kupindo.com/Ploce/72311585_2LP-V-A-Boom-73-1973-YU-grupa-TIME-DAH-220-VG-4) LP V/A - `Jugoslavenski festival revolucionarne i rodoljubne pjesme (Zagreb 20. 11. 1976. Koncertna dvorana »Vatroslav Lisinski«)` (1976, Jugoton) - livepesma: DRAGO MLINAREC - Domovinahttps://www.kupindo.com/Ploce/72379057_LP-V-A-YU-fest-revolucionarne-i-rodoljubive-pjesme-19765) 2LP V/A -`Randevu s muzikom` (1977, Jugoton) - livepesma: DRAGO MLINAREC I PRIJATELJI - Dijete zvijezdahttps://www.kupindo.com/Ploce/73077797_2LP-V-A-Randevu-s-muzikom-77-Time-Drago-PERFEKTNAhttps://www.kupindo.com/Ploce/70358017_2LP-V-A-Randevu-s-muzikom-77-SEPTEMBER-TIME-MINT6) LP V/A - `1978. Jugoslavenski festival revolucionarne i rodoljubne pjesme` (1978, Jugoton)pesma: DRAGO MLINAREC I PRIJATELJI - Budnica7) LP - V/A - `Opatija `79 - Rock grupe` (1979, Jugoton)pesma: DRAGO MLINAREC I NJEGOVI PRIJATELJI - Trkalište8) 2LP V/A - `Jugoton` (1982, Jugoton)pesma: DRAGO MLINAREC - Trkalište9) LP V/A - `Zagrebfest `86 - Novi trendovi šansone - Pusti suzu, za nas, vjetre` (1986, Jugoton) - livepesma: DRAGO MLINAREC i MILJENKO GALIĆ - Marjan Expres10) 2LP V/A - `Legende YU rocka` (1987, Jugoton) - livepesma: DRAGO MLINAREC - Osmijehhttps://www.kupindo.com/Ploce/71343185_2LP-V-A-Legende-YU-rocka-1987-TIME-Tocak-NM-VG-11) LP V/A - `Rock za Hrvatsku!` (1991, Jugoton)pesma: DRAGO MLINAREC & LE CINEMA - Sjećanja12) LP - V/A - `Zimzeleno a novo` (2015, Croatia Records)pesma: DRAGO MLINAREC - Negdje postoji netko********************************************************************************************************************************************GRUPA 220 - kompletna vinilna LP diskografija:1) LP `Naši dani` (1968, Jugoton)https://www.kupindo.com/Ploce/72785705_LP-GRUPA-220-Nasi-dani-1968-originalni-press-G-1a) LP `Naši dani` (2012, Croatia Records) - crni vinil1b) LP `Naši dani` (2012, Croatia Records) - crveni vinil2) LP `Slike` (1975, Suzy)https://www.kupindo.com/Ploce/73077821_LP-GRUPA-220-Slike-1975-PLOCA-MINT-5-3) LP `1967/68 Originali` (1987, Jugoton)https://www.kupindo.com/Ploce/72785733_LP-GRUPA-220-1967-68-Originali-1987-vrlo-dobra______________________________________________________________________GRUPA 220 - kompletna vinilna SP i EP diskografija1) EP `Osmijeh` (1967, Jugoton)2) EP `Kad bih bio Petar Pan` (1968, Jugoton)3) SP `Prolazi jesen / Plavi svijet` (1968, Jugoton)https://www.kupindo.com/Ploce/72785777_SP-GRUPA-220-Prolazi-jesen-1968-ODLICNA4) 6` flexy Single Sided `Plavi svijet`5) SP `Prva Ljubav / Povratak` (1971, Jugoton)6) SP `Do viđenja vještice / Sivilo perona` (1971, Jugoton)7) SP `Dubi Du-Di, Dubi Du-Da / Kiši i malo je hladno` (1972, Jugoton)8) SP `Balada o gjevojci sa sela / Ponovo na putu` (1975, PGP RTB)*********************************************************************GRUPA 220 na kompilacijskim i zajedničkim pločama:1) EP `Zagreb 68 - ploča 2` (1968, Jugoton)pesma: GRUPA 220 – Kamo vodi sad sve tohttps://www.kupindo.com/Ploce/72774537_EP-V-A-Zagreb-68-plcoca-2-1968-GRUPA-220-retko-2) EP `Festival Split 68` (1968, Jugoton)pesma: ARSEN DEDIĆ I DRAGO MLINAREC UZ `GRUPU 220` - Razgovaram s moremhttps://www.kupindo.com/Ploce/72486225_EP-V-A-Split-68-1968-GRUPA-220-Arsen-Vice-VG-3) LP V/A - `Novi zbor` (1968, Jugoton)pesma: GRUPA 220 - Sreća4) 2LP V/A - Boom Pop Fest `73 (1973, Jugoton)pesma: GRUPA 220 - Pop pjevačhttps://www.kupindo.com/Ploce/72311585_2LP-V-A-Boom-73-1973-YU-grupa-TIME-DAH-220-VG-5) 2LP V/A - `Pop Festival Ljubljana `74 - Boom` (1974, Jugoton)pesma: GRUPA 220 – Čovjek - Bubanj6) LP V/A - `Beat na moru (Originalne snimke 1966.-1975.)` (1991, Jugoton)pesma: ARSEN DEDIĆ I GRUPA 220 – Razgovaram s morem7) LP V/A -`Jugobeat Explosion (60s Punk From Yugoslavia)` (2000, Red Beat`)pesma: GRUPA 220 – Osmijeh8) LP V/A -`Jugobeat Explosion Vol. 2 (60s Punk From Yugoslavia)` (2000, Red Beat`)pesma: GRUPA 220 – Kamo vodi sad sve to

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format: LP, 7. pressingartist: DRAGO MLINAREC (Croatia, Yugoslavia)title: Pjesme sa planinarelease date: 1972 (re-press 1979 ?)label, Cat. No: Jugoton, LPYV-S-60995-Istyle: folk rock / prog / psychedelic rockNestvarno dobro očuvan primerak, posebno imajući u vidu da je unifold omot štampan na tanjem kartonu koji se lako cepao. Ploča je puštena par puta, primerak je stajao decenijama u plastičnom zaštitnom omotu, pa je i danas kao nov. Znači, ploča i omot su MINT (5).7. pressingPostoji 8 pressinga ovog albuma, ali zabunu unosi to što svi sem poslednjeg imaju isti matriks kod, pa ih razlikujemo po sledećim detaljima: a) vrsta omota (gatefold ili unifold); b) boja omota (ljubičasta ili braon); c) vrsta papira (karton ili tanji papir), d) oznaka `ALBUM - I` koji se nalazi na omotu u donjem levom uglu, ispod logotipa Jugotona kod svih pressinga, osim na prva dva, na kojem te oznake nema); e) oznaka organizacije za kolektivnu zaštitu autorskih prava (BIEM ili SOKOJ); f) boja etikete (roze-crna, crno-srebrna ili tirkizna); g) oznake strana (`a i b`, `STRANA A i STRANA B`, `STRANA 1 i STRANA 2`), h) detaljima na etiketi (npr. da li je plava vertikalna linija ornamentisana ili puna). Po ovim detaljima uspevamo d arekonstruišemo i godine objavljivanja pojedinih pressinga. radi lakšeg snalaženja, evo po čemu razlikujemo ovih 8 pressinga:1. PRESSING (1972): ljubičasti gatefold omot (ne unifold), BIEM, bez oznake `ALBUM - I` u donjem levom uglu, ispod logotipa Jugotona, sa roze-crnom etiketom gde su strane obežežene debelim malim slovima `a` i `b`, sa ovim matriks kodom, koji ose svi ostali pressinzi, osim poslednjeg: Matrix / Runout (Side A): LPYVS60995A 141272 ZP / Matrix / Runout (Side B): LPYVS60995B 141272 ZP2. PRESSING (1972): ljubičasti omot, BIEM, klasičan gatefold štampan na tvrđem kartonu, gde se ploča uvlači u omot sa strane (a ne iz unutra, kao kod unifolda, koji su pritom štampani na tanjem papiru, pa su `krtiji`), sa roze-crnom etiketom gde su strane obežežene sa `Strana A` i `Strana B` (a ne sa `a` i `b`, kao kod 1. pressinga)3. PRESSING (1973): braon unifold omot, BIEM, sa roze-crnom etiketom gde su strane obežežene sa `Strana A` i `Strana B`, kao kod 2. pressinga.4. PRESSING (1973): redak, nema ga na Discogsu; ljubičasti unofold (ne gatefold) omot, sa oznakom `ALBUM - I` na naslovnoj strani; BIEM, sa roze-crnom etiketom gde su strane obežežene debelim malim slovima `a` i `b`, kao kod 1. pressinga.5. PRESSING (1973/4): redak, nema ga na Discogsu; ljubičasti unofold (ne gatefold) omot, sa oznakom `ALBUM - I` na naslovnoj strani; crno-srebrna etiketa, SOKOJ, gde su stranice označene sa `STRANA 1`, i `STRANA 2`.6. PRESSING (1977): braon unifold omot, SOKOJ, sa crno-srebrnom etiketom7. PRESSING (1979?): braon unifold omot, SOKOJ, sa tirkiznom etiketom sa uspravnom teget punom (ne ornamentisanom) linijom.8. PRESSING (1982): braon unifold omot, SOKOJ, sa tirkiznom etiketom sa uspravnom teget ornamentisanom (ne punom) linijom, sa ovim matriksom: Matrix / Runout (Side 1): LSY 60995 A 7 9 82 SB / Matrix / Runout (Side 2): LSY 60995 B 7 9 82 SBKultni album kultnog zagrebačkog kantautora iz 1972, njegova kolekcionarski najtraženija ploča.A1 Noćna ptica;A2 Pjesma o njenim snovima;A3 Trebao sam ali nisam;A4 Pjesme s planineB1 Skladište tišine;B2 Otac i sin;B3 Dijete zvijezda====================================================================U svojoj prodajnoj kolekciji imam sledeće ploče DRAGA MLINARCA i njegove GRUPE 220:DRAGO MLINAREC - kompletna vinilna LP solo diskografija:1) LP DRAGO MLINAREC - `A ti se ne daj` (1971, Jugoton)https://www.kupindo.com/Ploce/62251769_LP-DRAGO-MLINAREC-A-ti-se-ne-daj-1971-1-press-superhttps://www.kupindo.com/Ploce/72379129_LP-DRAGO-MLINAREC-A-ti-se-ne-daj-1972-2-press-https://www.kupindo.com/Ploce/72379125_LP-DRAGO-MLINAREC-A-ti-se-ne-daj-1973-4-press-G-https://www.kupindo.com/Ploce/70376909_LP-DRAGO-MLINAREC-A-ti-se-ne-daj-1977-6-pres-M-VG-https://www.kupindo.com/Ploce/66568237_LP-DRAGO-MLINAREC-A-ti-se-ne-daj-1977-6-press-MINThttps://www.kupindo.com/Ploce/66568245_LP-DRAGO-MLINAREC-A-ti-se-ne-daj-1977-6-press-VG-https://www.kupindo.com/Ploce/73077793_LP-DRAGO-MLINAREC-A-ti-se-ne-daj-1978-PERFEKTNAhttps://www.kupindo.com/Ploce/64260869_LP-DRAGO-MLINAREC-A-ti-se-ne-daj-1978-7-pressinghttps://www.kupindo.com/Ploce/72379121_LP-DRAGO-MLINAREC-A-ti-se-ne-daj-1978-7-press-VG-https://www.kupindo.com/Ploce/62251785_LP-DRAGO-MLINAREC-A-ti-se-ne-daj-79-8-pres-odlicna2) LP DRAGO MLINAREC - `Pjesme s planine` (1972, Jugoton)https://www.kupindo.com/Ploce/66568265_LP-DRAGO-MLINAREC-Pjesme-s-planine-1972-2-pressinghttps://www.kupindo.com/Ploce/68171557_LP-DRAGO-MLINAREC-Pjesme-s-planine-1973-4-press-G-https://www.kupindo.com/Ploce/66568269_LP-DRAGO-MLINAREC-Pjesme-s-planine-1974-5-pres-VG-https://www.kupindo.com/Ploce/73077733_LP-DRAGO-MLINAREC-Pjesme-s-planine-1979-PERFEKTNAhttps://www.kupindo.com/Ploce/62251745_LP-DRAGO-MLINAREC-Pjesme-s-planine-1979-7-press-NMhttps://www.kupindo.com/Ploce/63858001_LP-DRAGO-MLINAREC-Pjesme-s-planine-1982-9-press-NM3) LP DRAGO MLINAREC - `Rođenje` (1975, Jugoton)https://www.kupindo.com/Ploce/73082693_LP-DRAGO-MLINAREC-Rodjenje-1979-3-press-PERFEKTNA4) LP DRAGO MLINAREC - `Negdje postoji netko` (1977, Jugoton)https://www.kupindo.com/Ploce/73077841_LP-DRAGO-MLINAREC-Negdje-postoji-netko-77-PERFEKTNAhttps://www.kupindo.com/Ploce/60899473_LP-DRAGO-MLINAREC-Negdje-postoji-netko-1978-3-press5) LP DRAGO MLINAREC - `Sve je u redu` (1979, Jugoton)https://www.kupindo.com/Ploce/64261037_LP-DRAGO-MLINAREC-Sve-je-u-redu-1979-1-press-VGhttps://www.kupindo.com/Ploce/72379085_LP-DRAGO-MLINAREC-Sve-je-u-redu-1979-2-press-NM-VGhttps://www.kupindo.com/Ploce/61534597_LP-DRAGO-MLINAREC-Sve-je-u-redu-1979-2-press-VG-https://www.kupindo.com/Ploce/70376841_LP-DRAGO-MLINAREC-Sve-je-u-redu-1979-2-pres-VG-VG6) LP DRAGO MLINAREC - `Tako lako` (1979, Jugoton)https://www.kupindo.com/Ploce/61534345_LP-DRAGO-MLINAREC-Tako-lako-1979-1-pressinghttps://www.kupindo.com/Ploce/64095581_LP-DRAGO-MLINAREC-Tako-lako-1979-2-press-ODLICNA7) LP DRAGO MLINAREC - `Sabrano` (1980, Jugoton)https://www.kupindo.com/Ploce/64095593_LP-DRAGO-MLINAREC-Sabrano-1980-PERFEKTNAhttps://www.kupindo.com/Ploce/64684717_LP-DRAGO-MLINAREC-Sabrano-1980-ODLICNAhttps://www.kupindo.com/Ploce/70376957_LP-DRAGO-MLINAREC-Sabrano-1980-1-press-VG-NMhttps://www.kupindo.com/Ploce/73082865_LP-DRAGO-MLINAREC-Sabrano-1980-2-pressing-VG8) LP DRAGO MLINAREC - `Pomaknuto` (1983, Jugoton)https://www.kupindo.com/Ploce/60899773_LP-DRAGO-MLINAREC-Pomaknuto-1983-https://www.kupindo.com/Ploce/66568213_LP-DRAGO-MLINAREC-Pomaknuto-1983-2-press-PERFEKTNA______________________________________________________________________DRAGO MLINAREC - kompletna vinilna singl (SP) solo diskografija:1) SP DRAGO MLINAREC - `Noćna ptica / U njegovom srcu` (1972, Jugoton)2) SP DRAGO MLINAREC - `Caracas / Kule od riječi` (1978, Jugoton)https://www.kupindo.com/Ploce/72471569_SP-DRAGO-MLINAREC-Caracas-1978-ODLICNA______________________________________________________________________DRAGO MLINAREC - kompletna vinilna diskografija zajedničkih i kompilacijskih albuma, sa popisom Mlinarecovih pesama:1) EP V/A - Split 68 (1968, Jugoton)pesma: ARSEN DEDIĆ i DRAGO MLINAREC uz `GRUPU 220` - Razgovaram s moremhttps://www.kupindo.com/Ploce/72486225_EP-V-A-Split-68-1968-GRUPA-220-Arsen-Vice-VG-2) 2LP V/A - `Pop Festival Ljubljana 72 - Boom` (1972, Helidon) - livepesme: a) D. MLINAREC, I. KIŠ, T. DOMICELJ - Kaj god Bluesb) D. MLINAREC, I. KIŠ, T. DOMICELJ - Skladište tišine2a) 2LP V/A - `Pop Festival Ljubljana 72 - Boom` (2022, Croatia Records) - live3) 2LP V/A - `Boom Pop Fest `73` (1973, Jugoton) - livepesma: DRAGO MLINAREC I NJEGOVI PRIJATELJI - Pjesma s planinehttps://www.kupindo.com/Ploce/72311585_2LP-V-A-Boom-73-1973-YU-grupa-TIME-DAH-220-VG-4) LP V/A - `Jugoslavenski festival revolucionarne i rodoljubne pjesme (Zagreb 20. 11. 1976. Koncertna dvorana »Vatroslav Lisinski«)` (1976, Jugoton) - livepesma: DRAGO MLINAREC - Domovinahttps://www.kupindo.com/Ploce/72379057_LP-V-A-YU-fest-revolucionarne-i-rodoljubive-pjesme-19765) 2LP V/A -`Randevu s muzikom` (1977, Jugoton) - livepesma: DRAGO MLINAREC I PRIJATELJI - Dijete zvijezdahttps://www.kupindo.com/Ploce/73077797_2LP-V-A-Randevu-s-muzikom-77-Time-Drago-PERFEKTNAhttps://www.kupindo.com/Ploce/70358017_2LP-V-A-Randevu-s-muzikom-77-SEPTEMBER-TIME-MINT6) LP V/A - `1978. Jugoslavenski festival revolucionarne i rodoljubne pjesme` (1978, Jugoton)pesma: DRAGO MLINAREC I PRIJATELJI - Budnica7) LP - V/A - `Opatija `79 - Rock grupe` (1979, Jugoton)pesma: DRAGO MLINAREC I NJEGOVI PRIJATELJI - Trkalište8) 2LP V/A - `Jugoton` (1982, Jugoton)pesma: DRAGO MLINAREC - Trkalište9) LP V/A - `Zagrebfest `86 - Novi trendovi šansone - Pusti suzu, za nas, vjetre` (1986, Jugoton) - livepesma: DRAGO MLINAREC i MILJENKO GALIĆ - Marjan Expres10) 2LP V/A - `Legende YU rocka` (1987, Jugoton) - livepesma: DRAGO MLINAREC - Osmijehhttps://www.kupindo.com/Ploce/71343185_2LP-V-A-Legende-YU-rocka-1987-TIME-Tocak-NM-VG-11) LP V/A - `Rock za Hrvatsku!` (1991, Jugoton)pesma: DRAGO MLINAREC & LE CINEMA - Sjećanja12) LP - V/A - `Zimzeleno a novo` (2015, Croatia Records)pesma: DRAGO MLINAREC - Negdje postoji netko********************************************************************************************************************************************GRUPA 220 - kompletna vinilna LP diskografija:1) LP `Naši dani` (1968, Jugoton)https://www.kupindo.com/Ploce/72785705_LP-GRUPA-220-Nasi-dani-1968-originalni-press-G-1a) LP `Naši dani` (2012, Croatia Records) - crni vinil1b) LP `Naši dani` (2012, Croatia Records) - crveni vinil2) LP `Slike` (1975, Suzy)https://www.kupindo.com/Ploce/73077821_LP-GRUPA-220-Slike-1975-PLOCA-MINT-5-3) LP `1967/68 Originali` (1987, Jugoton)https://www.kupindo.com/Ploce/72785733_LP-GRUPA-220-1967-68-Originali-1987-vrlo-dobra______________________________________________________________________GRUPA 220 - kompletna vinilna SP i EP diskografija1) EP `Osmijeh` (1967, Jugoton)2) EP `Kad bih bio Petar Pan` (1968, Jugoton)3) SP `Prolazi jesen / Plavi svijet` (1968, Jugoton)https://www.kupindo.com/Ploce/72785777_SP-GRUPA-220-Prolazi-jesen-1968-ODLICNA4) 6` flexy Single Sided `Plavi svijet`5) SP `Prva Ljubav / Povratak` (1971, Jugoton)6) SP `Do viđenja vještice / Sivilo perona` (1971, Jugoton)7) SP `Dubi Du-Di, Dubi Du-Da / Kiši i malo je hladno` (1972, Jugoton)8) SP `Balada o gjevojci sa sela / Ponovo na putu` (1975, PGP RTB)*********************************************************************GRUPA 220 na kompilacijskim i zajedničkim pločama:1) EP `Zagreb 68 - ploča 2` (1968, Jugoton)pesma: GRUPA 220 – Kamo vodi sad sve tohttps://www.kupindo.com/Ploce/72774537_EP-V-A-Zagreb-68-plcoca-2-1968-GRUPA-220-retko-2) EP `Festival Split 68` (1968, Jugoton)pesma: ARSEN DEDIĆ I DRAGO MLINAREC UZ `GRUPU 220` - Razgovaram s moremhttps://www.kupindo.com/Ploce/72486225_EP-V-A-Split-68-1968-GRUPA-220-Arsen-Vice-VG-3) LP V/A - `Novi zbor` (1968, Jugoton)pesma: GRUPA 220 - Sreća4) 2LP V/A - Boom Pop Fest `73 (1973, Jugoton)pesma: GRUPA 220 - Pop pjevačhttps://www.kupindo.com/Ploce/72311585_2LP-V-A-Boom-73-1973-YU-grupa-TIME-DAH-220-VG-5) 2LP V/A - `Pop Festival Ljubljana `74 - Boom` (1974, Jugoton)pesma: GRUPA 220 – Čovjek - Bubanj6) LP V/A - `Beat na moru (Originalne snimke 1966.-1975.)` (1991, Jugoton)pesma: ARSEN DEDIĆ I GRUPA 220 – Razgovaram s morem7) LP V/A -`Jugobeat Explosion (60s Punk From Yugoslavia)` (2000, Red Beat`)pesma: GRUPA 220 – Osmijeh8) LP V/A -`Jugobeat Explosion Vol. 2 (60s Punk From Yugoslavia)` (2000, Red Beat`)pesma: GRUPA 220 – Kamo vodi sad sve to

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Marko A. Kovačič - Naprej v preteklostBrizgni tisk, 1994.Marko A. Kovačič - Napred u prošlostštampa, 1994.20x15cm. Na samoj grafici nema potpisi, vec samo potpis na poledjini nekadasnjeg rama. Vidi slike!MARKO A. KOVAČIČRojen 13. oktobra 1956 v Ljubljani. Diplomiral na Akademiji za likovno umetnost v Ljubljani, 1988 končal specialko za kiparstvo. Ustanovni član Gledališča Ane Monro (1981–1991), skupine R IRWIN S (1983–1985) in skupine Zlati kastrioti (od 2000). Kot samostojni polimedijski in interdisciplinarni umetnik se ukvarja s performansom, skulpturo, z instalacijami, videom, glasbo, s filmom in teatrom.Za svoje delo je leta 1987 prejel nagrado Zlata ptica in leta 1994 Zupančičevo nagrado mesta Ljubljane. Mednarodno združenje ICAN, International Contemporary Art Network s sedežem v Amsterdamu, je razglasilo razstavni projekt Civilizacija plastosov za Delo meseca (februar 2003).Samostojni projekti1994–2006Performansi1996The Drug of the Natyon (z/with 2227, Fourklor, etc.), Ljubljana, Lutkovno gledališče > Kopenhagen, KronborgFor Your Eyes Only, Varšava / Warsaw, The Centre for Contemporary Art, Ujazdowski Castle1998Zvezda? / Star?,Ljubljana, Metelkova mesto, Galerija AlkatrazMarkov kot iz zbirke Katastropolisa, Metelkova mesto, Sot 241999Preživelo mesto, Ljubljana, Galerija KapelicaKatastropolis 2227 (This Is Your Shadow on My Wall), ARTileria, KlužeKatastropolis 2227, Maribor, Razstavni salon Rotovž; Ljubljana, Galerija Škuc; Ljubljana, Galerija Gornji trg; Ljubljana, Galerija KapelicaKatastropolis 2227, Limerick, City Gallery of Art2000Plastos: Paleontropološki muzej, Ljubljana, Galerija KapelicaPreživela civilizacija, Novo mesto, Knjižnica Jožeta Mazovca2001Preživelo mesto: Katastropolis, Beograd, Galerija Studentskog kulturnog centraRuska utopija (predavanje), Ljubljana, Trubarjev antikvariat2002Nejeverni Tomaž (Zlati kastrioti), Ljubljana KUD France Prešeren > Maribor, Pekarna2002/2003Dr. Skavčenko vodi po razstavi Civilizacija plastosov, Ljubljana, Narodni muzej2005Zlati res (Zlati kastrioti), Ljubljana, KUD France Prešeren > Ljubljana, Ana Desetnica Street Theatre Festival > Metelkova mesto, Menza pri korituVideoNaprej v preteklost / Forward to the Past, Beta SP, Digital D3 mastering, V.S. Video / Forum Ljubljana & VPK, Ljubljana 1995, 10’Plastosi / Plastoses, Beta SP, Digital D3 mastering, V.S. Video / Forum Ljubljana, 2000, 10’Lab Party, Mini DV, Digital D3 mastering, Forum Ljubljana/Zwiks, 2002, 4’Dosje 83:03. Video rekonstrukcija / Dossier 83:03. Video Reconstruction, DVD, 2003, 48’Svetla prihodnost: Plastos Fedor pomaga / Bright Future: Plastos Fedor Assists, Mini DV, stop-motion animacija, Forum Ljubljana, 2003, 6’Zlati res, DVD, Zlati Kastrioti/SCCA–Ljubljana, 2004, 31’Samostojne razstave1994Naprej v preteklost / Forward to the Past, Ljubljana Galerija Škuc >Celje, Galerija sodobne umetnosti; Maribor, Razstavni salon Rotovž1995Laterna magica, Ljubljana, Moderna galerija: Mala galerijaStolovid (Urbanaria – drugi del) / Chair-View (Urbanaria – Part Two), LjubljanaKatastropolis 2227, Koper, Galerija Loža1996Zatišje pred viharjem / The Lull Before the Storm, Ljubljana, Bežigrajska galerijaDisinfected for Your Protection (For Your Eyes Only), Varšava / Warsaw, The Centre for Contemporary Art, Ujazdowski Castle1997Izgubljeni horizont / The Lost Horizon, Ljubljana, Galerija KapelicaFragmenti pozabe / Fragments of Oblivion, Škofja Loka, Galerija Ivana Groharja1998Fiziognomika plastosa / Physiognomy of Plastos, Ljubljana, Informacijski center Moderne galerijeZvezda? / Star?,Ljubljana, Metelkova mesto, Galerija AlkatrazMarkov kot iz zbirke Katastropolisa, Metelkova mesto, Sot 24Med bližnjiki in sorodniki (z/with Žiga Koritnik & Miha Krivic), Ljubljana, Galerija Kapelica1999Izgubljeno vrijeme, Rovinj, Galerija Sv. TomaPreživelo mesto, Ljubljana, Galerija Kapelica2000Sije zvezda petokraka, Ljubljana, Galerija Dvorni trgPlastos: Paleontropološki muzej, Ljubljana, Galerija Kapelica2001Plastos: Paleontropološki muzej II, Maribor, Razstavni salon RotovžPlastosi potujejo, ICS vlaki Ljubljana–Maribor–Ljubljana, Mestni avtobusi Ljubljana in MariborPreživela civilizacija, Beograd, Studentski kulturni centar2002Civilizacija plastosov, Ljubljana, Narodni muzej2003Pri 3D ekranu, Ljubljana, Metelkova mesto, umetnikov atelje / artist’s studioDosje 83:03, Likovni salon Celje > Zagreb, Galerija Studentskog centra2004Prestop, Ljubljana, Peterokraki stolp na Ljubljanskem graduNazaj v prihodnost, Škofja Loka, Galerija Ivana GroharjaPlastoratorij, Ljubljana, Galerija Kapelica2005Dosje 83:03, Ljubljana, Metelkova mesto, Klub GromkaIn memoriam Metelkovi 93–98. Pozabljena petletka, Ljubljana, Metelkova mesto, Jalla, JallaPlastosi, Ljubljana, Galerija Art.siFlash Back, Maribor, Kibla, KibelaIzguba želje, Ljubljana, Projektna soba SCCA2006Ljubeči pogled, Ljubljana, Mestna galerijaSkupinske razstave in festivali (izbor)1994Best of Ostranenie 93, New York, Knitting Factory > Ljubljana, Moderna galerija > Zagreb, Umjetnički paviljon > Berlin, Czech Cultural Center > Bonn (Europa–Europa), Exhibition Hall of the Federal Republic of Germany •• A Past Memorized – A Future Conceived: Video From Slovenia, Rotterdam, Zaal die Unie > Amsterdam, Netherlands Film Museum > Dunaj/Vienna, Medienwerkstatt > Gradec/Graz, ESC > München, Marstal, Bayerischer Staatscheuspiel > Iowa, School of Art and Art History > Kassel •• Slovenački video danas, Beograd, Bitef teatar •• Monumental Propaganda, Ljubljana, Moderna galerija •• Od alternativne scene do avtorskega videa: Video produkcija v Sloveniji (1992–94) / From Alternative Scene to Art Video: Video Production in Slovenia (1992–1994), Rijeka, Moderna galerija > Maribor, Media Nox > Ljubljana, KUD France Prešeren > Skopje, Muzej na sovremenata umetnost > Videm/Udine (Videokids ’94), Sala Video Cinema Ferroviario > Portogruaro •• Von uns aus... Neue Kunst aus Slowenien, Marburg, Universitätsmuseum für bildende Kunst > Wiesbaden > Bonn > Brussels > Göttingen > Hamburg > Darmstadt > Stuttgart •• Cetinjski bienale, Cetinje, Plavi dvorac •• 22. Festival der Nationen, Ebensee, Kino Ebensee •• U3, 1. trienale sodobne slovenske umetnosti, Ljubljana, Moderna galerija •• Urbanaria – prvi del/ Urbanaria – Part One (SCCA–Ljubljana), Ljubljana, NUK1995The Collection of the P.A.R.A.S.I.T.E. Museum: Slovene Art of the 1990s, Budimpešta/Budapest, Mücsarnok > Bochum, Museum Bochum •• Tunel (Dan planeta Zemlje ‘95), Zagreb, Tunel pod Gričem •• Mikulići ‘95, Zagreb, Pongračev dvorac •• Arte a Pordenone, Pordenone •• From Alternative Scene to Art Video: Video Production in Slovenia (1992–1994), Moskva/Moscow, Centre for Contemporary Arts > St. Peterburg, Soros Center for Contemporary Arts – St. Petersburg •• Cash & Carry, Ljubljana, Galerija Škuc •• 5. slovenski filmski maraton, Portorož, Avditorij •• International symposium de sculpture (Luxembourg Ville Européenne de la Culture), Esch-sur-Alzette1996Najnowsza sztuka video ze Slowenii, Varšava/Warsaw, The Centre for Contemporary Art, Ujazdowski Castle •• Alpe Adria Cinema, Trst/Trieste, Cinema Excelsior •• Videoformes 96, Clermont Ferrand, Maison des Congres, Salle Multimedia •• Tanz-Geschichten 24, Köln, Cinemathek Köln •• From Alternative Scene to Art Video: Video Production in Slovenia (1992–1994), Los Angeles, CalArts > LACE Gallery •• 24. Festival der Nationen, Ebensee, Kino Ebensee •• Senzatitolo – Eventi, Azioni, Esposizioni, Rovereto, Auditorium R. Zandonai •• Trnfest, Ljubljana, KUD France Prešeren •• Immaginario altro, Trst, Sala Franco •• Pepelkova – Gromki festival, Ljubljana, Metelkova mesto •• LUR, Mostar, Kulturni dom •• Monumental Propaganda, Fullerton, Muckenthaler Art Center > Miami Beach, Bass Museum of Art > Kansas City, Kemper Museum of Contemporary Art and Design •• Cybersalon akvarij, Celje, Likovni salon Celje •• Študentski kulturni dnevi, Ljubljana, Slovenska kinoteka •• 6e Mondial de la video – 18e Festival International du Film Super 8 et Video, Bruselj, Centre culturel Jacques Franck •• 5e Biennale Internationale du Film sur l’Art, Paris, Centre Georges Pompidou •• Hi-Tech umeni, Brno, Dum umeni1997Medij v mediju (SCCA–Ljubljana), Ljubljana, Mestna galerija •• Kabinet najdenih predmetov, Koper, Galerija Loža •• Monumental Propaganda, Helsinki, Helsinki City Art Museum > Uppsala, Uppsala Konstmuseum •• Videospotting (Evropski mesec kulture), Ljubljana, Klub Metropol •• Modra roka – Majski salon ‘97, Ljubljana, Galerija Riharda Jakopiča •• 3. Sarajevo film festival, Sarajevo, Kinoteka BIH •• Hicetnunc, San Vito al Tagliamento, Pordenone, Ex Essiccatoio Bozzoli •• LUR, Sarajevo, Collegium artisticum, Euro Club •• This Art is Recycled, Ljubljana, Galerija Škuc •• Interstanding 2, Tallinn, Eesti Kunstakadeemia > Tartu, Eesti Rahva Museum •• Slovenski plakat devetdesetih let, Ljubljana, Galerija Riharda Jakopiča •• Iskanje izgubljenega časa, 15 let Forumove video produkcije, Ljubljana, Slovenska kinoteka •• Fiat – festival internacionalnog alternativnog teatra, Podgorica, Dom omladine Budo Tomović, pozorište Dodest •• Tzara Marathon Night (Tzara Rerum Novara), Chisinau1998Iskanje izgubljenega časa, 15 let Forumove video produkcije, Maribor, Pekarna > Koper, Mladinski kulturni center > Postojna, Mladinski kulturni delovni center > Črnomelj, Mladinski kulturni klub > Železniki, Kulturno društvo Rov Železniki > Krško, Atrij Valvasorjeve hiše •• Avant-garde Films and Videos from Central Europe (Festival of Central European Culture), London, Cinema Lux •• Body and the East, Ljubljana, Moderna galerija •• Intra muros – Med zidovi, ARTileria, Kluže •• Permanent Instability (Onufri’98), Tirana, National Gallery1999Art from a Rucksack, Limerick City Gallery of Art & Belfast, Catalyst Arts Gallery •• Art in Slovenia, Koper, Galerija Loža •• This Is Your Shadow on My Wall, ARTileria, Kluže •• Eastern Europe After The Berlin Wall, St. Peterburg, Marble Palace, State Russian Museum •• ‘Beyond Time’ Shelter, Novosibirsk •• European Art Avant-garde, Budimpešta/Budapest, Balazs Bela Studio •• Campo video, Benetke/Venice, IUAV – Tolentini2000American Dreams, Maribor, Umetnostna galerija •• hom*o.sapiens.3000, Maribor, Kibla, Kibela •• Basel, Videoszene Slowenien, Kunsthalle Basel •• Videodokument, Ljubljana, Metelkova mesto, Teater Gromki & Galerija Alkatraz •• Crossing Over 4, Ljubljana, Ljudmila •• Dreamwatcher, Kiev •• East West Video, Novosibirsk •• Communication, Almaty •• Film Video Monitor:Video Gong, Gorica/Gorizia •• Video Medea, Novi Sad •• Media.art.theory.week, Labin •• Co-operation, Dubrovnik2001Oko in njegova resnica, Ljubljana, Moderna galerija •• Slovene Way, Bologna, Galleria Neon •• Konverzacija, Beograd, Muzej savremene umetnosti •• Vulgata: U3 – Trienale sodobne slovenske umetnosti, Ljubljana, Moderna galerija •• Vulgata: Kunst aus Slowenien, Berlin, Neuer Berliner Kunstverein •• Becoming digital,Zagreb, net.center Mama •• Black Box Recorder, Maribor, Razstavni salon Rotovž •• Salon mladih, Zagreb •• Beograjska izkušnja, Beograd,Škola za istoriju i teoriju umetnosti •• 4 International Film festival: PAC Multimedia center, Skopje, New Media Space2002Sao Paolo Biennial, San Paulo •• Izbrana dela slovenskih avtorjev iz zbirk Moderne galerije (1950–2000), Ljubljana, Moderna galerija •• Metelkova v San Paulu, Ljubljana, Bežigrajska galerija 2 •• Utopia Travel, Kairo – Beirut – Istanbul – Sofia – Skopje – Beograd – Sarajevo – Zagreb – Ljubljana – Dunaj/Venna •• Videodokument, Nova Gorica, Mestna galerija2003Do roba in naprej: Slovenska umetnost 1975–1985, Ljubljana, Moderna galerija •• European Photography Projects I – Parallel Avantgardes, Dunaj/ Wien, Artspace •• Video Art From Slovenia, Erevan, NPAK, Armenian Center for Contemporary Experimental Art •• Animateka, Ljubljana, Slovenska kinoteka •• Retrospektiva: Celje po Celju – dokumentarni filmi, Ljubljana, Slovenska kinoteka •• Metelkova mesto: Praznovanje obletnice, Ljubljana, Metelkova mesto •• Z novimi animacijami v novo leto, Ljubljana, Slovenska kinoteka •• Videodokument, Stazione Topolo/Postaja Topolovo •• Borderphonics, IRC: irc.indymedia.org – Webradio •• Beyond the Map – Deconstructing Narratives, Bourges cedex, La Box2004Demistifikacija medijev, Sarajevo, Pro.ba (SCCA) •• Dotik, Udine/Videm, podzemni bunker/shelter •• Arteria – simpozij o sodobni umetnosti, Škofja Loka, Atelje CLOBB •• Obrazi kiparstva, Ljubljana, Magistrat •• Razširjeni prostori umetnosti, Slovenska umetnost 1985–1995, Ljubljana, Moderna galerija •• Sopotniki premoderne, Sp. Hotič, Muzej premoderne umetnosti •• Slovenski filmski festival, Ljubljana, Cankarjev dom •• Home made marmelade, 3rd International Video Art Fest, Priština, Centre for Contemporary Arts •• Sedem grehov: Ljubljana–Moskva / Seven Sins: Ljubljana–Moscow, Arteast razstava, Ljubljana, Moderna galerija2005Towards Zero Gravity – Težnost v slovenski likovni umetnosti 20. in 21. stoletja, Ljubljana, Moderna galerija, svetovni splet/www •• Hevreka 05, Ljubljana, Gospodarsko razstavišče •• Festival stalne grožnje – Poletje v Mali šoli, Ljubljana, Metelkova mesto, Klub Gromka •• 9. kolonija Iveta Šubica, Škofja Loka, Galerija Ivana Groharja •• PostsovkhoZ 5 (mednarodni simpozij), Mooste, MoKS •• Teritoriji, identitete, mreže, Slovenska umetnost 1995–2005, Ljubljana, Moderna galerija •• Materika, Grad Kromberk in Gorica, Castello di Gorizia •• Prva linija, 26. grafični bienale, Ljubljana, MGLC •• Kiparske krajine, Ljubljana, Bežigrajska galerija 2 •• Proces Metelkova, Ljubljana, Metelkova mesto, Galerija Alkatraz •• Visages francophones/Obrazi Slovenije, Cahors, Quenze Donadieu •• Zvezdni prah, 60 let prve slovenske Akademije za likovno umetnost, Ljubljana, Galerija Kresija •• Essence of Life/Art, Budimpešta/Budapest Ludwig Muzeum – Palace of Arts > Moskva/Moscow, The State Tretyakov Gallery2006Prostor mesta. Predstavitev likovnih ustvarjalcev AKC Metelkova mesto, Ljubljana, Galerija Kresija •• Essence of Life/Art, St.Petersburg, State Russian Museum, The Marble PalacePublikacije in katalogiProgramiranje pogleda (Barbara Borčić), Galerija Škuc, Ljubljana, 1988Kralj Matjaž in Winetoujevi dediči (Barbara Borčić), Center IDCO, Ljubljana, 1990Kabinet M, (Barbara Borčić), Prešernova hiša, Kranj, 1990Fragmenti / Fragments (Goran Tomčić, Barbara Borčić), Likovni salon Celje, 1990No More Heroes Any More (Bogdan Lešnik, Barbara Borčić), Forum Ljubljana, 1992Marko A. Kovačič. Thing. Short History - Part One / Stvar. Kratka zgodovina - prvi del, 1981-1994 (ur./ed. Barbara Borčić), Studia humanitatis, Ljubljana, 1994Laterna magica (Nadja Zgonik), Moderna galerija Ljubljana, 1995For Your Eyes Only: Disinfected for Your Protection (ur./ed. Nevenka Šivavec), Likovni salon Celje, 1995Katastropolis 2227 (Nadja Zgonik), Obalne galerije Piran, 1995Zatišje pred viharjem / The Lull before the Storm (Bogdan Lešnik), Bežigrajska galerija, Ljubljana, 1996Izgubljeni horizont / The Lost Horizon (Jurij V. Krpan), Galerija Kapelica, Ljubljana, 1998Izgubljeno vrijeme / Tempo perduto, Zavičajni muzej grada Rovinja, 1999Sije zvezda petokraka (Mišo Alkalaj), Galerija Dvorni trg, Ljubljana, 2000Plastos - časopis / newspaper (ur. Marko A. Kovačič), Forum Ljubljana, 2001Dosje 83:03 / Dossier 83-03 (Irena Čerčnik), Likovni salon Celje, 2003Prestop (Petra Skaberne), DLU, Ljubljana, 2004Nazaj v prihodnost (Barbara Sterle Vurnik), Galerija Ivana Groharja, Škofja Loka, 2004STVAR 2. Kratka zgodovina. Drugi del (1994-2006) / THING 2. Short History. Part Two (1994-2006), (ur./ed. Barbara Borčić), Mestna galerija Ljubljana, 2006Obsežni intervjuji z avtorjemBogdan Lešnik in Barbara Borčić, Ujeti gledalca, Problemi-razprave »Podoba-kristal«, Ljubljana, 1988, št. 9Barbara Borčić, Pesem mesa in podoba je telo postala, Likovne besede »Umetnost je močnejša od smrti«, Ljubljana, 1992, št. 21/22Nadja Zgonik, Marko A. Kovačič: Dve zgodbi / Marko A. Kovačič: Two Stories, M`ARS, Časopis Moderne galerije Ljubljana, 1993, letnik V/št. 3,4Zoran Srdić, Marko Kovačič, Obnašam se kot arheolog, Likovne besede, Ljubljana, 2003, št. 63, 64Lilijana Stepančič, Creative Trickster, Essence of Life/Art, Adamo, Ljubljana, 2005Lukan Blaž: Sto triindvajset značk z likom Lenina. Delo, Ljubljana, 10.6.2006Televizijske oddaje o avtorjuZemira Alajbegović in Neven Korda, Podoba št. 5, A Kanal, december 1992Igor Vrtačnik, TV Slovenija 1: Izzivi, oktober 2001Amir Muratovič, TV Slovenija 1: Evropski kulturni magazin Alica, marec 2003Saša Šavel, TV Slovenija 1, Osmi dan, 8. 6. 2006Sunčica Ostoić, HTV 1, Transfer, 29. 7. 2006Publikacije in katalogi skupinskih razstav (izbor po letu 1994)Urbanaria - prvi del / Urbanaria - Part One (ur. B. Borčić, H. Pivec, L. Stepančič), SCCA-Ljubljana, Ljubljana, 1994Interregnum, Notice o sodobni slovenski umetnosti / Interregnum, Notes on Contemporary Slovene Art, U3 - Trienale sodobne slovenske umetnosti (Tomaž Brejc), Ljubljana 1994Meta Gabršek Prosenc, Die Slowenische Kunst der Neunziger Jahre, katalog Von uns aus... Neue Kunst aus Slowenien, Marburg, 1994Od alternativne scene do avtorskega videa: video produkcija v Sloveniji 1992–1994 (Barbara Borčić), Moderna galerija, Rijeka, 1994 > Muzej sodobne umetnosti Skopje, 1994The Collection of the P.A.R.A.S.I.T.E. Museum: Slovene Art of the 1990s (ur. Mika Briški), Moderna galerija, Ljubljana, 1995Barbara Borčić, Od alternative do autorstva (separat Ljubljana u Beogradu), Vreme, št. 232, Beograd, 3. 4. 1995Andrej Medved, Skrivnostna nadčasovna alkimija, Primorske novice, Koper, 22. 12. 1995Letni katalog Galerije Škuc 1994 / 1994 Annual Catalogue of the Škuc Gallery (ur. Alenka Pirman), Galerija Škuc, Ljubljana, 1996Immaginario altro (Maria Campitelli), Trieste 1996Kabinet najdenih predmetov (ur. Nadja Zgonik), Obalne galerije Piran, 1997Realisation: Kunst in der leipziger Messe. The Blurring of the Public Sphere: Working in Interstices (ur. B. Oetker, Ch. Schneider), Oktagon, Köln, 1997Modra roka (ur. J. Krivec Dragan, N. Zgonik), ZDSLU, Ljubljana, 1997Zbornik Svet umetnosti. This Art Is Re This Art is Recycled (ur. L. Klančar, L. Stepančič, I. Španjol), Galerija Škuc, Ljubljana, 1997Urbanaria – drugi del / Urbanaria – Part Two (ur./eds. B. Borčić, H. Pivec, L. Stepančič), OSI-Slovenia (SCCA-Ljubljana), Ljubljana, 1997Medij v mediju / Media in Media (ur./eds. B. Borčić, V. Cvahte, L. Stepančič), OSI-Slovenia (SCCA-Ljubljana), Ljubljana, 1997Campo video - videoarte slovena / Campo video – Slovenian videoart, Castelvecchi editoria, Rome, 1999Art from a Rucksack (ur. Nevenka Šivavec), Likovni salon Celje, 1999Interstanding 2 (ur. Sirje Helme), SCCA-Tallinn, 1999 (Barbara Borčić, Škuc-Forum Video Production & Creatures)Eastern Europe After The Berlin Wall, Marble Palace, State Russian museum, St. PeterburgVideodokument. Video umetnost v slovenskem prostoru 1969-1998 / Video Art in Slovenia1969-1998 (ur. Barbara Borčić), OSI-Slovenia (SCCA-Ljubljana), Ljubljana, 1999Slovene Way (ur. A. Fonda, M. Gabršek Prosenc), PatagoniaArt, Benetke, 2000American Dreams. 6. mednarodni trienale Ekologija in umetnost / 6th Intenational Triennial The Ecology and the Art, Umetnostna galerija Maribor, 2000Konverzacija / A Short Notice Show, Muzej savremene umetnosti & CCA- Beograd, 2001Vulgata: U3 - Trienale sodobne slovenske umetnosti (Gregor Podnar), Moderna galerija Ljubljana, 2001Izbrana dela slovenskih avtorjev iz zbirk Moderne galerije (1950-2000), Moderna galerija Ljubljana, 2002Do roba in naprej - Slovenska umetnost 1975-1985 (ur. Igor Španjol, Igor Zabel), Moderna galerija Ljubljana, 2003Impossible Histories: Historical Avant-Gardes, Neo-Avant-Gardes, and Post-Avant-Gardes in Yugoslavia, 1918-1991, (ur. Dubravka Djurić, Miško Šuvaković), MIT Press, Massachussetts, 2003 (Barbara Borčić, Video Art from Conceptualism to Postmodernism)Razširjeni prostori umetnosti - Slovenska umetnost 1985-1995 (ur. Igor Španjol, Igor Zabel), Moderna galerija Ljubljana, 2004Arteria - simpozij o sodobni umetnosti (ur. Tomaž Furlan), zbornik, Atelje CLOBB, Škofja Loka, 2004 (Barbara Borčić, Raba videa na primeru projekta Videodokument)Miško Šuvaković, Pojmovnik suvremene umetnosti, Horetzky, Zagreb, 2005Teritoriji, identitete, mreže - Slovenska umetnost 1995-2005 (ur. Igor Španjol, Igor Zabel), Moderna galerija Ljubljana, 2003Sedem grehov: Ljubljana-Moskva / Seven Sins: Ljubljana-Moscow, Moderna galerija Ljubljana, 2004Materika (ur. Dario Cimorelli), Silvana Editoriale, Milano, 2005Kiparske pokrajine (ur. Miloš Bašin), Mestna galerija Ljubljana, 2005Prva linija, 26. grafični bienale (ur. Lilijana Stepančič), MGLC, Ljubljana, 2005Towards Zero Gravity - Težnost v slovenski likovni umetnosti 20. in 21. stoletja (Igor Zabel), Moderna galerija Ljubljana, 2005Essence of Life/Art (ur. Jadran Adamović), Adamo, Ljubljana, 2005Članki (izbor po letu 1994)Aleksandra Kostić, Naprej v preteklost, M’zin, št. 28/29, april/maj 1994 •• Jaša K. Kacin, Kovačičevo kukalo, Mladina, št. 12, 1994 •• Nadja Zgonik, Pogled v drobovje vizualnosti, Delo, 31. 3. 1994 •• Tomislav Vignjević, Parodija množičnih medijev, Razgledi, 1. 4. 1994 ••Zdenka Badovinac, The Art Scene in Slovenia during a Time of Political and Social Change in the Balkans, Artworld Europe, št. 4, Largo, 1994 •• Tanja Lesničar Pučko, Kdo potrebuje kip(arja)?, Dnevnik, 22. 12. 1995 •• Barbara Borčić, To ni muzej / This Is Not a Museum, M’Ars, št.VII/1, 2, 1995 •• Marjetica Potrč, Slovenska umetnost in Amerika: kraji in predmeti / Slovenian Art and America: Places and Objects, M’Ars, št. 3/4, 1995 •• Nadja Zgonik, Catastropolis, The SCCA Quaterly, No. 1, Tallinn 1996 •• Aldo Milohnić, Što je alternativa?, Frakcija, št. 3, Zagreb 1996 •• John O’Brian, Ljubljana Goes International, Art in America, No. 6, New York, June 1996 •• Barbara Borčić, From Alternative Scene to Art Video, Video Production in Slovenia, Reader V2_East Meeting, No. 1, Rotterdam 1996 •• Alenka Pirman, Urbanaria v Ljubljani / Urbanaria in Ljubljana, M’Ars, št. 1/2, 1996 •• Nancy Buchanan, Smisel za kulturno zgodovino, Slovenski video v ameriških očeh, Delo, 24. 3. 1997 •• Vesna Teržan, Telefonirati konstrukcijo, Razgledi, 1997, št. 12, 11 •• Lilijana Stepančič, Slovenia, Flash Art, Milan, April/May 1997 •• Barbara Borčić, Marko Kovačič: Organizacija prostora, Ars Vivendi, št. 32, 1997 •• Jaša K. Kacin, Ko niti televizija ne pomaga več, Mladina, 14. 2. 1997 •• Vesna Teržan, Modulator No. 1, Mladina, 26. 10. 1998 •• Barbara Sterle, Čudesa iz leta 2227, Dnevnik, 23. 12. 1999 •• Blaž Lukan, Naseljene komore, Delo, 24. 12. 1999 •• Jure Aleksič, Plastosologija, mlada znanost, Mladina, 27. 12. 2000 •• Nataša Petrešin, Konstrukt možne realnosti, Delo, 21.12.2000 •• Sašo Schrott, Ko (znova) zasije petokraka, SP Panorama, 27.7.2000 •• Jaša K. Kacin, Izsledki plastosologov zamajali temelje znanosti, Mladina, št. 49, 4.12.2000 •• Jelka Šutej Adamič, Ali je ključ do sožitja v katastrofi? (pogovor), Delo, 1.10.2001•• Simona Vidmar, Skrivnost civilizacije Plastos, Večer - kultura, 4. 9. 2001 •• Jolanda Gosak, Vlak kot umetniška galerija. Pogled v 23.stoletje na InterCity Slovenia, Nova proga, oktober 2001, št. 9 •• Danijela Purešević, Plastosi, Beorama, Beograd, marec 2001 •• Zora Dorin, Umetnik Marko A. Kovačič o novi civilizaciji: Kdo so Plastosi?, PIL PLUS, št. 19, 2002 •• Esad Babačić, Marko Kovačič: inženir človeških duš, Glamur – Panorama, 2002 •• Jelka Šutej Adamič, Plastosi, nori na zvezde, Delo, 24. 12. 2002 •• Urša Dolinšek, Arheološko kopanje po prihodnosti, Dnevnik, 27. 12 2002 •• Zoran Srdić, Močnejši od katastrof, Delo, 22. 1. 2003 •• Semira Osmanagić, Z belo brado in belo haljo v muzej (intervju), Nedelo, 16. 2. 2003 •• Danijel Nikola Popović, Video muzej zvan »Dosje 83 – 03«, Vjesnik, 18. 12. 2003 •• Rastko Močnik, EastWest, Maska, letnik XIX, št. 3-4 (86-87), poletje 2004 •• Barbara Sterle Vurnik, Zabrisane meje realnosti, Finance, 26. 4. 2004 •• Petja Grafenauer, Marko Kovačič na ljubljanskem gradu, Radio Študent: Art-area, 4. 5. 2004 •• Peter Karba, Marko Kovačič.Izguba želje, Radio Študent: Art-area, št. 63, 27. 12. 2005 •• Brulc Matjaž: Recikliranje spomina. Polet, Ljubljana, 29.6.2006, št. 25, str. 37, ilustr. •• Menaše Lev: Ideje na razprodaji. Delo,Ljubljana, 30.6.2006, št. 149, str. 14, ilustr. •• Osmanagić Semira: Pregledna iskrivost. Nedelo, Ljubljana, 25.6.2006, št. 25, str. 20, ilustr. •• Sterle Vurnik Barbara: Povabilo v galerijo: Fantastični prostori čudes. Finance, 20.6.2006, št. 116, ilustr. •• Zrinski Božidar: Pritisni in poglej. Dnevnik, Ljubljana, 22.6.2006, št. 167, str. 16, ilustr. •• RTV Portal, `Polidisciplinarni Marko A. Kovačič. 23 let sprehajanja med umetniškimi žanri`, ilustr. http://www.rtvslo.si/kultura (pripravila Polona Balantič), 29. 5. 2006 •• Miha Colner (Miha Colner se je sprehajal po razstavi Marka Kovačiča v Mestni galeriji) Radio Študent: Fine umetnosti, Ljubljana, 22.6.2006.tags: avangarda, irwin, laibach, grupa oho, konceptuala, konceptualna umetnost, neoavangarda, marko pogacnik, Iztok Geister Plamen, Marjan Ciglič, Milenko Matanovic, Andraž Šalamun, Tomaž Šalamun, David Nez, Matjaž Hanšek, Naško Križnar, Vojin Kovač Chubby, Aleš Kermavner, Franci Zagoričnik, Marika Pogačnik, Zvona Ciglič, Nuša i Srečo Dragan, a saradnici Ivo Volarič-Feo, Slavoj Žižek, Braco Rotar, Bojan Brecelj, Drago Dellabernardina, Dimitrije Rupel, Rudi Šeligo...

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Veoma dobro očuvano, 12 tomova prepiske. Retko u ponudi u kompetu i u ovakvom stanju.PREPISKA VUKA STEFANOVIĆA KARADŽIĆAIzdavačko preduzeće „Prosveta“ ekskluzivni je izdavač kritičkog izdanja Sabranih dela Vuka Stefanovića Karadžića, a 13 tomova tih dela, od ukupno 37, otpada na Vukovu prepisku. Vuk Karadžić je tokom više pola veka života u svom najzrelijem dobu napisao preko pet hiljada pisama na više od hiljadu adresa pojedinaca i institucija širom Evrope. Originali njegovih pisama nalaze se u mnogim značajnim evropskim bibliotekama, a nema boljih svedočenja o značajnim događajima iz 19. veka od Vukove prepiske.Kupovinom preostalih primeraka (rasparenih) Vukovih dela i drugih značajnih izdanja pomažete opstanak Izdavačkog preduzeća „Prosveta“, teško pogođenog neuspelom i „sumnjivom“ privatizacijom, ali i doprinosite da ove knjige budu sačuvane u školskim i drugim bibliotekama u Srbiji.Vuk Stefanović Karadžić (1787-1864), veliki srpski reformator jezika i pisma, rođen je u Tršiću kod Loznice. Samouk, veći deo života je proveo u Beču, gde je i umro. Posle propasti Prvog srpskog ustanka 1813. godine, u Beču je upoznao slovenačkog naučnika Jerneja Kopitara, koji ga je podstakao na sakupljanje narodnih pesama i umotvorina, kao i na rad na jeziku i pravopisu srpskog jezika, te se smatra ocem srpske jezičke pismenosti. Radom koji je decenijama trebao veliki broj naučnih i kulturnih radnika, stvorio je značajan krug pristalica, ali i mnogobrojne neprijatelje. Prijatelje je našao u najistaknutijim umovima tadašnje Evrope, a univerzitet u Jeni dao mu je titulu počasnog doktora.Zahvaljujući Vuku St. Karadžiću, srpske narodne pesme postale su poznate i cenjene širom Evrope. 1847. godine Vukova reforma u jeziku donela je pobedu njegovih ideja i dokaz da se na „Vukovom jeziku“ mogu pisati umetnička dela. Naime, te godine izlaze pesme Branka Radičevića i knjiga Đure Daničića „Rat za srpski jezik i pravopis“, u kojoj je argumentovano dokazana opravdanost Vukovih jezičkih postavki. Vukovo delo imalo je ogroman uticaj i na ostale južnoslovenske narode, kao i na učvršćivanje kulturnih i nacionalnih veza. Kao posledica novih shvatanja, došlo je do tzv. Književnog dogovora u Beču 1850. godine; tu su se predstavnici srpskog i hrvatskog narodnog života dogovorili o uvođenju jednistvenog književnog jezika kod oba naroda.Godine 1964. „Prosveta“ je u okviru izdavanja sabranih dela srpskih pisaca počela da objavljuje celokupna dela Vuka St. Karadžića. Bilo je planirano da se sve objavi u 40 tomova. Glavni zadatak ove edicije bio je da se sakupe, srede i pripreme svi Vukovi tekstovi, objavljeni i do tada neobjavljeni, i da se pojedini spisi obrade kritičkim komentarima koji će odgovarati sadašnjem trenutku stanja proučavalaca mnogostrukog Vukovog dela. Štampana su sledeća dela:1. VUK – PREPISKA 12. VUK – PREPISKA 23. VUK – PREPISKA 34. VUK – PREPISKA 45. VUK - PREPISKA 5 (1833 – 1836)6. VUK - PREPISKA 6 (1837 - 1842)7. VUK - PREPISKA 7 (1843 - 1847)8. VUK - PREPISKA 8 (1848 - 1850)9. VUK - PREPISKA 9 (1851 – 1852)10. VUK - PREPISKA 10 (1853 - 1854)11. VUK - PREPISKA 11 (1855 - 1859)12. VUK - PREPISKA 12 (1860 - 1862)13. VUK – PREPISKA 1314. VUK - O JEZIKU I KNJIŽEVNOSTI 115. VUK - O JEZIKU I KNJIŽEVNOSTI 216. VUK - O JEZIKU I KNJIŽEVNOSTI 317. SRPSKI RIJEČNIK18. SRPSKI RIJEČNIK 1 – VUK ST. KARADžIĆ19. SRPSKI RIJEČNIK 2 – VUK ST. KARADžIĆ20. VUK - DANICA (1826, 1827, 1828, 1829, 1834)21. BIBLIOGRAFIJA SPISA VUKA STEFANOVIĆA KARADžIĆA22. NOVI ZAVJET - VUK ST. KARADžIĆ23. SRPSKE NARODNE POSLOVICE - VUK ST. KARADžIĆ24. DEUTSCH - SERBISCHES WORTERBUCH25. O CRNOJ GORI – RAZNI SPISI - VUK ST. KARADžIĆ26. PJESMARICA - VUK ST. KARADžIĆ27. ISTORIJSKI SPISI 1 - VUK ST. KARADžIĆ28. ISTORIJSKI SPISI 2 - VUK ST. KARADžIĆ29. ETNOGRAFSKI SPISI - VUK ST. KARADžIĆ30. SRPSKE NARODNE PRIPOVJETKE - VUK ST. KARADžIĆ31. SRPSKE NARODNE PJESME 132. SRPSKE NARODNE PJESME 233. SRPSKE NARODNE PJESME 334. SRPSKE NARODNE PJESME 435. GRAĐA O ŽIVOTU I RADU VUKA ST. KARADŽIĆA37. REGISTRIDo sada je izašlo 37 knjiga. Pre 5 godina, 2014. godine, izašla je 37. knjiga. Po obimu i kritičkoj obradi, ovo izdanje predstavlja najveći izdavački poduhvat u Srbiji. Kada sav posao na izdavanju sabranih dela bude završen (treba da izađu još 3 knjige), to će biti pravi naučni spomenik jednoj od najvećih pojava u istoriji i kulturi ne samo srpskog naroda. Sve knjige štampane su na specijalnoj bezdrvnoj ofsetnoj štampanoj hartiji formata 15x22 i povezane u platno sa zlatotiskom.Vuk Stefanović Karadžić (Tršić, 6. novembar 1787 – Beč, 7. februar 1864) bio je prvi srpski lingvista u 19. veku, reformator srpskog jezika, sakupljač narodnih umotvorina i pisac prvog rečnika srpskog jezika. Vuk je najznačajnija ličnost srpske književnosti prve polovine XIX veka. Rođen u vreme zlo i mučno, u dane kada se činjaše da je skoro ugašen život srpskog naroda. Vuk je stao na snagu u vreme junačko. Stekao je i nekoliko počasnih doktorata. Imao je nekoliko braće i sestara koji su umrli. U tadašnje vreme se verovalo da je to zbog duhova i veštica. Posle smrti dosta njegove braće njegovi roditelji su mu dali ime Vuk da bi to ime oteralo duhove i veštice.Učestvovao je u Prvom srpskom ustanku kao pisar i činovnik u Negotinskoj krajini, a nakon sloma ustanka preselio se u Beč, 1813. godine. Tu je upoznao Jerneja Kopitara, cenzora slovenskih knjiga, na čiji je podsticaj krenuo u prikupljanje srpskih narodnih pesama, reformu ćirilice i borbu za uvođenje narodnog jezika u srpsku književnost. Vukovim reformama u srpski jezik je uveden fonetski pravopis, a srpski jezik je potisnuo slavenosrpski jezik koji je u to vreme bio jezik obrazovanih ljudi. Tako se kao najvažnije godine Vukove reforme ističu 1818, 1836, 1839, 1847. i 1852.Vuk Stefanović Karadžić je rođen 1787. godine u Tršiću blizu Loznice, u porodici u kojoj su deca umirala, pa je po narodnom običaju, dobio ime Vuk kako mu veštice i duhovi ne bi naudili. Njegova porodica se doselila iz Crne Gore iz Drobnjaka. Majka Jegda, devojački Zrnić, rodom je iz Ozrinića kod Nikšića.Pisanje i čitanje je naučio od rođaka Jevte Savića Čotrića, koji je bio jedini pismen čovek u kraju. Obrazovanje je nastavio u školi u Loznici, ali je nije završio zbog bolesti. Školovanje je kasnije nastavio u manastiru Tronoši. Kako ga u manastiru nisu učili, nego terali da čuva stoku, otac ga je vratio kući.Na početku Prvog srpskog ustanka, Vuk je bio pisar kod cerskog hajdučkog harambaše Đorđa Ćurčije. Iste godine je otišao u Sremske Karlovce da se upiše u gimnaziju, ali je sa 17 godina bio prestar. Jedno vreme je proveo u tamošnjoj bogosloviji, gde je kao profesor radio Lukijan Mušicki.Ne uspevši da se upiše u karlovačku gimnaziju, on odlazi u Petrinju, gde je proveo nekoliko meseci učeći nemački jezik. Kasnije stiže u Beograd da upozna Dositeja Obradovića, učenog čoveka i prosvetitelja. Vuk ga je zamolio za pomoć kako bi nastavio sa obrazovanjem, ali ga je Dositej odbio. Vuk je razočaran otišao u Jadar i počeo da radi kao pisar kod Jakova Nenadovića. Zajedno sa rođakom Jevtom Savićem, koji je postao član Praviteljstvujuščeg sovjeta, Vuk je prešao u Beograd i u Sovjetu je obavljao pisarske poslove.Kad je Dositej otvorio Veliku školu u Beogradu, Vuk je postao njen đak. Ubrzo je oboleo i otišao je na lečenje u Novi Sad i Peštu, ali nije uspeo da izleči bolesnu nogu, koja je ostala zgrčena. Hrom, Vuk se 1810. vratio u Srbiju. Pošto je kraće vreme u Beogradu radio kao učitelj u osnovnoj školi, Vuk je sa Jevtom Savićem prešao u Negotinsku krajinu i tamo obavljao činovničke poslove.Nakon propasti ustanka 1813. Vuk je sa porodicom prešao u Zemun, a odatle odlazi u Beč. Tu se upoznao sa Bečlijkom Anom Marijom Kraus, kojom se oženio. Vuk i Ana imali su mnogo dece od kojih su svi osim kćerke Mine i sina Dimitrija, umrli u detinjstvu i ranoj mladosti (Milutin, Milica, Božidar, Vasilija, dvoje nekrštenih, Sava, Ruža, Amalija, Aleksandrina). U Beču je takođe upoznao cenzora Jerneja Kopitara, a povod je bio jedan Vukov spis o propasti ustanka. Uz Kopitarevu pomoć i savete, Vuk je počeo sa sakupljanjem narodnih pesama i sa radom na gramatici narodnog govora. Godine 1814. je u Beču objavio zbirku narodnih pesama koju je nazvao „Mala prostonarodna slaveno-serbska pjesnarica“. Iste godine je Vuk objavio „Pismenicu serbskoga jezika po govoru prostoga naroda napisanu“, prvu gramatiku srpskog jezika na narodnom govoru.Iduće godine je izdao drugu zbirku narodnih pesama pod imenom „Narodna serbska pesnarica“.Zbog problema sa knezom Milošem Obrenovićem bilo mu je zabranjeno da štampa knjige u Srbiji, a jedno vreme i u austrijskoj državi. Svojim dugim i plodnim radom stiče brojne prijatelje, pa i pomoć u Rusiji, gde je dobio stalnu penziju 1826. godine. U porodici mu je ostala živa samo kćerka Mina Karadžić.Sjedinjenjem Magistrata i Suda beogradskog u proleće 1831. godine, Vuk Karadžić je imenovan 29. marta 1831. za predsednika te institucije, što se u današnjim terminima smatra gradonačelnikom Beograda.Kao godina Vukove pobede uzima se 1847. jer su te godine objavljena na narodnom jeziku dela Đure Daničića „Rat za srpski jezik“, „Pesme“ Branka Radičevića, Njegošev „Gorski vijenac“ (pisan starim pravopisom) i Vukov prevod Novog zavjeta, ali Vukov jezik je priznat za zvanični književni jezik tek 1868, četiri godine nakon njegove smrti.Vukova smrt, opelo i sahranaVuk je umro u Beču, 7. februara / 26. januara 1864. godine, popodne, `u Traunovoj kući, u Marokanskoj ulici, u Landštrasima`. „Primećujući da pisac najopsežnije monografije o Vuku, Ljubomir Stojanović, nije imao pri ruci nijedno svedočanstvo savremenika o Vukovoj smrti, Andra Gavrilović je skrenuo pažnju na dva članka Aleksandra Sandića u kojima je dat kraći opis samoga događaja. Međutim,ostalo je zaboravljeno da je Sandić još jednom, po treći put, nešto šire zabeležio svoja sećanja o tome kako je Vuk umro`.„Kada je umro – 26 januara 1864 godine – Vuk Karadžić bio je „oplakan od celog srpstva i celog učenog slovenskog sveta”. Na vest o smrti, Vuk Vrčević pisao je odmah Mini: „Ovo je prvi put u mome životu da Bam pišem, a koliko god je velika moja čast, tolika je dvostruka moja žalost što sad moram učastnik biti žalosti blagorodne duše vaše za izgubitak neumrlog vašeg oca a mojega najvećega prijatelja i nezaboravljenog blagodjetelja”. „Na pogrebu Vukovom, piše jedan suvremenik, bila je – razume se – sva omladina, a do groba na Sankt-Marksovom groblju nosili su Vuka ovi omladinci: filozof Aleksandar Sandić i pet medicinara: Đura Bastić, Isa Stojšić, Aleksandar (Šaca) Stepanović, Milan Jovanović (Morski) i ja. Na opelu održao je dugački govor Aleksandar Sandić, dugogodišnji Vukov prijatelj i pomoćnik u radu, a posle opela, u grčkoj kapeli, govorio je, tada još bečki student, Vladan Đorđević`. Govor mu je tom prilikom održao arhimandrit Gerasim Petranović. Posmrtni ostaci preneseni su u Beograd 12. oktobra 1897. godine i uz velike počasti sahranjeni u porti Saborne crkve, pored Dositeja Obradovića. Počasni je građanin hrvatske prestonice, grada Zagreba.Vukov radReforma ćirilice i rad na gramatici i rečnikuPodstaknut Kopitarevim savetom da napiše i gramatiku narodnog jezika, Vuk se prihvatio ovog posla, za koji nije imao dovoljno stručne spreme. Ugledajući se na gramatiku slavenosrpskog jezika, koju je u 18. veku napisao Avram Mrazović Vuk je uspeo da završi svoje delo. Njegova gramatika koju je nazvao „Pismenica serbskoga jezika po Govoru prostoga naroda napisana“, izašla je u Beču 1814. Bez obzira na nesvršenost i nepotpunost, ovo delo je značajno kao prva gramatika govora prostoga naroda.Svestan nesavršenosti svoje Pismenice, Vuk je prihvatio primedbe Kopitara i drugih naučnih radnika, pa je uz prvo izdanje „Srpskog rječnika“ iz 1818. objavio i drugo, prošireno izdanje svoje gramatike. U rečniku je bilo 26.270 reči koje su se koristile u govoru naroda u Srbiji, Sremu i Vojvodini. Ovo drugo izdanje gramatike je nekoliko godina kasnije (1824) na nemački jezik preveo Jakob Grim.Osnovna vrednost Pismenice je bilo njeno radikalno uprošćavanje azbuke i pravopisa. Vuk je u njoj primenio Adelungov princip: „Piši kao što govoriš, a čitaj kao što je napisano.“ Raniji pokušaji, poput Save Mrkalja, su bili nesistematski i neuspeli. Vuk je smatrao da svaki glas treba da ima samo jedno slovo, pa je iz dotadašnje azbuke izbacio sve nepotrebne znakove, koja su se pisala iako nisu imala svojih glasova. Stara slova je podržavala Srpska pravoslavna crkva, koju je u njima videla neku vrstu veze kulture i pismenosti sa religijom.Vuk je stvorio nove znake tako što je pojedina slova spojio sa tankim poluglasom (l + ь -> lj, n + ь -> nj). Izgled slova đ je prihvatio od Lukijana Mušickog, dž je uzeo iz nekih starih rumunskih rukopisa, a ć iz starih srpskih rukopisa. Uzimanje slova j iz latinice su mu njegovi protivnici iz crkvenih krugova pripisivali kao najteži greh, uz optužbe da radi na pokatoličavanju srpskog naroda.Iz staroslovenske azbuke Vuk je zadržao sledeća 24 slova:A a B b V v G g D d E e Ž ž Z zI i K k L l M m N n O o P p R rS s T t U u F f H h C c Č č Š šNjima je dodao jedno iz latinice:J jI pet novih:Lj lj Nj nj Ć ć Đ đ Dž džIzbacio je sledeća slova:Ѥ ѥ (je) Ѣ, ѣ (jat) І ї (i) Ѵ ѵ (i) Ѹ ѹ (u) Ѡ ѡ (o) Ѧ ѧ (mali jus) Ѫ ѫ (veliki jus) Ы ы (jeri, tvrdo i)Ю ю (ju) Ѿ ѿ (ot) Ѳ ѳ (t) Ѕ ѕ (dz) Щ щ (št) Ѯ ѯ (ks) Ѱ ѱ (ps) Ъ ъ (tvrdi poluglas) Ь ь (meki poluglas) Я я (ja)U početku Vuk nije upotrebljavao slova f i h. Slovo h je dodao u cetinjskom izdanju „Narodnih srpskih poslovica“ iz 1836. godine. Karadžić je 1839. godine izbacio jotovanje glasova d i t u srpskom književnom jeziku.Za drugo izdanje „Srpskog rječnika“ Vuk je prikupljao građu iz govora stanovništva Crne Gore, Dubrovnika, Dalmacije i Hrvatske. Ovo izdanje je objavljeno u Beču 1852. godine, i u njemu se našlo 47.427 reči. Ovo izdanje Rječnika na nemački je preveo Jakob Grim. Do kraja svog života Vuk je radio na daljem prikupljanju građe, ali ga je smrt sprečila da spremi i treće izdanje. To su tek 1898. godine učinila dvojica njegovih poštovalaca, Pera Đorđević i Ljubomir Stojanović.Borba za uvođenje narodnog jezika u književnostTokom rada na gramatici, rečniku i izdavanju narodnih pesama, Vuk je počeo da se bavi pitanjem književnog jezika, koji je u njegovo vreme predstavljao haotičnu mešavinu. Stara srpska književnost razvijala se na srpskoj redakciji staroslovenskog jezika sve do početka 19. veka. U 18. veku došlo je do snažnog uticaja ruskih crkvenih knjiga na književni život Srba. Elementi ruskog jezika su sve više prodirali u dotadašnji crkveno-književni jezik i tako je stvoren veštački rusko-slovenski jezik, koji je u Vukovo vreme bio zvanični jezik crkve, škola i književnosti.Školovani ljudi učili su iz knjiga na starom jeziku, unoseći u njega elemente ruskog i srpskog narodnog jezika. Na taj način stvoren je slavenosrpski jezik, kojim se pisalo kako je ko znao. Takva nesređena situacija je bila osnova sa koje je Vuk krenuo u borbu protiv pisaca stare škole. Borba je počela Vukovom kritikom romana Usamljeni junoša 1815. i Ljubomir u Elisijumu 1817. Milovana Vidakovića. Kritika je bila usmerena na loše piščevo poznavanje jezika, koji je predstavljao nesređenu mešavinu imenskih i glagolskih oblika starog, slovenskog i narodnog jezika. Kako je Vidaković u to vreme bio najpopularniji srpski pisac, pa je ovakav Vukov napad izazvao buru u književnoj javnosti. Pored Vidakovića, u polemici su učestvovali i Joakim Vujić, Lukijan Mušicki, Pavle Berić i Gliša Geršić. Crkva i njeni najviši predstavnici su prednjačili među Vukovim protivnicima. Karlovački mitropolit Stefan Stratimirović, je već posle prvih Vukovih knjiga, dejstvovao preko budimskih vlasti da se onemogući štampanje knjiga. Stratimirović se posebno nije mirio sa Vukovom azbukom, zbog izbacivanja starih ćiriličnih slova i uvođenja slova J, smatrajući to napuštanjem pravoslavlja i pokatoličavanjem.Vuk je preveo Novi zavet na srpski 1819. godine i objavio ga, posle 27 godina pokušaja da dobije preporuku, pod naslovom Novi zavjet Gospoda našega Isusa Hrista.Pored srpske crkve, najveći Vukov protivnik je bio Jovan Hadžić, osnivač i predsednik Matice srpske i jedan od najobrazovanijih Srba tog vremena. Hadžić, koji je u početku bio Vukov saradnik, ali su se kasnije razišli po pitanjima jezika, je 1837. počeo polemiku sa Vukom Karadžićem. U spisu „Sitnice jezikoslovne“, Hadžić je dao uputstva za rad budućim gramatičarima. Vuk je potom napisao svoj „Odgovor na sitnice jezikoslovne“, u kom je zamerio Hadžiću na slabom poznavanju narodnog jezika i neprincipijelnosti u pisanju. Vukov odgovor je bio oštar, pa je Hadžić nastavio polemiku napisavši nekoliko članaka i brošura („Utuk I“, „Utuk II“, „Utuk III“...).Polemika između Karadžića i Hadžića je trajala skoro deceniju, a Karadžić je odneo pobedu tek 1847. godine.1847.Godina 1847. je godina Vukove pobede, i godina u kojoj je konačno dokazao da je srpski narodni jezik jedini pravi jezik Srba, tj. da je slavenoserbski jezik mešavina ruskoslovenskog i srpskog narodnog jezika bez čvršćih pravila. Te godine izdate su četiri knjige Vuka i njegovih saradnika:prevod „Novog zavjeta“ sa crkvenoslovenskog na srpski jezik, autor:Vukrasprava o jeziku „Rat za srpski jezik i pravopis“, Đuro Daničić,„Pesme“,Branka Radičevića„Gorski vijenac“ Petra Petrovića NjegošaIzdavanjem „Gorskog vijenca“, dokazano je da se i najveća filozofska dela mogu pisati čistim srpskim narodnim jezikom.Od 1814. do 1847. godine Vukova pobeda nije bila izvesna. Iako je njegov rad naišao na odobravanje evropskih filologa i lingvista, on je među samim Srbima imao žestoke protivnike, koji su mu prigovarali da njima ne treba prosti, govedarski jezik. Slamajući protivnike u polemikama i štampajući srpske narodne umotvorine, kojima se oduševljavala cijela Evropa, pa čak i najveći evropski pesnik toga vremena Nijemac Gete, Vuk je svojim protivnicima sve više dokazivao da nisu u pravu. Istovremeno je dobijao sve više pristalica među mlađim srpskim književnim i kulturnim radnicima. Do Vukove pobede 1847. dolazi upravo zahvaljujući mladom pokoljenju intelektualaca. Te godine su objavljena gore navedena dela kojima je dokazano da se na prostom narodnom jeziku može pisati kako poezija, filozofija tako i sama Biblija, čiji prevod ne zaostaje ni za jednim prevodom na drugi jezik. Delo Đure Daničića je dokrajčilo višegodišnju Vukovu polemiku sa njegovim glavnim protivnikom Jovanom Hadžićem i potpuno opravdalo Vukovu reformu srpske azbuke i pravopisa. Iako je Vukova reforma ove godine postala stvarnost, trebaće dvadeset i jedna godina da se u Srbiji zvanično prihvati Vukov pravopis.Njegoš o Vukovoj redakciji srpskog jezikaNjegoš svjedoči i potvrđuje svoju saglasnost Vukovom prevodu `Novog zavjeta` na srpski jezik (prihvata Vukovu redakciju srpskog jezika)- Beč, 9. oktobra 1833. g.:„SVJEDODŽBA - Kojom mi doljepotpisani svjedočimo da je poznatog srpskog spisatelja g. Vuka Stefanovića Karadžića prevod ’Novog zavjeta’ na srpski jezik čist i pravilan i da je naša volja i želja da se pomenuti prevod na svijet izda na polzu jezika i duševno spasenije srpskog naroda ... Potpis :vladika crnogorski i brdski Petar Petrović”Sakupljanje narodnih umotvorinaNa beleženju narodnih umotvorina Vuk je počeo da radi odmah po poznanstvu sa Kopitarom. Kopitar je gajio veliku ljubav prema slovenskim narodima, interesujući se naročito za narodne pesme, a nemački kulturni radnici, koji su u svojoj zemlji sakupljali starine i izučavali narodnu prošlost, bili su mu bliski prijatelji. U Beču je Vuk 1814. štampao zbirku narodnih pesama nazvanu „Mala prostonarodna slaveno-serbska pjesnarica“, u kojoj se našlo oko 100 lirskih i 6 epskih pesama. Ovo je bio prvi put da se jezik prostog naroda pojavio u štampi.Iduće godine je izdao drugu zbirku narodnih pesma pod imenom „Narodna serbska pesnarica“, sa oko stotinu lirskih i 17 epskih pesama, koje je zabeležio po Sremu, kod Mušickog u Šišatovcu, Zemunu, Pančevu, Sremskoj Mitrovici i Novom Sadu. U ovoj zbirci su se našle pesme koje su ispevali Tešan Podrugović i Filip Višnjić. Kopitar je u stranim listovima pisao o srpskoj narodnoj poeziji, pa čak i prevodio na nemački jezik. Među zainteresovanim za srpski jezik našli su se Nemac Johan Volfgang Gete i braća Grim. Nova izdanja narodnih pesmama izašla su 1823. i 1824. u Lajpcigu i 1833. u Beču. Nova izdanja počela su izlaziti u šest knjiga od 1841. Zbog velikih štamparskih troškova peta i šesta knjiga su se pojavile tek 1862. i 1864.Posle velikog uspeha sa narodnim pesmama, Vuk je počeo da radi na sakupljanju svih vrsta narodnih umotvorina. Prva zbirka pripovetki „Narodne srpske pripovijetke“ su se štampale 1821. u Beču. U ovom izdanju se našlo 12 pripovedaka i 166 zagonetki. Godine 1853, u Beču je izašlo novo izdanje pripovedaka, koje je Vuk posvetio Jakobu Grimu. Vukova kćerka Mina je sledeće godine prevela pripovetke na nemački jezik.Beleženje narodnih poslovica je išlo paralelno sa sakupljanjem pesama i pripovedaka. Zbog intervencije mitropolita Stratimirovića, bečke vlasti nisu dozvolile izdavanje zbirke bez dozvole budimskih vlasti. Kako je Vuk u to vreme boravio u Crnoj Gori, na Cetinju je 1836. štampao „Narodne srpske poslovice“ koje je posvetio vladici Petru II Petroviću Njegošu. Posle ovog izdanja Vuk je za života objavio još jedno izdanje poslovica.Sakupljanje narodnih običajaSpecifičan život srpskog naroda za vreme vladavine Turaka, izolovan od savremenosti, učinio je da se arhaična patrijarhalna verovanja i običaji u njemu dugo očuvali. Stoga je Vuk Karadžić predano radio na opisivanju narodnog folklora. „Srpski rječnik“ je pružio prve bogate opise običaja i verovanja naroda. Tumačeći pojedine reči, Vuk je unosio i opise.Istoriografski radPored rada na reformi srpskog jezika i prikupljanju narodnih umotvorina, Vuk Karadžić se bavio i istoriografskim radom. Kao učesnik Prvog srpskog ustanka, Vuk je spremio ogroman materijal o događajima sve do 1814, kao i o vladavini kneza Miloša Obrenovića. Godine 1828. je objavio rad „Miloš Obrenović knjaz Serbiji“. Od obilne građe o Prvom srpskom ustanku, Vuk je izdao samo jedan deo „Praviteljstvujušči sovjet serbski...“, u kom je opisao najvažnije bitke iz Prvog srpskog ustanka i neslogu između srpskih starešina.Najistaknutije vođe Prvog srpskog ustanka Vuk je opisao u nekoliko istorijskih monografija. Tu su obuhvaćeni Hajduk Veljko Petrović, Miloje Petrović, Milenko Stojković, Petar Dobrnjac, Hadži Ruvim i drugi.Konačno, Vuk je poznatom nemačkom istoričaru Leopoldu Rankeu dao materijal o Prvom srpskom ustanku, prema kojoj je Ranke kasnije napisao svoje delo „Srpska revolucija“ (nem. Die serbische Revolution).Vukov uticajFilološki radU prvoj polovini 19. veka, uz pomoć tadašnjih vrhunskih filologa, kao što su braća Grim i austrijskih državnih vlasti koje je predstavljao Jernej Kopitar, Vuk Stefanović Karadžić je reformisao srpsku ortografiju i pravopis, praveći veliki rez između dotadašnje slavenosrpske kulture i novog standarda.Karadžićeva kapitalna dela, među kojima se ističu prvo izdanje „Srpskog rječnika“ (1818), drugo, znatno prošireno (1852), te prevod „Novoga zavjeta“ (1847), postavili su temelje za savremeni standardni srpski jezik, a znatno su uticala i na oblik savremenog standardnog hrvatskog jezika, ponajviše u fazi hrvatskih vukovaca ili mladogramatičara. Osnovna načela Karadžićeve reforme se mogu sažeti u tri tačke:izjednačavanje narodnog i književnog jezika, tj. insistiranje na folklornim jezičkim oblicima, za koje se smatralo da su pouzdan vodič zabeležen u narodnim pesmama i poslovicama;prekid sa svim starijim oblicima srpske književnosti i pismenosti i novo utemeljenje standardnog jezika bez oslona na tradiciju;i, novoštokavski folklorni purizam, što se ogledalo u čišćenju jezika od crkvenoslavizama koji su identifikovani kao ruskocrkvena naplavina koja ne odgovara glasovnoj i gramatičkoj strukturi srpskog jezika.Na tehničkom nivou, Karadžićeva reforma se manifestovala u novoj srpskoj ćirilici u kojoj su izbačeni nepotrebni poluglasnici (ъ, ь), apsorbovani (upijeni) grafemi za lj, nj, dž koje je predlagao Sava Mrkalj (Vuk je gotovo u potpunosti preuzeo grafiju „narodnog“ pisanog idiolekta Gavrila Stefanovića Venclovića, monaha u manastiru Rači s kraja 17. i početka 18. veka), te uvedena grafema j iz (nemačke) latinice. Novi fonološki pravopis, primeren prozirnom idiomu kakav je srpski, zamenio je stariji tvorbeno-morfološki. Jezički supstrat je bila novoštokavska ijekavština (istočnohercegovačko-krajiško narečje), koju je Vuk Karadžić stilizovao delom i prema hrvatskim pisanim djelima (tjerati umesto ćerati, djevojka umesto đevojka, hoću umesto oću). Ali, zbog uticaja srpske građanske klase u Vojvodini i Srbiji, ta je reforma prihvaćena u nešto izmenjenom obliku: ijekavski refleks jata (ѣ) je zamenjen ekavskim (npr. dete umesto dijete). Srpski književni jezik ijekavskog refleksa jata ostao je u Crnoj Gori, Bosni i Hercegovini, među Srbima i Hrvatskoj, kao i u narodnim govorima zapadne i jugozapadne Srbije.Nefilološki radVuk je pored svog najvećeg doprinosa na književnom planu, dao veoma značajan doprinos i srpskoj antropologiji u kombinaciji sa onovremenom etnografijom. Uz etnografske zapise ostavio je zapise i o fizičkim osobinama tela. U književni jezik je uneo bogatu narodnu terminologiju o delovima tela od temena do stopala. Treba napomenuti da se ovim terminima i danas koristimo, kako u nauci tako i u svakodnevnom govoru. Dao je, između ostalog, i svoje tumačenje veze između prirodne sredine i stanovništva, a tu su i delovi o ishrani, o načinu stanovanja, higijeni, bolestima, kao i o pogrebnim običajima. U celini posmatrano, ovaj značajni doprinos Vuka Karadžića nije toliko poznat niti izučavan.NagradeVuk je bio cenjen u Evropi: biran je za člana berlinske, bečke, petrogradske akademije nauka, primljen je za člana naučnih društava u Krakovu, Moskvi, Getingenu, Parizu i drugim gradovima. Odlikovan je od ruskog i habzburškog cara, od pruskog kralja, i Ruske akademije nauka. Dodeljeni su mu Orden knjaza Danila I,[15] Orden Svete Ane sa krunom, Orden crvenog orla i Orden Franca Jozefa.Godine 1861, dodeljena mu je titula počasnog građanina grada Zagreba.Pokrenuta je inicijativa da jedna ulica u Beču dobije njegovo ime.Miodrag Popović (Obradovce, Crna Trava, 16. oktobar 1920 – Beograd, 2005) je srpski bio istoričar književnosti, esejist, pesnik, pripovedač, romanopisac i profesor Univerziteta u Beogradu.Pre rata pripadao komunističkom pokretu, kao i njegov brat Milentije Popović. Osnovnu školu i gimnaziju završio je u Beogradu, 1939. godine. Studirao je na Medicinskom fakultetu u Beogradu i diplomirao na Filozofskom fakultetu 1951. godine. Bio je službenik Prosvetnog odeljenja INO Beograda, sekretar i član redakcije časopisa „Mladost“ i novinar u Radio Beogradu. Uhapšen po IB-u 16. oktobra 1949. i sproveden na Goli otok, potom u Rudnik „Kreka“, da bi 1. marta 1950. bio pušten na slobodu. Od oktobra 1950. radi kao bibliotekar u Univerzitetskoj biblioteci Svetozar Marković. Potom je (od 1955) asistent na Filozofskom fakultetu. Doktorira 1957. s tezom „Đura Jakšić do 1868. godine“. Od 1958. je naučni saradnik na Katedri za jugoslovensku književnost Filološkog fakulteta, pa vanredni profesor za predmet Jugoslovenska književnost (1964) i redovni profesor Nove jugoslovenske književnosti (1971). Penzionisan je 1. novembra 1980. godine.Rad i delaNjegovo kapitalno delo je „Istorija srpske književnosti – romantizam I–III“ (1968–1972), u kome temeljno analizira vreme i okolnosti nastanka značajnih dela srpske književnosti 19. veka i ističe njihove vrednosti sa današnjeg stanovišta. Na nov način je protumačio i prevrednovao delo većine srpskih romantičara (Vuk Karadžić, Sima Milutinović Sarajlija, Njegoš, Zmaj, Jakšić), dok je nekim piscima dao značajnije mesto nego što su ga do tada u književnosti imali (Đorđe Marković Koder, Prota Mateja Nenadović, Stojan Novaković). Sa velikim uvažavanjem napisao je obimnu monografiju o Vuku Karadžiću (1964) i kritički pisao o kosovskom mitu, smatrajući da svoje korene vuče iz paganskih obreda i da je svoj završni oblik dobio u vreme Prvog srpskog ustanka (Vidovdan i časni krst, 1976). Ove knjige su za njegova života doživele po tri izdanja u velikim tiražima.Pored studija i eseja, u časopisima je objavljivao pesme, pripovetke, putopise i satiričnu prozu.MonografijeVuk Stefanović Karadžić 1787–1864, Nolit, Beograd, 1964,Istorija srpske književnosti – romantizam I–III, Nolit, Beograd, 1968–1972,Romantizam I–III, drugo skraćeno i prerađeno izdanje, Nolit, Beograd, 1975,Istorija srpske književnosti – romantizam I i II, Zavod za udžbenike i nastavna sredstva, Beograd, 1985,StudijeJedna pesma i jedna epoha, članci i studije, Novo pokoljenje, Beograd, 1954,Đura Daničić, Nolit, Beograd, 1959,Traganje za trajnim, književno-istorijske studije, Nolit, Beograd, 1959,Đura Jakšić, Prosveta, Beograd, 1961,Vidovdan i časni krst, ogledi iz književne arheologije, Slovo ljubve, Beograd, 1976,Ogledi iz književne arheologije, 1977,Zatočenik pamćenja (lament), 1981,Jota (Srp duha nečastivog), Rad, Beograd, 1981,Pamtivek (Srpski rječnik Vuka St. Karadžića), 1983, 1985Cetinjski bonik (o Njegošu), 1984, 1986,Poznice (memoarski eseji), Prosveta, Beograd, 1999.RomanZa jatom, 1955.NagradeNagrada Đorđe Jovanović 1972,Oktobarska nagrada Beograda, 1976.Sedmojulska nagrada, 1984.Vukova nagrada, 1987,„Geca Kon“, 2000.MG (Ć)

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• 13. Feb 2024.

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Spoljašnjost kao na fotografijama, unutrašnjost u dobrom i urednom stanju!Katalin Ladik (rođena 25. oktobra 1942. u Novom Sadu) je jugoslovensko-mađarski pesnik, izvođač i filmski stvaralac.Katalin Ladik počela je pisati 1962. godine radeći kao bankarski činovnik. Bila je radijska voditeljica i pozorišna glumica u Novom Sadu, kasnije je radila za film i televiziju. 1990. postala je urednica i predavala u oblastima muzike i pozorišta.Kao umetnički medij koristi vizuelnu poeziju, umetnost pošte, radio igre, prozu, kolaž, fotografiju, film i eksperimentalnu muziku. Ladik istražuje jezik vizuelnim i vokalnim izrazima, kao i kretanjem i gestovima. Ladik se više puta pojavljivao u kontekstu predstava, događaja i pozorišnih komada koji se često dešavaju u urbanom okruženju, ali i u prirodi. Bila je član umetničkog kolektiva Bosch + Bosch. Katalin Ladik živi i radi naizmenično u Novom Sadu (Srbija), Budimpešti (Mađarska) i na ostrvu Hvar (Hrvatska).U svojoj domovini postala je legendarna i kontroverzna figura u ranim šezdesetim godinama, pre svega kroz feminističko-šamanističku zvučnu poeziju i gole predstave.Ladik je primio nekoliko nagrada i igrao na brojnim nacionalnim i međunarodnim izložbama. 1977. Godine dala je ime sebi kao učesnica 10. međunarodnog festivala zvučne poezije u Amsterdamu. U 2010. godini u Muzeju savremene umetnosti Vojvodine u Novom Sadu održana je retrospektiva, koja je privukla nacionalnu pažnju, a 2017. godine bila je pozvana da učestvuje u dokumentarnoj 14. Takođe je uključena u seriju izložbi Feministička avangarda.Katalin Ladik (born Novi Sad, October 25, 1942) is a Hungarian poet, performance artist and actress. She was born in Novi Sad, Yugoslavia (now called Serbia) and in the last 20 years she has lived and worked alternately in Novi Sad, Serbia, in Budapest, Hungary and on the island of Hvar, Croatia. Parallel to her written poems she also creates sound poems and visual poems, performance art, writes and performs experimental music and audio plays. She is also a performer and an experimental artist (happenings, mail art, experimental theatrical plays). She explores language through visual and vocal expressions, as well as movement and gestures. Her work includes collages, photography, records, performances and happenings in both urban and natural environments.Katalin Ladik studied at the Economic High School of Novi Sad between 1961 and 1963. She then joined the Dramski Studio (Drama Studio) acting school in Novi Sad, between 1964 and 1966. Between 1961 and 1963, she worked as a bank assistant. During this time, in 1962, she began to write poetry. From 1963 to 1977 she worked for Radio Novi Sad. She joined the newly established Novi Sad Theatre in 1974, becoming a member of its permanent ensemble in 1977 and working there until 1992.[1] She primarily acted in dramatic roles. Over the years, she also played major and minor roles in various TV-films and movies. She led the poetry sections of literary magazines Élet és Irodalom (1993–94) and Cigányfúró (1994–99). Between 1993 and 1998 she taught at Hangár musical and theatrical education center.She is a member of the Hungarian Writers` Union, the Hungarian Belletrists Association, the Association of Hungarian Creative Artists and the Hungarian PEN Club.AwardsKatalin Ladik has earned various awards, including the Kassák Lajos Award (1991), the award of Mikes Kelemen Kör (Mikes International – Association for Hungarian Art, Literature and Science in the Netherlands) (2000), the József Attila Prize (2001), the Mediawave Parallel Culture Award (2003), the National Award for Culture of the Republic of Serbia (2009), and the Laurel Wreath Award of Hungary (2012).In 2015, she received the Klára Herczeg Award in senior category from the Studio of Young Artists’ Association (Hungary).[2]In 2016, she was awarded with the Lennon Ono Grant for Peace.[3]Her awards for acting include the Oktobarska nagrada grada Novog Sada (October Award of the City of Novi Sad), a collective award to the cast of Radio Novi Sad in 1967; first place at Smotra vojvođanskih profesionalnih pozorišta (Festival of Professional Theatres in Vojvodina) in 1978, for the role of Masha in Three Sisters, directed by György Harag, performed at the Novi Sad Theatre. The same role earned her the first place of Udruženje dramskih umetnika Srbije / Association of Dramatic Artists of Serbia, in 1979. Katalin Ladik also received the Magyar Televízió Elnöki Nívódíja / Award of the President of Hungarian Television for Acting Excellence for acting in András Rajnai’s TV film series, Televíziós mesék felnőtteknek (Television Tales for Adults) in 1980. In 1986, she was awarded first place at Smotra vojvođanskih profesionalnih pozorišta / Festival of Professional Theaters in Vojvodina for the role of Skinner in Howard Barker’s The Castle, directed by David Gothard, performed at the National Theatre in Subotica.2017 Artisjus Literary Award for her poetry volume „A víz emlékezete” („The Memory of Water”)2017 Janus Pannonius Filius Ursae Award for her literary oeuvre for „being defiant, provocative, and confrontational towards the actual literary canons”PoetryKatalin Ladik became known after 1962 through her surreal and erotic poems. In addition to a number of books in Hungarian, volumes of her poetry were published in Yugoslavia, France, Italy and the United States. Her poems also appeared in various magazines and anthologies worldwide, translated into Spanish, German, Polish, Bulgarian, Slovakian, Hindi, Chinese, Indonesian, Romanian, Macedonian, Rusyn and Slovenian.`She is able to embody the sense of poetry as action. I saw one of her readings in Bratislava at Ars Poetica Festival and she was the only poet able to electrize the audience without any translation. (...)She manages to pass linguistic barriers but, again, any translation of her poetry is at least difficult to be made (or should I say “performed`). Her activity covers a wide area that includes performance and sound poetry, with a force that captures any kind of audience no matter how illiterate in contemporary poetry they can be.`Poetry DepotProseHer first novel, entitled Élhetek az arcodon? (Can I Live on Your Face?) was published in 2007 by Nyitott Könyvműhely. It is considered to be an eminent work in Hungarian Avant-garde literature. It is partly autobiographical, partly self-reflecting. The novel alternates between reality and fiction, prose and poetry, sometimes switching to a prose poem style. Its main target audience is that part of the artists’ community who are receptive to esoteric allusions. The book is about three women: the Editor, who lives in Budapest, the Artist, and the Glasswoman who lives in Novi Sad, all of whom bear the same name. The shared name determines their lives. Initially, they are unaware of one another, but throughout the book their lives get gradually intertwined. After they get to know one another, they begin to live each other`s life, which changes everything for them forever. One of the peculiarities about the book is the uniquely rich textual documentation (letters, newspaper articles, posters) and the large number of photos.PublicationsVolumes in original languageBallada az ezüstbicikliről (Ballad of Silver Bike) | poems | Hungarian | with gramophone recording | Forum, Novi Sad, 1969Elindultak a kis piros bulldózerek (The Small, Red Bulldosers Have Taken Off) | poems | Hungarian | Forum, Novi Sad, 1971Mesék a hétfejű varrógépről (Stories of the Seven-Headed Sewing Machine) | poems | Hungarian | Forum, Novi Sad, 1978Ikarosz a metrón (Icarus on the Subway) | poems | Hungarian | Forum, Novi Sad, 1981A parázna söprű – Bludna metla (The Promiscuous Broom) | poems | Hungarian-Serbian bilingual | Forum, Novi Sad, 1984Kiűzetés (Exile) | poems | Hungarian | Magvető, Budapest, 1988Jegyesség (Engagement) | poems | Hungarian | Fekete Sas - Orpheusz, Budapest, 1994A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Fekete Sas, Budapest, 1998Fűketrec (Grass-Cage) | poems | Hungarian | Orpheusz, Budapest, 2004Élhetek az arcodon? (Can I Live on Your Face?) | prose | Hungarian | Nyitott Könyvműhely, Budapest, 2007Belső vízözön (Deluge Inside) | poems | Hungarian | Parnasszus, Budapest, 2011Ladik Katalin legszebb versei (The Most Beautiful Poems of Katalin Ladik) | poems | Hungarian | AB-ART, Bratislava, 2012A víz emlékezete (The Memory of Water) | poems | Hungarian | Kalligram, Budapest, 2016Translated volumesPoesie Erotiche (Erotic Poems) | poems | Italian | selected and translated by: Giacomo Scotti | La Sfinge, Naples, 1983Erogen Zoon | poems | Serbian | translated by: Katalin Ladik, Selimir Radulović, Judita Šalgo, Arpad Vicko | Književna Zajednica Novog Sada, Novi Sad, 1987Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. B’Racz | New Native Press, Sylva, 1992Poèmes (Poems) | poems | French | selected by: Tibor Papp | translated by: Katalin Kluge, Tibor Tardos | CiPM / Spectres Familiers, Marseille, 1999Ikarova senka (Icarus’ Shadow) | poems | Serbian | translated by: Katalin Ladik, Selimir Radulović, Judita Šalgo, Arpad Vicko, Draginja Ramadanski | Orpheus, Novi Sad, 2004Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. B’Racz | Burning Bush Press, Asheville, 2005Engagement | poems | English | translated by: Emöke Z. B’Racz | Burning Bush Press, Asheville, 2006Kavez od trave (Grass-Cage) | poems | Croatian | translated by: Kristina Peternai | Matica Hrvatska, Osijek, 2007E-booksFűketrec (Grass-Cage) | poems | Hungarian | Mikes International, The Hague, 2003 | downloadable, pdf formatFűketrec (Grass-Cage) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2003 | downloadable, multiple formatsA négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formatsIkarosz biciklijén (On Icarus’ Bicycle) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formatsKiűzetés ~ Jegyesség (Exile ~ Engagement) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formatsA négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf formatKiűzetés ~ Jegyesség (Exile ~ Engagement) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf formatIkarosz biciklijén (On Icarus’ Bicycle) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf formatEngagement | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link]Stories of the Seven-Headed Sewing Machine | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link]Milyen ízű vagyok? (How Do I Taste?) | poems | Hungarian | A hónap könyve, Szentendre, 2012 | buyable, pdf formatDiscographySound poetryBallada az ezüstbicikliről (The Ballad of the Silver Bicycle) | SP | supplement for book with same title | Forum, Novi Sad, 1969Phonopoetica | SP | Galerija Studentskog kulturnog centra, Belgrade, 1976Poésie Sonore Internationale (International Sound Poetry) | audio cassette | anthology of sound poetry, Paris, 1979La Nouvelle Revue d’Art Moderne, Special 2. (The Magazine of Modern Art) | audio cassette | Rencontres Internationales de Poésie Sonore (International Sound Poetry Festival), Paris, 1980Adriano Spatola: Baobab Femme | audio cassette | anthology for sound poetry magazine, Publiart Bazar Reggio Emilia, 1982Yugoslavian Sound Poetry | audio cassette | anthology of sound poetry, 1987Hangár / Hangar | audio cassette | anthology of sound poetry, Amsterdam – Budapest, 1987Aki darazsakról álmodik (Who is Dreaming About Wasps) | LP | recording of the radio play `Furcsa, aki darazsakról álmodik` (Strange Is the One Who Is Dreaming About Wasps) | Radio Novi Sad, 1988Spiritus Noister: Nemzeti zajzárványok / National Noise-Inclusions | audio cassette | Bahia Music, Budapest, 1996Vajdasági Magyar Zenei Esték / Vojvodina Hungarian Music Evenings 1988 | CD | JMMT, Novi Sad, 1998Vízisámán / Water Shaman | CD | Budapest, 1999Spiritus Noister – Kurt Schwitters: Ursonate | music CD | Hungaroton, Budapest, 2003Vodeni anđeo / Water Angel | music CD | Nova Misao, Novi Sad, 2011Music (experimental music, jazz)As vocalist, Katalin Ladik collaborated with prominent Croatian, Serbian and Hungarian composers, such as Dubravko Detoni, Branimir Sakač, and Milko Kelemen (1971–73, ensemble ACEZANTEZ); Ernő Király (1963-2002); Dušan Radić (Oratorio Profano, 1979); Boris Kovač (1986-1990); Deže Molnar ( 1989–91); Zsolt Sőrés a.k.a. Ahad, and Zsolt Kovács (1996-, Spiritus Noister).Ernő Király | LP | Udruženje Kompozitora Vojvodine, Novi Sad, 1978Boris Kovač: Ritual Nova I | LP | Symposion Records, Overstrand, 1986Boris Kovač: Ritual Nova II | CD | Recommended Records, London, 1989Ernő Király - Spectrum | CD | Autobus, Paris, 1999Deže Molnar: Weird Garden | CD | vocals on Track 1 (Water Clock) | Studentski Kulturni Centar Novi Sad, 2010I Belong to the Band Bakers Of The Lost Future | CD | vocals on Track 3 (Poets Of The Absurd On Chalk) | Inexhaustible Editions, Budapest, 2016Poetry readings, sound poetry performancesOnline AudioFűketrec (Grass-Cage) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2003 | downloadable, mp3 formatA négydimenziós ablak (The Four-Dimensional Window) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 formatIkarosz biciklijén (On Icarus’ Bicycle) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 formatKíűzetés - Jegyesség (Exile - Engagement) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 formatLive performances2011Négy fekete ló mögöttem repül (Four Black Horses Fly Behind Me); Jégmadár (Icebird); excerpts from Belső vízözön (The Deluge Inside) | poetry reading | Dzsudi Remake evening, Merlin Theatre, Budapest | Video on YouTubePerformance artMost of Katalin Ladik`s performances balance on the borderline between performance art and theatre: the performance of sound poems is accompanied by theatrical body action and in many cases, the surrounding space is structured similarly to a traditional theatre. Those who examine her poetry often refer to her sound poetry performances. On the other hand, no detailed analyses have been produced about the dramaturgical characteristics of her performances, and the relations of sign systems between her poetry and performances. It is a well-reasoned choice, however, to locate her in the context of female performance artists, as Katalin Ladik uses her body and person as the medium of her art in her performances, which occupies a special position within the history of Western art.A list of performances, happenings, actions1960s-`70s1968Budapest, Szentendre - Hungary | UFO | Tamás Szentjóby, Miklós Erdély, Katalin Ladik | happening1970Belgrade - Serbia | Pozorište Atelje 212, Podrum teatar (Theatre Atelje 212, Theatre in the Basem*nt) | performanceZagreb - Croatia | Žanr Festival eksperimentalnog filma (Genre Experimental Film Festival - GEFF) | performanceBudapest - Hungary | József Attila Művelődési Ház (Cultural Centre József Attila) | with Jenő Balaskó | literary performanceBelgrade - Serbia | Dom Omladine (Youth Centre) | performanceTemerin - Serbia | performance1971Bačka Topola - Serbia | UFO Party | performanceSamobor - Croatia | Samoborski Fašnik (Carnival in Samobor) | Eros sa ovogu svijeta (Eros of This World) | UFO Party | performanceBiograd - Croatia | UFO Party | performanceZagreb - Croatia | Studentski Centar (Student Centre) | performanceBelgrade - Serbia | Dom Omladine (Youth Centre) | performanceZagreb - Croatia | Teatar Poezije Zagreb (Poetry Theatre Zagreb) | Četvrta dimenzija kutije (Fourth Dimension of the Box) | performance1972Osijek - Croatia | Annale Komorne Opere i Baleta (Annual Festival of Chamber Opera and Ballet)Zagreb - Croatia | Teatar ITD (Theatre ITD)| performanceNovi Sad - Serbia | Tribina Mladih (Youth Tribune) | performanceBelgrade - Serbia | Studentski Kulturni Centar (Student Cultural Centre) | Festival Expanded Media | performanceBalatonboglár - Hungary | Kápolna Galéria (Kápolna Gallery) | Group Bosch+Bosch | performance1974Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media /performance/1975Zagreb (Croatia), Student Centre Gallery / Galerija Studentskog Centra: `Eksperimenti u jugoslovenskoj umjetnosti` (Experiments of Yugoslav Art) (Group Bosch+Bosch) /performance/Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media: `Ljubavi, Singer` (Loves, Singer) /performance/Novi Sad (Serbia), Youth Tribune / Tribina mladih: `Change Art` /action/Novi Sad (Serbia): `Spuštanje Novog Sada niz reku Dunav` (Floating Novi Sad Downstream the Danube) /action/1976Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media: `Change Art` /action/Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti /performance/1977Zrenjanin (Serbia), Cultural Centre / Kulturni Centar: `Poezija, fonična i vizuelna poezija Katalin Ladik` (Poetry, Phonic and Visual Poetry by Katalin Ladik)Kraków (Poland): `Phonopoetica` /performance/Zagreb (Croatia), Information Centre / Informativni Centar: `Phonopoetica` (with Vujica R. Tucić) /performance/Amsterdam (Netherlands), Stedelijk Museum: `Tekst in Geluid` (Text in Sound) /performance/Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar: `Phonopoetica` /performance/1978Kranj (Slovenia), Prešeren Theatre / Prešernovo Gledališče /performance/Sarajevo (Bosnia and Herzegovina), Youth Theatre / Pozorište Mladih, Festival Malih i Eksperimentalnih Scena (Festival of Small and Experimental Theatre): `Četvrta dimenzija – krik` (Fourth Dimension – Scream) /performance/Novi Sad (Serbia), Youth Tribune / Tribina mladih: `Pesnički maraton` (Poetry Marathon) /performance/Novi Sad (Serbia), Sonja Marinković Student Club / Studentski Klub ‘Sonja Marinković’: `Čudak je ko čekiće sanja` (Weird Is the One Who Dreams About Hammers) /performance/Würzburg (Germany), Hand Press Gallery / Handpresse Galerie: `Randkunst-Kunstrand` /performance/Novi Sad (Serbia), National Library / Narodna biblioteka: `Umetnost se ne ponavlja, ne ponavlja, ne ponavlja...` (Art Does Not Repeat Itself, Not Repeat Itself, Not Repeat Itself...) /performance/Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti: `Nova umjetnička praksa 1966-1978` (New Art Practice 1966-1978) /performance/1979Subotica (Serbia), Youth Centre / Dom Omladine: `Az éneklő varrógép – The Singing Sewing Machine` (with Zsolt Király) /performance/Novi Sad (Serbia), Youth Tribune / Tribina Mladih: `The Screaming Hole – A sikoltozó lyuk` /performance/Amsterdam (Netherlands): `One World Poetry` /performance/Utrecht (Netherlands), Gallery ‘T Hoogt / ‘T Hoogt Galerie: `One World Poetry` /performance/Novi Sad (Serbia), Youth Tribune / Tribina Mladih: `Mesék a hétfejű varrógépről` (Stories of the Seven-headed Sewing Machine) /performance/1980s-`90s1980Paris (France), Pompidou Centre / Centre Georges Pompidou: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/Le Havre (France), Cultural Centre of Le Havre / Maison de la Culture du Havre: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/Rennes (France), Cultural Centre of Rennes / Maison de la Culture de Rennes: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/New York City (USA), Washington Square Church, The New Wilderness Foundation: `International Sound Poetry Festival` /performance/Baltimore (USA), School 33 Art Center, The Merzaum Collective`s Desire Productions Present: International Festival of Disappearing Art(s) /performance/Gyula (Hungary), Castle Theatre / Várszínház, Knights’ Hall / Lovagterem: `Alice` /performance/Belgrade (Serbia), Salon Museum of Contemporary Art / Salon Muzeja Savremene Umetnosti, Exhibition of Group Bosch+Bosch: `Orman koji ubrizgava (Injecting Closet)` /performance/1982Budapest (Hungary), Cultural Centre Jókai, Studio ‘K’/ Stúdió ‘K’ Jókai Művelődési Központ: `Ladik Katalin újvidéki költő és előadóművész szerzői estje` (An Evening with Novi Sad Poet and Performer, Katalin Ladik) /performance/Novi Sad (Serbia), Cultural Centre Petőfi Sándor / Petőfi Sándor Művelődési Ház: `Telepi esték – Ladik Katalin szerzői estje` (Evenings in Telep – with Poet Katalin Ladik) (with Ottó Tolnai, Zsolt Király) /performance/Budapest (Hungary), Young Artists’ Club / Fiatal Művészek Klubja: `Ladik Katalin szerzői estje` (An Evening with Katalin Ladik) (with Miklós Erdély, László Beke and Zsolt Király) /performance/Budapest (Hungary), Cultural Centre Jókai, Studio ‘K’ / Stúdió ‘K’ Jókai Művelődési Központ: `Ladik Katalin szerzői és előadói estje` (An Evening with Katalin Ladik) (with Miklós Erdély, László Beke and Zsolt Király) /performance/Belgrade (Serbia), Museum of Contemporary Art / Muzej Savremene Umetnosti: `Verbo-Voko-Vizuelno` (`Phonopoetry` with Judita Šalgo) /performance/Osijek (Croatia), Students’ Youth Centre / Studentski Centar Mladih, Osiječko ljeto (Summer in Osijek): `Čudak je ko čekiće sanja` (Weird Is the One Who Dreams About Hammers) /performance/Belgrade (Serbia), Youth Centre / Dom Omladine: `Ikar u metrou” (Icarus on the Subway) (with Judita Šalgo, Selimir Radulović) /performance/Belgrade (Serbia), Youth Centre / Dom Omladine, Beogradsko leto (Summer in Belgrade): `Ufo Party` /performance/Kanjiža (Serbia), Literary Camp / Književna Kolonija: `Konkretna i vizuelna poezija` (Concrete and Visual Poetry) (with Vujica R. Tucić and Bob Cobbing) /performance/Novi Sad (Serbia), Address: Istarski kej 37. sp. 8. st. Rade Šević: `Sound Poetry Performance` (with Vujica R. Tucić and Bob Cobbing) /performance/Novi Sad (Serbia), Youth Tribune Gallery / Tribina Mladih Galerija: `Phonopoemim` – Exhibition Launch for Slavica Grkavac: tapiserije `Jokastin kompleks` (`Jocasta Complex` Tapestry) /performance/Paris (France), UNESCO: `Guerre a la guerre` (War Against War) /performance/Milan (Italy), UNESCO: `Guerra alla guerra` (War Against War) /performance/Paris (France), UNESCO Pompidou Centre / Centre Georges Pompidou: `Polyphonix 5` /performance/1983Vienna (Austria), Wiener Festwochen (Vienna Festival): `Mandora 1.` /performance/Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti: `Nova umjetnost u Srbiji 1970-1980` (New Art of Serbia 1970-1980)Belgrade (Serbia), Youth Centre / Dom Omladine: `Oluja-po motivima Šekspira` (Tempest – Based on Shakespeare) – Exhibition Launch for Slavica Grkavac: tapiserije `Jokastin kompleks` (`Jocasta Complex` Tapestry) /performance/Belgrade (Serbia), Youth Centre / Dom Omladine: `Magic Bread` (with Paul Pignon)1984Glasgow (UK), Third Eye Centre, Poetsound 1984: `Mandora 1.` /performance/Milan (Italy), (Cultural Association of) Cooperativa Intrapresa: `Milanopoesia` /performance/Szeged (Hungary), József Attila University (Today: University of Szeged) / József Attila Tudományegyetem: `Mandora 1.` /performance/Cogolin (France), Rencontres Internationales de Poésie Contemporaine (International Festival of Contemporary Poetry): `Mandora 1.` /performance/Belgrade (Serbia), Cultural Centre / Kulturni Centar: `Mandora 1.` /performance/1985Belgrade (Serbia), Magaza Theatre / Pozorište Magaza: `Mandora 2.` /performance/Budapest (Hungary), Cultural Cente of Lágymányos / Lágymányosi Művelődési Otthon: `Mandora 2.` /performance/Budapest (Hungary), Metropolitan Cultural Centre / Fővárosi Művelődési Ház: `Alice` /performance/Zemun (Serbia), Festival Monodrame i Pantomime (Festival of Monodrama and Pantomimes): `Mandora` /performance/Novi Sad (Serbia), ‘Sonja Marinković’Cultural Centre / Kulturni Centar ‘Sonja Marinković’, Youth Tribune / Tribina Mladih: `Mandora` /performance/Stari Bečej (Serbia) /performance/1988Szeged (Hungary), JATE Club: `Polyphonix` /performance/Pécs (Hungary): `Alice` /performance/Budapest (Hungary), Vigadó Chamber Hall / Vigadó Kamaraterem, Hangár Est (‘Wall of Sound’ Evening): `Alice` /performance/1989Spoleto (Italy): `O Fortuna` /performance/Nové Zámky (Slovakia): `O Fortuna` /performance/Novi Sad (Serbia): `O Fortuna` /performance/1990Novi Sad (Serbia), Sport and Activity Centre of Vojvodina / SPENS Sportski i Poslovni Centar Vojvodina: `Otkrovenje` (Revelation) (with Zoltán Pletl) /performance/Vác (Hungary), Greek Chapel / Görög Templom, Ex-panzió 2. Festival: `Angyal/Angel` /performance/Novi Sad (Serbia): `Seraphine Tanz` /performance/1993Szentendre (Hungary), Dalmát Cellar / Dalmát pince, UHF Kisújrevue /performance/Szeged (Hungary), JATE Club: `Alice` /performance/Vác (Hungary), Greek Chapel / Görög Templom, Expanzió 5. Festival /performance/1994Szeged (Hungary): `Performancia` with Lukács Bitskey /performance/Zebegény (Hungary): `A helyettesítő asszony (The Substitute)` /performance/Pécs (Hungary): `A négydimenziós ablak (The Four-dimensional Window)` with Tamás Szalay /performance/1995Marseille (France), International Poetry Centre / Centre International de Poèsie: `Kassák` /performance/1996Marseille (France), Meyer Gallery / Galerie Meyer: `L’ agneau de Dieu et le double` (The Lamb of God and Its Double) /performance/Ajaccio – Corsica (France): `L’ agneau de Dieu et le double` (The Lamb of God and Its Double) /performance/2000s2002Novi Sad (Serbia), Cultural Centre of Novi Sad / Kulturni Centar Novog Sada, INFANT (International Festival of Alternative and New Theatre): `Fűketrec / Grass-cage`2003Novi Sad (Serbia), Chamber Theatre of Music / Kamerno Pozorište Muzike, INTERZONE Festival: `Tesla – Project` /performance/2004Monza (Italy) /performance/Salerno (Italy) /performance/Novi Sad (Serbia), Chamber Theatre of Music / Kamerno Pozorište Muzike, INTERZONE Festival: `Tesla – Project`Budapest (Hungary), A38 Ship / A38 hajó: `Lomtalanítás` (Cleaning the House) /performance/Budapest (Hungary), Ludwig Museum – Museum of Contemporary Art / Ludwig Múzeum – Kortárs Művészeti Múzeum: `Torony-Lomtalanítás` (Cleaning the Tower-House) /performance/2005Terény (Hungary), Expanzió Festival: `Angel` /performance/2006Budapest (Hungary), Serbian Theatre in Hungary / Magyarországi Szerb Színház / Srpsko Pozorište u Mađarskoj: `Tesla`, /audio-visual oratorio/Otterlo (Netherlands), Kröller-Müller Museum: `Change Art` /action/Amsterdam (Netherlands): `Tesla` /performance/Novi Sad (Serbia), Sport and Activity Centre of Vojvodina / SPENS Sportski i Poslovni Centar Vojvodina, Inventors Association of Vojvodina, TeslaFest: `Tesla` /performance/2007Nové Zámky (Slovakia), Art Gallery / Galéria Umenia: `Gyakorlatok üres húrokon – Kassák-kód` (Exercises on Empty Strings - Kassák Code) /performance/Budapest (Hungary), Erlin Club Gallery / Erlin Klub Galéria: `Fűketrec` (Grass-cage) /performance/Budapest (Hungary), Mu Theatre / Mu Színház: `Az Eszmélet szövedéke` (The Weave of Consciousness) (with Péter Bajka, Bern Atom Santi, Eszter Bereczky, Zsófia Varga) /performance/Verőce (Hungary), Ekszpanzió XX Festival: `Tesla, Audio-visual Oratorio` /performance/Szigliget (Hungary), Artist House of the Hungarian Public Foundation for Creative Art / Magyar Alkotóművészeti Közalapítvány Alkotóháza, József Attila Kör 18. irodalmi tábora (18th Literary Camp of the József Attila Circle): `Az Eszmélet szövedéke` (The Weave of Consciousness) (with Péter Bajka, Bern Atom Santi, Eszter Bereczky, Zsófia Varga) /performance/2008Budapest (Hungary), Petőfi Literary Museum / Petőfi Irodalmi Múzeum, A Szépírók Társasága V. őszi irodalmi fesztiválja – Nők a férfi birodalomban (5th Autumn Literary Festival of the Hungarian Belletrist Association – Women in a Men`s World): `Diptichon` (with Endre Szkárosi), performanceBelgrade (Serbia), ARTGET Gallery – Cultural Centre Belgrade / Galerija ARTGET – Kulturni Centar Beograda (World Poetry Day): `Tesla – hom*o Galacticus` /performance/Szigliget (Hungary), József Attila Kör 20. irodalmi tábora (20th Literary Camp of the József Attila Circle): `Trip-ti-chon` (with Veronika Czapáry), performanceBudapest (Hungary), Irodalmi Centrifuga (Literary Centrifuge): `Trip-ti-chon` (with Veronika Czapáry), performanceBratislava (Slovakia), Ars Poetica Medzinárodny Festival Poézie /The 6th Ars Poetica International Poetry Festival /sound poetry performance[4]2009Visegrád (Hungary), The Roof Terrace of King Matthias Museum / A Mátyás Király Múzeum tetőterasza, Ekszpanzió XXI Festival: “Kerub` (Cherub) /performance/2010s2010Budapest (Hungary), Gallery A22 / A22 Galéria, Tibor Papp`s Exhibition Opening: `Óraköltemény` (Poem-Clock) /performance/Subotica (Serbia), Kosztolányi Dezső Theatre / Kosztolányi Dezső Színház: `Tesla – hom*o Galacticus` /performance/Budapest (Hungary), Millenáris Theatre / Millenáris Teátrum, Book Festival: `Szabadkőműves szex` (Freemason Sex) (with drMáriás) /performance/Štaglinec (Croatia), `Voda` – `Water` Međunarodni Susret Umjetnika (International Art Festival): `Veliko spremanje` (Spring Cleaning) /performance/Eger (Hungary), Small Synagogue Gallery of Contemporary Art / Kis Zsinagóga Kortárs Galéria, artAlom élőművészeti fesztivál (artAlom Performing Arts Festival): `Bukott angyalok` (Fallen Angels) /performance/Szeged (Hungary) – Subotica (Serbia), Railway line, Kultúrcsempész Sínbusz Fesztivál (Culture-smuggler Railbus Festival): Megaphone-assisted readings by Gábor Virág, Slobodan Tišma, Gábor Lanczkor, Tamara Šuškić, Vladimir Kopicl, Katalin Ladik, Siniša Tucić, Roland Orcsik2011Budapest (Hungary), Kunsthalle (Palace/Hall of Art) / Műcsarnok: `Preparababrakabaré` /performance/Marseille (France), Museum of Contemporary Art / Musée d`Art Contemporain, Poésie Marseille 2011, 8ème Festival (8th Marseille Poetry Festival, 2011): `Le Grand Ménage` (Spring Cleaning) /performance/Târgu Mureș (Romania), National Theatre - Small Hall / Teatrul Naţional – Sala Mică, Testet öltött szavak rendezvény (Words Embodied – Event series): `Alice` /performance/Budapest (Hungary), Mu Theatre / Mu Színház, Ismeretlen kutatása improvizációs alkotóműhely (Searching the Unknown – Improvisational Workshop): `Hangmozdulat` (Sound Movement) (with Kati Dombi) /performance/2012Budapest (Hungary), Hungarian Writers` Association / Magyar Írószövetség: XXIV. Ekszpanzió Festival, `Idézet` Szimpozion és Kiállítás (`Quotation` Symposium and Exhibition): `Ásó, kapa, nagyharang` (`Till Death` lit.: Spade, Hoe and Bell) /performance/Komárom (Hungary), Fort Monostor – Film Museum / Monostori Erőd – Filmmúzeum, Mediawave 2012 Festival: `Nagytakarítás` (`Spring Cleaning`) /performance/Łódź (Poland), MS2 – Lodz Museum of Art / MS2 – Muzeum Sztuki w Łodzi: `Alicja w krainie kodów` (Alice in Codeland) /performance/Budapest (Hungary), Address: 8th district, Pál street 6.: Gödör bújócska – irodalom, zene, film, tánc, színház, beszélgetés (Gödör Club Hide-and-seek – literature, music, film, dance, theatre, discussions) /sound poetry performance/Ottawa, Ontario, Canada, City Hall Art Gallery, A B Series Workshop: `Nagytakarítás` (`Spring Cleaning`) /performance/Ottawa, Ontario, Canada, Arts Court Theatre, A B Series: `Alice Kódországban` (`Alice in Codeland`) /performance/[5]2013Budapest (Hungary), Óbudai Társaskör, Kassák Museum, Kassák Year: `Alice Kódországban` (Alice in Codeland) /performance/[6]Hvar (Croatia), 17th International Festival of Radio Plays and Documentary Radio Dramas PRIX MARULIĆ, „Tesla. hom*o Galacticus” /performance/Székesfehérvár (Hungary), Vörösmarty Theatre Studio, Contemporary Art Festival: `Alice Kódországban` (Alice in Codeland) /performance/[7]Budapest (Hungary), Fuga, Autonómia Filmklub 5, „I Belong to the Band”: Katalin Ladik`s voice on „poets of the absurd on chalk”[8]2014Százhalombatta (Hungary), Katalin Ladik - Endre Szkárosi, Slam Poetry /performance/Budapest (Hungary), Mika Tivadar Vigadó, JazzaJ, Katalin Ladik – Jean Michel van Schowburg, Katalin Ladik – Zsolt Sőrés, „Sounds to Go” (Hangok elvitelre) /performance/ [9]2015Eger (Hungary), Templom Gallery, artAlom Live Art Festival 2015: `Tranzit Zoon`, performanceGothenburg (Sweden), Gothenburg Book Fair `Tranzit Zoon`, performanceVienna (Austria), Campus AAKH Hof 7, Universität Wien, `Singende Schnittmuster – Singing Dress Pattern`, lecture-performance, multimedia slide-show2016Poreč (Croatia), Behind the Scenes with Katalin Ladik! Artists on Vacation: `The Sounds of a sewing machine`, Circe di Parenzo” /performance/,[10][11]Budapest (Hungary), MÜSZI, @Transart Communication, Katalin Ladik & Zsolt Sőrés „Alchemical Wedding” (Alkímiai nász) /performance/2016Milano (Italy), FM Centre for Contemporary Art, Non-Aligned Modernity. Eastern-European Art from the Marinko Sudac Collection, “Tranzit Zoon” /performance/2017Athens (Greece), Oval Staircase, Megaron – the Athens Concert Hall, All the In-Between Spaces, Concept and direction by: Paolo Thorsen-Nagel, “Follow me into mythology” /performance/Budapest (Hungary), Urania National Film Theatre, Janus Pannonius Grand Prize for Poetry 2017 Festivities of Hungarian Pen Club. Katalin Ladik: Sound Performance based on Concrete Poems of Augusto de CamposLimassol (Cyprus), Theatro Ena, SARDAM Mixed-media Literary Festival 5th edition, „Live Lecture” /solo sound poetry performance/Nicosia (Cyprus), Artos Foundation, SARDAM Mixed-media Literary Festival 5th edition „Live Lecture” /solo sound poetry performance/Limassol (Cyprus), SARDAM Mixed-media Literary Festival 5th edition, `Spring Cleaning`, performance/Limassol (Cyprus), SARDAM Mixed-media Literary Festival 5th edition, „Wall(ed)”, aRttitude Site-specific dance performance, Katalin Ladik (live sound and voice).Budapest (Hungary), Trafó, „Alice in Codeland” /multimedia performance/Vienna (Austria), Lobby of Hotel Prinz Eugen, Erste Bank Publication Presentation „Sound Poems” /live performance/Novi Sad (Serbia), Museum of Contemporary Art Voivodina (MSUV), „K.A.T (Culture – Activism – Theory) Conference”, „Creative Transitions”/live lecture, multimedia and sound poetry performance/Novi Sad (Serbia), Bulevar Books, „TraNSporteur multilingual poetry” /poetry reading/Lodz (Poland), House of Literature, „Puls Literary Festival, 2017, Hungarian Day”, „Sounds in Lodz” / live lecture, multimedia performance and live sound poetry performance/2018Berlin (Germany), neue Gesellschaft für bildende Kunst (nBgK), `Alice in Codeland`, multimedia performanceBerlin (Germany), Akademie der Künste, „Underground und Improvisation”, „Follow me into Mythology” /live lecture and soloperformance/Berlin (Germany), Akademie der Künste, „Underground und Improvisation”, „Desire of Touch” /Duoperformance with Natalia Pschenitschnikova/Budapest (Hungary), Mersz Klub, „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture and soloperformance/Budapest (Hungary), Hungarian University of Fine Arts, „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture with Emese Kürti/Budapest (Hungary), Közkincs Könyvtár, `MŰVÉSZ + NŐ` (ARTIST + WOMAN), „Feminizmus és művészet ma?” (Feminism and Art Today?), „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture/Belgrade (Serbia), Cultural Center of Belgrade, `Spoken Word, World Poetry Day` /poetry reading/Belgrade (Serbia), Cultural Center of Belgrade, `Spoken Word, World Poetry Day`, `Alice in Codeland` /multimedia performance/Zagreb (Croatia), „Showroom of Contemporary Sound”, „Transitions” /live lecture/Rome (Italy), Falconieri Palace (Hungarian Academy in Rome), „Fountains of Rome - Mouth to Lung!” /live lecture and sound performance/Budapest (Hungary), Három Holló – Drei Raben, „Antracit szájrúd (Antracit mouthpiece) /sound poetry performance/Berlin (Germany), Akademie der Künste, `19. poesiefestival berlin 2018, Weltklang – Night of Poetry`, sound poetry performanceBerlin (Germany), German Centre for Poetry (Haus f’ür Poesie), `lyrikline - Listen to the Poet`, poetry reading and live voice recordings for the archiveConcerts, musical performances (selection)Opatija (Croatia), 1969: Jugoslovenska muzička tribina (Yugoslav Music Tribune) (Ernő Király: Refleksija)Opatija (Croatia), 1970: Jugoslovenska muzička tribina (Yugoslav Music Tribune) (Ernő Király: Refleksija; Branimir Sakač: Bellatrix - Alleluja)Novi Sad (Serbia), 1970: Muzika i Laboratorija (Music and Laboratory) (with Ernő Király)Osijek (Croatia), 1970: Annale komorne opere i baleta (Annual festival of chamber opera and ballet)Zagreb (Croatia), 1971: Muzički biennale (Music Biennale – International Festival of Contemporary Music) (MBZ Radionica/Workshop II with Ernő Király, et al.; Chamber Music - Branimir Sakač: Bellatrix - Alleluja)Dubrovnik (Croatia), 1971: Dubrovačke ljetne igre (Dubrovnik Summer Festival) (ACEZANTEZ Ensemble)Radenci (Slovenia), 1971: Festival sodobne komorne glazbe (Contemporary Chamber Music Festival)Munich (Germany), 1972: (Cultural Program of the 1972 Summer Olympics) (ACEZANTEZ Ensemble)Radenci (Slovenia), 1972: Festival sodobne komorne glazbe (ACEZANTEZ Ensemble) (Contemporary Chamber Music Festival)Osijek (Croatia), 1972: Annale komorne opere i baleta (ACEZANTEZ Ensemble) (Annual festival of chamber opera and ballet)Novi Sad (Serbia), 1972, ‘Radivoj Ćirpanov’ Workers’ University / Radnički univerzitet ‘Radivoj Ćirpanov’ (ACEZANTEZ Ensemble)Belgrade (Serbia), 1972, Studentski kulturni centar (Student Cultural Centre) – Festival Expanded Media (ACEZANTEZ Ensemble)Belgrade (Serbia), 1979, Dom Sindikata – BEMUS Belgrade Music Festival: “Oratorio Profano” (composer: Dušan Radić, conductor: Oskar Danon)Opatija (Croatia), 1980: Jugoslovenska muzička tribina (Yugoslav Music Tribune)Budapest (Hungary), Spiritus Noister Group, 1996, 2002, 2004, 2007, 2008, 2009, 2010, 2011, 2012Budapest (Hungary), Italian Cultural Institute / Olasz kultúrintézet / Istituto Italiano di Cultura, Avantgárd művészetek a világban: mi lett a sorsuk? Nemzetközi tanácskozás (Avant-garde Arts in the World: What About Them? International conference): `Futurdadama (Futurdada Today)`, Spiritus Noister, 2001Vienna (Austria), Spiritus Noister Group, 2004Szentendre (Hungary), Spiritus Noister Group, 2009Szekszárd (Hungary), Spiritus Noister Group, 2012Budapest (Hungary), Művelődési Szint (MÜSZI), „@Transart Communication 2016”, „Alchimist Wedding” /concert and live sound performance with Zsolt Sőrés/Veszprém (Hungary), House of Arts, „Alkímiai mennyegző” („Alchimist Wedding”) /concert and live sound performance with Zsolt Sőrés/Budapest (Hungary), Müpa, UH Fest, Spiritus Noister /concert and live sound performance with Endre Szkárosi, Zsolt Sőrés, László Lenkes/Budapest (Hungary), Kassak Museum, „Dadarabok” /concert and live sound performance with Endre Szkárosi, Zsolt Sőrés, László Lenkes/ YouTubeBudapest (Hungary), 2017: Muted and silent films with live music series, I Belong To The Band vs. Berberian Sound StudioDebrecen (Hungary), MODEM, Katalin Ladik: „Határidőnapló” („Diary Book”) /concert and live sound performance with Gyula Várnai/Veszprém (Hungary), 2018, House of Arts, „Spring Reopening, We believe in life before death”, „Claes Oldenburg: I am for an Art” /concert and live sound performance with Gyula Várnai/TheatreAs an actressJean-Paul Sartre: The Condemned of Altona; dir. István Lányi; Ifjúsági Tribün (Tribina Mladih / Youth Tribune); Novi Sad (Serbia); 1963Imre Sarkadi: Elveszett Paradicsom (Paradise Lost); dir. Tibor Gellér; Petőfi Sándor Művelődési Egyesület (’Petőfi Sándor’ Cultural Association); Novi Sad (Serbia); 1963Molière: The Imaginary Invalid (Béline); dir. Ljubica Ravasi; Srpsko Narodno Pozorište (Serbian National Theatre); Novi Sad (Serbia); 1966 (Exam Piece)Sándor Guelmino: Özvegy (Widow); dir. Tibor Vajda; Echo (az Újvidéki Rádió és az Ifjúsági Tribün színpada / the joint theatre of Radio Novi Sad and the Youth Tribune); Novi Sad (Serbia); 1969Ferenc Tóth (text) – Ernő Király (composer): Jób (Job) (Performer – Recitative); dir. István Szabó, Jr.; Népszínház / Narodno Pozorište u Subotici (National Theatre in Subotica); Subotica (Serbia); 1972István Örkény: Macskajáték (Cats` Play) (Ilus); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1974Peter Weiss: How Mr. Mockinpott was cured of his Sufferings (First Angel/First Nurse); dir. Radoslav Dorić; Róbert Bambach; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1974Ödön von Horváth: Tales from the Vienna Woods (Emma); dir. Róbert Bambach; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1975Gergely Csiky: Mukányi (Ella); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1976Valentin Kataev: Squaring the Circle (Tanya); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1977Molière: Dom Juan or The Feast with the Statue (Mathurine); dir. Dušan Sabo; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978Anton Pavlovich Chekhov: Three Sisters (Masha); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978Ödön von Horváth: Tales from the Vienna Woods (Emma); dir. Péter Telihay; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978Anton Pavlovich Chekhov: The Cherry Orchard (Charlotta Ivanovna); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1979Ottó Tolnai: Végeladás (Clearance Sale) (Mrs Csömöre); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1979Gyula Hernádi: V.N.H.M. Szörnyek évadja (V. N. H. M. - Season of Monsters); dir. Miklós Jancsó; Summer Theatre in Gyula; Várszínház; (Hungary); 1980Edward Albee: Everything in the Garden (Cynthia); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1980Angelo Beolco (Il Ruzzante): La Betia; dir. Radoslav Dorić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981Ottó Tolnai: Bayer Aspirin (The Actress); dir. Miklós Jancsó; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981Ferenc Deák: Nirvana (Csontos Vali); dir. István Szabó Jr.; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981Bertolt Brecht: Baal (Emilie); dir. Milan Belegišanin; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1983Dezső Kosztolányi: Anna Édes ( Mrs Druma); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1983Alexander Vvedensky: Jelka kod Ivanovih (Christmas at the Ivanov’s) (Mother Puzirjova); dir. Haris Pašović; Akademsko Pozorište “Promena” (“Change” Academic Theater); Novi Sad; (Serbia); 1983Mihály Majtényi: Harmadik ablak (The Third Window) (Mrs Lódi); dir. György Hernyák; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1984Alfred Jarry: Ubu Roi (Mama Ubu); dir. Tibor Csizmadia; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1984Gyula Gobby Fehér: A Duna menti Hollywood (Hollywood by the Danube) – Multimedia Performance About the Life of Ernő Bosnyák (The Baron`s Lover); dir. Károly Vicsek; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985Ivo Brešan: Anera (Anera); dir. Dimitar Stankoski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985Peter Shaffer: Equus (Hesther Salamon); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985Howard Barker: The Castle (Skinner); dir. David Gothard; Népszínház / Narodno Pozorište u Subotici (National Theatre in Subotica); (Serbia); 1986Friedrich Dürrenmatt: The Visit (First Woman); dir. Radoslav Dorić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1986István Örkény: Forgatókönyv (Screenplay) (Mrs Littke); dir. Ljubisa Georgievski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1986István Örkény: Tóték (The Tót Family) (Mrs Tót); dir. Gábor Székely; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987Edward Albee: A Delicate Balance (Julia); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987Jordan Plevnes: „R” (Katerina); dir. Ljubisa Georgievski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987Johann Wolfgang von Goethe: Clavigo (Soffe); dir. Vladimir Milcin; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1988Samuel Beckett: Happy Days (Winnie); dir. Radoslav Lazić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1988Henrik Ibsen: An Enemy of the People (Mrs Stockmann); dir. Želimir Orešković; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1989Ferenc Molnár (Franz Molnar): Liliom (Mrs Muskát); dir. László Babarczy; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1990Ede Tóth: A falu rossza, avagy a negyedik ablak (The Village Rogue; Or, the Fourth Window) (Mrs Tarisznyás); dir. Hernyák György; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1990Ottó Tolnai: Paripacitrom (lit. Steed dung) (Krisztina); dir. Péter Tömöry; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991Marcel Achard: L`Idiote (A Shot in the Dark) (Chief Inspector`s Wife); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991Bertolt Brecht: Mother Courage and Her Children (Mother Courage); dir. Lajos Soltis; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991Józsi Jenő Tersánszky: Kakuk Marci (Her Ladyship); dir. Lajos Soltis; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1992Jean Anouilh: The Orchestra (Cello); dir. Voja Soldatović; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1992Péter Nádas (text) – László Vidovszky (composer): Találkozás (Encounter) (Mária); dir. András Éry-Kovács; Shure Studio; Budapesti Kamaraszínház (Chamber Theatre in Budapest); (Hungary); 1997Boris Vian: Vercoquin et le Plancton (Vercoquin and the Plankton) (Léon Charles Miqueut sous-ingénieur principal di CNU / Sub head-engineer at CNU); dir. Róbert Csontos; Kolibri Színház (Kolibri [’Hummingbird’] Theatre); Budapest (Hungary); 1997Sean O´Casey: Bedtime Story (Landlady); dir. Pál Kanda; Függeten Színpad III társulata (3rd Company of Independent Theatre); Kolibri Pince (Kolibri [’Hummingbird’] Cellar Theatre); Budapest (Hungary); 1998László Najmányi: Adieu Monsieur Bloom – Cabaret Noire (Nora Barnacle); dir. László Najmányi; Les Fleurs du Mal; `The Thinking Man`s Living Theatre`; Mu Színház (Mu Theatre); Budapest; (Hungary); 2003László Najmányi: A száműzött Joyce / The Exiled Joyce (Nora Barnacle); dir. László Najmányi; Bloomsday Festival; Szombathely; (Hungary); 2003Radoslav Zlatan Dorić: Ne daj Bože, da se Srbi slože / Ne adj isten, szerbek egyesülnek (God Forbid That the Serbs Should Agree) (Ruska); dir. Radoslav Zlatan Dorić; Magyarországi Szerb Színház / Srpsko Pozorište u Mađarskoj (Serbian Theatre of Hungary); Budapest; (Hungary); 2004László Najmányi: Nova Necropola. Cabaret Noire (Nora Barnacle); dir. László Najmányi; Mu Színház (Mu Theatre); Budapest; (Hungary); 2004László Najmányi: Az igazi Blum (The Real Blum /Bloom/) (Nora Barnacle); dir. László Najmányi; ReJoyce Festival; Szombathely; (Hungary); 2004György Baráthy: Origami (I Woman); dir. György Baráthy; Artéria Színházi Társaság (Theatre Company “Artéria”); RS9 Studio Theatre; Budapest; (Hungary); 2005As a directorThe Last Chapter by Navjot Randhawa, performed by the‘Theatre of Roots and Wings’ and Punjab Sangeet Natak Akademi in Punjabi at the Randhawa Auditorium, Chandigarh (Punjab, India); 2014.[12]Everything She Wants: Amrita and Boris by Navjot Randhawa and Jim Sarbh, Gaiety Theatre, Shimla, India; 2016,[13] The Mirage Yoga Studio, Andretta Arts, Andretta, India, 2016; M.L. Bhartia Auditorium, Alliance Francaise, New Delhi, India, 2016; Punjab Kala Bhawan, Chandigarh, India, 2016; Punjab Naatshala (Punjab Theatre), Amritsar, India, 2016Everything She Wants: Amrita and Boris with Navjot Randhawa;Sher-Gil Cultural Centre, Indian Embassy, Budapest (Hungary), 2017 [14]Fritz Wine House, Szekszárd (Hungary), 2017;National Film Theatre, Budapest (Hungary), 2017;Laffert Kúria, Dunaharaszti (Hungary), 2017;Municipal Library, Zebegény (Hungary), 2017.FilmsFeature filmsEduard i Kunigunda (Eduard and Kunigunda) (television adaptation of Renato de Grandis’ musical play), dir. Petar Teslić (1972, Serbian, Belgrade TV 2) (Kunigunda)Dübörgő csend (1978) on IMDb (Thundering Silence), dir. Miklós Szíjj (Hungarian) (Eta)Szetna, a varázsló (1980) on IMDb (Setna the Wizard), dir. András Rajnai (Hungarian) (Isis)Gulliver az óriások országában (1980) on IMDb (Gulliver in the Land of Giants), dir. András Rajnai (Hungarian) (Lady in attendance)Aelita, dir. András Rajnai (1980, Hungarian)[15]Atlantis, dir. András Rajnai (1980, Hungarian) (The Lady of Atlantis)Chekhov: The Cherry Orchard (televised theatrical performance), dir. György Harag (1982, Hungarian, produced in Yugoslavia, Novi Sad Television) (Charlotta Ivanovna)Chekhov: Three Sisters (televised theatrical performance), dir. György Harag (1982, Hungarian, produced in Yugoslavia, Novi Sad Television) (Masha)A világkagyló mítosza (The Myth of the World Shell), dir. András Rajnai (1982, Hungarian)Bábel tornya (The Tower of Babel), dir. András Rajnai (1982, Hungarian) (the Priestess Lagasa)Héroszok pokoljárása (The Heroes’ Journey Through the Underworld), dir. András Rajnai (1982, Hungarian) (Anna)Fajkutyák ideje (lit. The Time of Purebred Dogs), dir. Károly Vicsek (1984, Hungarian, produced in Yugoslavia)Ujed andjela (1984) on IMDb (Angel`s Bite), dir. Lordan Zafranović (Croatian) (Žena)Késdobáló (slang: Pub, lit. Knife-thrower), dir. Károly Vicsek (1984, Yugoslavian - Hungarian)Ekran sneži (1985) on IMDb, dir. Miljenko Dereta (Serbian)Napóleon (1989) on IMDb (Napoleon), dir. András Sólyom (Hungarian) (Leticia)Granica (1990) on IMDb (Border), dir. Zoran Maširević (Yugoslavian – Serbian – Hungarian)Sex-partijski neprijatelj br. 1 (1990) on IMDb (Sex, the Nr 1 Enemy of the Party), dir. Dušan Sabo (Bosnian) (Žuža)A nagy fejedelem (1997) on IMDb (The Great Prince), dir. Mária Sós (Hungarian) (The scientist’s wife)A szivárvány harcosa (2001) on IMDb (Rainbow`s Warrior), dir. Péter Havas (Hungarian) (Old Ms Sofia - voice)Kolorádó Kid,(2010) on IMDb, dir. András Vágvölgyi B. (Hungarian)Berberian Sound Studio,(2012) on IMDb, dir. Peter Strickland (English) (Resurrected Witch)Short filmsCastrati, dir. Domokos Moldován (1972, Hungarian, Balázs Béla Studio, Budapest) (Bald Medium)O-Pus, dir. Attila Csernik (1973) (with Katalin Ladik’s Sound Project)Csendélet hallal és más tragikus momentumokkal (2005) on IMDb (Still Life with Fish and Other Tragic Elements), dir. Natália Jánossy (Hungarian) (Agáta)Deda Kovač - Grandpa Kovač (2011) on IMDb, dir. Milica Đjenić (Serbian, Beograd-Lajpcig Express) (Rozi)RecitativesAhol kialszik a világ (1989) on IMDb (Where the World Goes Out) (based on Kalandozás a tükörben (Adventures in the Mirror) by János Pilinszky), dir. Károly Kismányoky (1989, Hungarian, Pannonia Film Studio)A párduc (The Panther), (Short animated film set to Rilke’s poem), dir. András Fiath (1998, Hungarian)Medea (animated study), dir. Zsófia Péterffy (2007)Örökre való / For Ever, dir. Katalin Riedl (2008-2010)DocumentaryTanuljunk magyarul (Let`s Learn Hungarian), dir. Károly Vicsek (1979, Serbian - Hungarian, Novi Sad Television), (language teaching series)Katalin Ladik - Bogdanka Poznanović (1980, Serbian-Hungarian, Akademija Umetnosti Novi Sad – Novi Sad Art Academy), (Documentary about Katalin Ladik)Monodráma születik (A Monodrama is Born), dir. Gyula Radó (1981, Hungarian, Szegedi TV), (Documentary about Katalin Ladik)Ez már nem én vagyok (This Isn`t Me Anymore), dir. Gyula Radó (1982, Hungarian, Szegedi TV), (Documentary about Katalin Ladik)Krleža u videomedijima 5.: TV-usporedbe Adam i Eva (Krleža in Video-Medium 5: TV Comparisons of Adam i Eva), dir. Mario Fanelli, (1984, Croatian, TV Zagreb), (performer, Eva), (documentary series)Bukott angyal (Fallen Angel), dir. Jenő Hartyándi (1992, Hungarian - Serbian, Mediawave) (performance-recording)Valahol Közép-Európában (Somewhere in Central Europe), dir. István Grencsó, Jenő Hartyándi (1993, Hungarian – Serbian) (Documentary)Amarissima: Katalin Ladik i novosadska umetnička scena sedamdesetih (Amarissima: Katalin Ladik and the Novi Sad Artistic Scene in the Seventies), dir. Milica Mrđa-Kuzmanov (1999, Serbian), (Documentary about Katalin Ladik’s art)Százféle szerelem (A Hundred Kinds of Love) (2002, Hungarian), (the poems of Éva Saáry are read by Katalin Ladik), (Documentary about Éva Saáry)A sikoly ars poétikája - Ladik Katalin portréfilm (The Ars Poetica of the Scream – Katalin Ladik`s Portrait), dir. Kornél Szilágyi, (2012, Hungarian) (Documentary about Katalin Ladik)(trailer) Sound Cage: A Portrait of Katalin Ladik, dir. Kornél Szilágyi (Igor Buharov), (2012, Hungarian with English subtitles) (Documentary about Katalin Ladik)A legismertebb magyar, dir. Gábor Tóth, HírTV (Documentary about Amrita Sher-Gil and the play Everything She Wants directed by Katalin Ladik and performed by Navjot Randhawa at the Indian Embassy, Budapest (2017)Writer’s CreditSámán (Shaman), dir. Pál Zolnay (1977, Hungarian, written by the director using poems of Attila József, László Nagy, Sándor Weöres és Katalin Ladik)Behind the Eye, dir. Sebő Kovács (1999, Hungarian, based on Katalin Ladik’s poem: Vers a szerelmes piócáról / The Poem of the Leech in Love)Radio playsWriter and performerFurcsa, aki darazsakról álmodik (Strange Is the One Who Is Dreaming About Wasps), 1982, Magyar Rádió Budapest (Hungarian Radio). Alex Avanesian, Imre József Katona and Katalin Ladik.Furcsa, aki darazsakról álmodik (Strange Is the One Who Is Dreaming About Wasps), 1985, Radio Novi Sad (Serbia). Tibor Vajda and Katalin Ladik.Bukott angyalok (Fallen Angels), 1992, Radio Novi Sad (Serbia). Tibor Vajda.Fűketrec (Grass-Cage), 2002, Radio Novi Sad. Tibor Vajda and Katalin Ladik.Tesla Project, 2003, Radio Novi Sad (Serbia). Tibor Vajda.Élhetek az arcodon? (Can I Live on Your Face?), 2012, Hungarian Radio, script by Otília Cseicsner, directed by Kornél SzilágyiA víz emlékezete (The Memory of Water), Rádiószínház, Hungarian Radio (Kossuth Rádió), directed by Otília Cseicsner, 27 June 2017, 21:30Radio Theatre: „Ladik Katalin: Hide-and-Seek, Variations of The Old Hungarian Lamentations of Mary” (Bujócska, Ómagyar Márai-siralom variációk), Magyar Rádió (Hungarian Radio), Kossuth Rádió, radio program editor: Otilia CseicsnerPerformerBertolt Brecht: Az árja-kaszt magánélete (The Private Life of the Master Race; alt. title for Fear and Misery of the Third Reich) (Woman), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1963Miodrag Djurdjević: A csavargó meg ők ketten (The Vagabond and the Two of Them) (the Girl), dir. István Varga, Radio Novi Sad (Serbia), 1963Miklós Gyárfás: Kisasszonyok a magasban – Férfiaknak tilos (Young Ladies Up High – No Men Allowed) (Júlia, who is barely even a young lady), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1964Lászó Kopeczky: Harangszó előtt (Before the Bell Rings) (Flóra), dir. István Varga, Radio Novi Sad (Serbia), 1964Leon Kruczkowski: A kormányzó halála (Death of the Governor) (Silvia), (adapted by Iván Horovitz), dir. István Varga, Radio Novi Sad (Serbia), 1964Mikhail Tonecki: Találka a „Mese” kávéházban (A Date in Café Tale) (Waitress), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1964János Herceg: Mindenkinek van egy álma (Everyone Has a Dream) (performer), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1965Aleksandar Obrenović: A tegnapi nap (Yesterday) (performer), dir. István Varga, Radio Novi Sad (Serbia), 1966Erskine Caldwell: Asszonyi sorsok (This Very Earth) (Vicky), (adapted by Jasmina Egrić), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1966Miroslav Mitrović: Még szemerkél az eső (The Rain Is Still Dripping) (Announcer), dir. Gellér Tibor, Radio Novi Sad (Serbia), 1966Momo Kapor: III. Olivér teremőre (The Guard of Oliver III) (performer), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1966Dušan Raksandić: Muratról, Pepekről, Angyeláról és rólam (About Murat, Pepek, Andjela and Me) (the Professor’s Wife), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1967Günter Eich: Carmilla meg én (The Other and I; orig. Die Andere und Ich) (performer), dir. László Szilágyi, Radio Novi Sad (Serbia), 1967Marguerite Duras: Andesmas úr délutánja (The Afternoon of Mr Andesmas) (Valérie), (adapted by Milan Topolavčki) dir. László Szilágyi, Radio Novi Sad (Serbia), 1967Miloslav Stehlík: Bizalomvonal (Helpline) (Telephone Assistant), dir. István Varga, Radio Novi Sad (Serbia), 1967Sead Fetahagić: Körbe, körbe, karikába (Round and Round) (Mira), dir. István Varga, Radio Novi Sad (Serbia), 1967Alessandro De Stefani: Csónak jön a tavon (A Boat Approaches on the Lake – Una barca viene dal lago) (Anna Marabini), (adapted by Iván Horovitz) dir. László Szilágyi, Radio Novi Sad (Serbia), 1968Michal Tonecki: Az ötödik (The Fifth) (a Lány szerepében), dir. Gusztáv Barlay, Radio Novi Sad (Serbia), 1968József Sulhóf (text), ed. by Ernő Király: Tavaszi bokréta dalest (Spring Bouquet – An Evening of Songs) (Announcer), Radio Novi Sad (Serbia), 1968Magda Szabó: A rab (The Prisoner) (Zsuzsanna Kazinczy), dir. Frigyes Marton, Radio Novi Sad (Serbia), 1968Aldo Nicolai: Éljen az ifjú pár! (Long Live the Newlyweds!) (Woman), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1969Ferenc Deák: Apoteózis (Apotheosis) (Recitative) (performer), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1969Boris Palotai: Öröklakás (Condominium) (Klára), dir. László Szilágyi, Radio Novi Sad (Serbia), 1969Endre Fejes: Vigyori (Grinner) (Girl), dir. István Varga, Radio Novi Sad (Serbia), 1970Eugène Ionesco: A kopasz énekesnő (The Bald Soprano), dir. László Szilágyi, Radio Novi Sad (Serbia), 1970Pál Saffer: A csend (The Silence) (Lidia), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1970Mihály Majtényi: A száműzött (The Exile) (Sibylla), dir. István Varga, Radio Novi Sad (Serbia), 1971Gerich Endre Művészestje: Azért is maradok...! (An Evening with Endre Gerich: I Say I’m Staying...!) (performer) dir. László Szilágyi, Radio Novi Sad (Serbia), 1971Silvia Andrescu – Theodor Manescu: Ismeretlen kedvesem (My Unknown Beloved) (Girl), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1971Aleksandr Solzhenitsyn: Gyertyaláng a szélben (Candle in the Wind) (Anni), dir. Árpád Benedek, Radio Novi Sad (Serbia), 1972És mi lesz tavasszal (What Will Happen in the Spring?) (comedy night) (performer), dir. Frigyes Marton, Radio Novi Sad (Serbia), 1972Mirjana Buljan: Jasna naplója (Jasna’s Diary) (Jasna), dir. László Szilágyi, Radio Novi Sad (Serbia), 1973Svetislav Ruškuc: A hetvennyolcas fordulatszámú ajtó (The 78 RPM Door) (Girl), dir. István Varga, Radio Novi Sad (Serbia), 1973Dušan Iljić: Beutazni a földet (To Travel the World) (Szitakötő /Dragonfly/, a Girl), dir. Miklós Cserés, Dr, Radio Novi Sad (Serbia), 1976Társult humor éve (The Year of Associated Humour) (performer), dir. Róbert Bambach, Radio Novi Sad (Serbia), 1976Szellemet idézünk! (Séance!) (performer), dir. György Turián, Radio Novi Sad (Serbia), 1977Vidám est (A Merry Evening) (performer), dir. Sándor Sántha, Radio Novi Sad (Serbia), 1977István Bosnyák: Szemben a bíróval (Facing the Judge) (docudrama in 7 episodes) (Ruth), dir. István Varga, Radio Novi Sad (Serbia), 1978Henrik Bardijewski: Kis komédia (A Little Comedy) (Lady I), dir. István Vajda, Radio Novi Sad (Serbia), 1978László Nemes: Szerencseszerződés (Contract of Luck) (adapted by János Borbély) (radio play series), dir. Slobodan Majak, Radio Novi Sad (Serbia), 1985Ottó Tolnai: Bayer Aszpirin (Bayer Aspirin) (The Actress), dir. Orsolya Lehoczky, Hungarian Radio / Magyar Rádió (Hungary), 1997 (monodrama)Iris Disse: Álmodott idő – 1956 (Dreamt Time – 1956), dir. Iris Disse, Radio Kossuth / Kossuth Rádió (Hungary), 2007 (Marika, the author`s alter ego)Artworks in permanent public and private collectionsBarcelona (Spain): MACBA – Museum of Contemporary Art in Barcelona / Museu d’Art Contemporani de Barcelona (18 collages: visual poetry and music scores, 1971-1978)Budapest (Hungary): Petőfi Literary Museum / Petőfi Irodalmi Múzeum (9 works of visual poetry – typewritten text on paper, photograph, collages of cardboard and collages of music score, 1976–1977, Aki miatt a harang szól (For Whom the Bell Rings) – In Memoriam Lajos Kassák collage, 1987)Belgrade (Serbia): Museum of Contemporary Art in Belgrade / (MSUB) Muzej Savremene Umetnosti, Beograd (Poemim photo, 1978)New York (USA): MoMA, The Museum of Modern Art (Novi Sad Project documentation, Wow Special Zagreb Issue, 1975)Budapest (Hungary): Ludwig Museum – Museum of Contemporary Art / Ludwig Múzeum – Kortárs Művészeti Múzeum (Photographs, Poemim series)Vienna (Austria): Kontakt Collection – The Art Collection of Erste Group / Kontakt – Die Kunstsammlung der Erste Group (5 items of the “Ausgewählte Volkslieder”(Selected Folk Songs) series (1973-1975); 5 other visual poetry and music scores; 12 stamps; the 48 remaining photographs of Change Art – a performance documentation 1975; two copies of the Phonopoetica SP album 1976)Croatia – Marinko Sudac`s Private Collection (photo documentation for performances, gramophone recording, 1968–89)Miami (USA): Sackner Archive of Visual and Concrete Poetry (4 postcards – mail-art – and documentation, 1977-1981)Belgrade (Serbia): Trajković Collection (Blackshave Poem – Zagreb performance, photo document, 1978)Chicago (USA): School of the Art Institute of Chicago – Joan Flasch Artist`s Book Collection (Poetical objects of the Urbanical Environment, 1976)...

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• Kolekcionarstvo i umetnostchevron_rightKnjigechevron_rightBeletristika

Oglas

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• 31. Jan 2023.

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• Novi Sad

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• kupindo.com

U dobrom stanju!Redje u ponudi!Katalin Ladik (rođena 25. oktobra 1942. u Novom Sadu) je jugoslovensko-mađarski pesnik, izvođač i filmski stvaralac.Katalin Ladik počela je pisati 1962. godine radeći kao bankarski činovnik. Bila je radijska voditeljica i pozorišna glumica u Novom Sadu, kasnije je radila za film i televiziju. 1990. postala je urednica i predavala u oblastima muzike i pozorišta.Kao umetnički medij koristi vizuelnu poeziju, umetnost pošte, radio igre, prozu, kolaž, fotografiju, film i eksperimentalnu muziku. Ladik istražuje jezik vizuelnim i vokalnim izrazima, kao i kretanjem i gestovima. Ladik se više puta pojavljivao u kontekstu predstava, događaja i pozorišnih komada koji se često dešavaju u urbanom okruženju, ali i u prirodi. Bila je član umetničkog kolektiva Bosch + Bosch. Katalin Ladik živi i radi naizmenično u Novom Sadu (Srbija), Budimpešti (Mađarska) i na ostrvu Hvar (Hrvatska).U svojoj domovini postala je legendarna i kontroverzna figura u ranim šezdesetim godinama, pre svega kroz feminističko-šamanističku zvučnu poeziju i gole predstave.Ladik je primio nekoliko nagrada i igrao na brojnim nacionalnim i međunarodnim izložbama. 1977. Godine dala je ime sebi kao učesnica 10. međunarodnog festivala zvučne poezije u Amsterdamu. U 2010. godini u Muzeju savremene umetnosti Vojvodine u Novom Sadu održana je retrospektiva, koja je privukla nacionalnu pažnju, a 2017. godine bila je pozvana da učestvuje u dokumentarnoj 14. Takođe je uključena u seriju izložbi Feministička avangarda.Katalin Ladik (born Novi Sad, October 25, 1942) is a Hungarian poet, performance artist and actress. She was born in Novi Sad, Yugoslavia (now called Serbia) and in the last 20 years she has lived and worked alternately in Novi Sad, Serbia, in Budapest, Hungary and on the island of Hvar, Croatia. Parallel to her written poems she also creates sound poems and visual poems, performance art, writes and performs experimental music and audio plays. She is also a performer and an experimental artist (happenings, mail art, experimental theatrical plays). She explores language through visual and vocal expressions, as well as movement and gestures. Her work includes collages, photography, records, performances and happenings in both urban and natural environments.Katalin Ladik studied at the Economic High School of Novi Sad between 1961 and 1963. She then joined the Dramski Studio (Drama Studio) acting school in Novi Sad, between 1964 and 1966. Between 1961 and 1963, she worked as a bank assistant. During this time, in 1962, she began to write poetry. From 1963 to 1977 she worked for Radio Novi Sad. She joined the newly established Novi Sad Theatre in 1974, becoming a member of its permanent ensemble in 1977 and working there until 1992.[1] She primarily acted in dramatic roles. Over the years, she also played major and minor roles in various TV-films and movies. She led the poetry sections of literary magazines Élet és Irodalom (1993–94) and Cigányfúró (1994–99). Between 1993 and 1998 she taught at Hangár musical and theatrical education center.She is a member of the Hungarian Writers` Union, the Hungarian Belletrists Association, the Association of Hungarian Creative Artists and the Hungarian PEN Club.AwardsKatalin Ladik has earned various awards, including the Kassák Lajos Award (1991), the award of Mikes Kelemen Kör (Mikes International – Association for Hungarian Art, Literature and Science in the Netherlands) (2000), the József Attila Prize (2001), the Mediawave Parallel Culture Award (2003), the National Award for Culture of the Republic of Serbia (2009), and the Laurel Wreath Award of Hungary (2012).In 2015, she received the Klára Herczeg Award in senior category from the Studio of Young Artists’ Association (Hungary).[2]In 2016, she was awarded with the Lennon Ono Grant for Peace.[3]Her awards for acting include the Oktobarska nagrada grada Novog Sada (October Award of the City of Novi Sad), a collective award to the cast of Radio Novi Sad in 1967; first place at Smotra vojvođanskih profesionalnih pozorišta (Festival of Professional Theatres in Vojvodina) in 1978, for the role of Masha in Three Sisters, directed by György Harag, performed at the Novi Sad Theatre. The same role earned her the first place of Udruženje dramskih umetnika Srbije / Association of Dramatic Artists of Serbia, in 1979. Katalin Ladik also received the Magyar Televízió Elnöki Nívódíja / Award of the President of Hungarian Television for Acting Excellence for acting in András Rajnai’s TV film series, Televíziós mesék felnőtteknek (Television Tales for Adults) in 1980. In 1986, she was awarded first place at Smotra vojvođanskih profesionalnih pozorišta / Festival of Professional Theaters in Vojvodina for the role of Skinner in Howard Barker’s The Castle, directed by David Gothard, performed at the National Theatre in Subotica.2017 Artisjus Literary Award for her poetry volume „A víz emlékezete” („The Memory of Water”)2017 Janus Pannonius Filius Ursae Award for her literary oeuvre for „being defiant, provocative, and confrontational towards the actual literary canons”PoetryKatalin Ladik became known after 1962 through her surreal and erotic poems. In addition to a number of books in Hungarian, volumes of her poetry were published in Yugoslavia, France, Italy and the United States. Her poems also appeared in various magazines and anthologies worldwide, translated into Spanish, German, Polish, Bulgarian, Slovakian, Hindi, Chinese, Indonesian, Romanian, Macedonian, Rusyn and Slovenian.`She is able to embody the sense of poetry as action. I saw one of her readings in Bratislava at Ars Poetica Festival and she was the only poet able to electrize the audience without any translation. (...)She manages to pass linguistic barriers but, again, any translation of her poetry is at least difficult to be made (or should I say “performed`). Her activity covers a wide area that includes performance and sound poetry, with a force that captures any kind of audience no matter how illiterate in contemporary poetry they can be.`Poetry DepotProseHer first novel, entitled Élhetek az arcodon? (Can I Live on Your Face?) was published in 2007 by Nyitott Könyvműhely. It is considered to be an eminent work in Hungarian Avant-garde literature. It is partly autobiographical, partly self-reflecting. The novel alternates between reality and fiction, prose and poetry, sometimes switching to a prose poem style. Its main target audience is that part of the artists’ community who are receptive to esoteric allusions. The book is about three women: the Editor, who lives in Budapest, the Artist, and the Glasswoman who lives in Novi Sad, all of whom bear the same name. The shared name determines their lives. Initially, they are unaware of one another, but throughout the book their lives get gradually intertwined. After they get to know one another, they begin to live each other`s life, which changes everything for them forever. One of the peculiarities about the book is the uniquely rich textual documentation (letters, newspaper articles, posters) and the large number of photos.PublicationsVolumes in original languageBallada az ezüstbicikliről (Ballad of Silver Bike) | poems | Hungarian | with gramophone recording | Forum, Novi Sad, 1969Elindultak a kis piros bulldózerek (The Small, Red Bulldosers Have Taken Off) | poems | Hungarian | Forum, Novi Sad, 1971Mesék a hétfejű varrógépről (Stories of the Seven-Headed Sewing Machine) | poems | Hungarian | Forum, Novi Sad, 1978Ikarosz a metrón (Icarus on the Subway) | poems | Hungarian | Forum, Novi Sad, 1981A parázna söprű – Bludna metla (The Promiscuous Broom) | poems | Hungarian-Serbian bilingual | Forum, Novi Sad, 1984Kiűzetés (Exile) | poems | Hungarian | Magvető, Budapest, 1988Jegyesség (Engagement) | poems | Hungarian | Fekete Sas - Orpheusz, Budapest, 1994A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Fekete Sas, Budapest, 1998Fűketrec (Grass-Cage) | poems | Hungarian | Orpheusz, Budapest, 2004Élhetek az arcodon? (Can I Live on Your Face?) | prose | Hungarian | Nyitott Könyvműhely, Budapest, 2007Belső vízözön (Deluge Inside) | poems | Hungarian | Parnasszus, Budapest, 2011Ladik Katalin legszebb versei (The Most Beautiful Poems of Katalin Ladik) | poems | Hungarian | AB-ART, Bratislava, 2012A víz emlékezete (The Memory of Water) | poems | Hungarian | Kalligram, Budapest, 2016Translated volumesPoesie Erotiche (Erotic Poems) | poems | Italian | selected and translated by: Giacomo Scotti | La Sfinge, Naples, 1983Erogen Zoon | poems | Serbian | translated by: Katalin Ladik, Selimir Radulović, Judita Šalgo, Arpad Vicko | Književna Zajednica Novog Sada, Novi Sad, 1987Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. B’Racz | New Native Press, Sylva, 1992Poèmes (Poems) | poems | French | selected by: Tibor Papp | translated by: Katalin Kluge, Tibor Tardos | CiPM / Spectres Familiers, Marseille, 1999Ikarova senka (Icarus’ Shadow) | poems | Serbian | translated by: Katalin Ladik, Selimir Radulović, Judita Šalgo, Arpad Vicko, Draginja Ramadanski | Orpheus, Novi Sad, 2004Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. B’Racz | Burning Bush Press, Asheville, 2005Engagement | poems | English | translated by: Emöke Z. B’Racz | Burning Bush Press, Asheville, 2006Kavez od trave (Grass-Cage) | poems | Croatian | translated by: Kristina Peternai | Matica Hrvatska, Osijek, 2007E-booksFűketrec (Grass-Cage) | poems | Hungarian | Mikes International, The Hague, 2003 | downloadable, pdf formatFűketrec (Grass-Cage) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2003 | downloadable, multiple formatsA négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formatsIkarosz biciklijén (On Icarus’ Bicycle) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formatsKiűzetés ~ Jegyesség (Exile ~ Engagement) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formatsA négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf formatKiűzetés ~ Jegyesség (Exile ~ Engagement) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf formatIkarosz biciklijén (On Icarus’ Bicycle) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf formatEngagement | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link]Stories of the Seven-Headed Sewing Machine | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link]Milyen ízű vagyok? (How Do I Taste?) | poems | Hungarian | A hónap könyve, Szentendre, 2012 | buyable, pdf formatDiscographySound poetryBallada az ezüstbicikliről (The Ballad of the Silver Bicycle) | SP | supplement for book with same title | Forum, Novi Sad, 1969Phonopoetica | SP | Galerija Studentskog kulturnog centra, Belgrade, 1976Poésie Sonore Internationale (International Sound Poetry) | audio cassette | anthology of sound poetry, Paris, 1979La Nouvelle Revue d’Art Moderne, Special 2. (The Magazine of Modern Art) | audio cassette | Rencontres Internationales de Poésie Sonore (International Sound Poetry Festival), Paris, 1980Adriano Spatola: Baobab Femme | audio cassette | anthology for sound poetry magazine, Publiart Bazar Reggio Emilia, 1982Yugoslavian Sound Poetry | audio cassette | anthology of sound poetry, 1987Hangár / Hangar | audio cassette | anthology of sound poetry, Amsterdam – Budapest, 1987Aki darazsakról álmodik (Who is Dreaming About Wasps) | LP | recording of the radio play `Furcsa, aki darazsakról álmodik` (Strange Is the One Who Is Dreaming About Wasps) | Radio Novi Sad, 1988Spiritus Noister: Nemzeti zajzárványok / National Noise-Inclusions | audio cassette | Bahia Music, Budapest, 1996Vajdasági Magyar Zenei Esték / Vojvodina Hungarian Music Evenings 1988 | CD | JMMT, Novi Sad, 1998Vízisámán / Water Shaman | CD | Budapest, 1999Spiritus Noister – Kurt Schwitters: Ursonate | music CD | Hungaroton, Budapest, 2003Vodeni anđeo / Water Angel | music CD | Nova Misao, Novi Sad, 2011Music (experimental music, jazz)As vocalist, Katalin Ladik collaborated with prominent Croatian, Serbian and Hungarian composers, such as Dubravko Detoni, Branimir Sakač, and Milko Kelemen (1971–73, ensemble ACEZANTEZ); Ernő Király (1963-2002); Dušan Radić (Oratorio Profano, 1979); Boris Kovač (1986-1990); Deže Molnar ( 1989–91); Zsolt Sőrés a.k.a. Ahad, and Zsolt Kovács (1996-, Spiritus Noister).Ernő Király | LP | Udruženje Kompozitora Vojvodine, Novi Sad, 1978Boris Kovač: Ritual Nova I | LP | Symposion Records, Overstrand, 1986Boris Kovač: Ritual Nova II | CD | Recommended Records, London, 1989Ernő Király - Spectrum | CD | Autobus, Paris, 1999Deže Molnar: Weird Garden | CD | vocals on Track 1 (Water Clock) | Studentski Kulturni Centar Novi Sad, 2010I Belong to the Band Bakers Of The Lost Future | CD | vocals on Track 3 (Poets Of The Absurd On Chalk) | Inexhaustible Editions, Budapest, 2016Poetry readings, sound poetry performancesOnline AudioFűketrec (Grass-Cage) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2003 | downloadable, mp3 formatA négydimenziós ablak (The Four-Dimensional Window) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 formatIkarosz biciklijén (On Icarus’ Bicycle) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 formatKíűzetés - Jegyesség (Exile - Engagement) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 formatLive performances2011Négy fekete ló mögöttem repül (Four Black Horses Fly Behind Me); Jégmadár (Icebird); excerpts from Belső vízözön (The Deluge Inside) | poetry reading | Dzsudi Remake evening, Merlin Theatre, Budapest | Video on YouTubePerformance artMost of Katalin Ladik`s performances balance on the borderline between performance art and theatre: the performance of sound poems is accompanied by theatrical body action and in many cases, the surrounding space is structured similarly to a traditional theatre. Those who examine her poetry often refer to her sound poetry performances. On the other hand, no detailed analyses have been produced about the dramaturgical characteristics of her performances, and the relations of sign systems between her poetry and performances. It is a well-reasoned choice, however, to locate her in the context of female performance artists, as Katalin Ladik uses her body and person as the medium of her art in her performances, which occupies a special position within the history of Western art.A list of performances, happenings, actions1960s-`70s1968Budapest, Szentendre - Hungary | UFO | Tamás Szentjóby, Miklós Erdély, Katalin Ladik | happening1970Belgrade - Serbia | Pozorište Atelje 212, Podrum teatar (Theatre Atelje 212, Theatre in the Basem*nt) | performanceZagreb - Croatia | Žanr Festival eksperimentalnog filma (Genre Experimental Film Festival - GEFF) | performanceBudapest - Hungary | József Attila Művelődési Ház (Cultural Centre József Attila) | with Jenő Balaskó | literary performanceBelgrade - Serbia | Dom Omladine (Youth Centre) | performanceTemerin - Serbia | performance1971Bačka Topola - Serbia | UFO Party | performanceSamobor - Croatia | Samoborski Fašnik (Carnival in Samobor) | Eros sa ovogu svijeta (Eros of This World) | UFO Party | performanceBiograd - Croatia | UFO Party | performanceZagreb - Croatia | Studentski Centar (Student Centre) | performanceBelgrade - Serbia | Dom Omladine (Youth Centre) | performanceZagreb - Croatia | Teatar Poezije Zagreb (Poetry Theatre Zagreb) | Četvrta dimenzija kutije (Fourth Dimension of the Box) | performance1972Osijek - Croatia | Annale Komorne Opere i Baleta (Annual Festival of Chamber Opera and Ballet)Zagreb - Croatia | Teatar ITD (Theatre ITD)| performanceNovi Sad - Serbia | Tribina Mladih (Youth Tribune) | performanceBelgrade - Serbia | Studentski Kulturni Centar (Student Cultural Centre) | Festival Expanded Media | performanceBalatonboglár - Hungary | Kápolna Galéria (Kápolna Gallery) | Group Bosch+Bosch | performance1974Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media /performance/1975Zagreb (Croatia), Student Centre Gallery / Galerija Studentskog Centra: `Eksperimenti u jugoslovenskoj umjetnosti` (Experiments of Yugoslav Art) (Group Bosch+Bosch) /performance/Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media: `Ljubavi, Singer` (Loves, Singer) /performance/Novi Sad (Serbia), Youth Tribune / Tribina mladih: `Change Art` /action/Novi Sad (Serbia): `Spuštanje Novog Sada niz reku Dunav` (Floating Novi Sad Downstream the Danube) /action/1976Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media: `Change Art` /action/Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti /performance/1977Zrenjanin (Serbia), Cultural Centre / Kulturni Centar: `Poezija, fonična i vizuelna poezija Katalin Ladik` (Poetry, Phonic and Visual Poetry by Katalin Ladik)Kraków (Poland): `Phonopoetica` /performance/Zagreb (Croatia), Information Centre / Informativni Centar: `Phonopoetica` (with Vujica R. Tucić) /performance/Amsterdam (Netherlands), Stedelijk Museum: `Tekst in Geluid` (Text in Sound) /performance/Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar: `Phonopoetica` /performance/1978Kranj (Slovenia), Prešeren Theatre / Prešernovo Gledališče /performance/Sarajevo (Bosnia and Herzegovina), Youth Theatre / Pozorište Mladih, Festival Malih i Eksperimentalnih Scena (Festival of Small and Experimental Theatre): `Četvrta dimenzija – krik` (Fourth Dimension – Scream) /performance/Novi Sad (Serbia), Youth Tribune / Tribina mladih: `Pesnički maraton` (Poetry Marathon) /performance/Novi Sad (Serbia), Sonja Marinković Student Club / Studentski Klub ‘Sonja Marinković’: `Čudak je ko čekiće sanja` (Weird Is the One Who Dreams About Hammers) /performance/Würzburg (Germany), Hand Press Gallery / Handpresse Galerie: `Randkunst-Kunstrand` /performance/Novi Sad (Serbia), National Library / Narodna biblioteka: `Umetnost se ne ponavlja, ne ponavlja, ne ponavlja...` (Art Does Not Repeat Itself, Not Repeat Itself, Not Repeat Itself...) /performance/Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti: `Nova umjetnička praksa 1966-1978` (New Art Practice 1966-1978) /performance/1979Subotica (Serbia), Youth Centre / Dom Omladine: `Az éneklő varrógép – The Singing Sewing Machine` (with Zsolt Király) /performance/Novi Sad (Serbia), Youth Tribune / Tribina Mladih: `The Screaming Hole – A sikoltozó lyuk` /performance/Amsterdam (Netherlands): `One World Poetry` /performance/Utrecht (Netherlands), Gallery ‘T Hoogt / ‘T Hoogt Galerie: `One World Poetry` /performance/Novi Sad (Serbia), Youth Tribune / Tribina Mladih: `Mesék a hétfejű varrógépről` (Stories of the Seven-headed Sewing Machine) /performance/1980s-`90s1980Paris (France), Pompidou Centre / Centre Georges Pompidou: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/Le Havre (France), Cultural Centre of Le Havre / Maison de la Culture du Havre: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/Rennes (France), Cultural Centre of Rennes / Maison de la Culture de Rennes: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/New York City (USA), Washington Square Church, The New Wilderness Foundation: `International Sound Poetry Festival` /performance/Baltimore (USA), School 33 Art Center, The Merzaum Collective`s Desire Productions Present: International Festival of Disappearing Art(s) /performance/Gyula (Hungary), Castle Theatre / Várszínház, Knights’ Hall / Lovagterem: `Alice` /performance/Belgrade (Serbia), Salon Museum of Contemporary Art / Salon Muzeja Savremene Umetnosti, Exhibition of Group Bosch+Bosch: `Orman koji ubrizgava (Injecting Closet)` /performance/1982Budapest (Hungary), Cultural Centre Jókai, Studio ‘K’/ Stúdió ‘K’ Jókai Művelődési Központ: `Ladik Katalin újvidéki költő és előadóművész szerzői estje` (An Evening with Novi Sad Poet and Performer, Katalin Ladik) /performance/Novi Sad (Serbia), Cultural Centre Petőfi Sándor / Petőfi Sándor Művelődési Ház: `Telepi esték – Ladik Katalin szerzői estje` (Evenings in Telep – with Poet Katalin Ladik) (with Ottó Tolnai, Zsolt Király) /performance/Budapest (Hungary), Young Artists’ Club / Fiatal Művészek Klubja: `Ladik Katalin szerzői estje` (An Evening with Katalin Ladik) (with Miklós Erdély, László Beke and Zsolt Király) /performance/Budapest (Hungary), Cultural Centre Jókai, Studio ‘K’ / Stúdió ‘K’ Jókai Művelődési Központ: `Ladik Katalin szerzői és előadói estje` (An Evening with Katalin Ladik) (with Miklós Erdély, László Beke and Zsolt Király) /performance/Belgrade (Serbia), Museum of Contemporary Art / Muzej Savremene Umetnosti: `Verbo-Voko-Vizuelno` (`Phonopoetry` with Judita Šalgo) /performance/Osijek (Croatia), Students’ Youth Centre / Studentski Centar Mladih, Osiječko ljeto (Summer in Osijek): `Čudak je ko čekiće sanja` (Weird Is the One Who Dreams About Hammers) /performance/Belgrade (Serbia), Youth Centre / Dom Omladine: `Ikar u metrou” (Icarus on the Subway) (with Judita Šalgo, Selimir Radulović) /performance/Belgrade (Serbia), Youth Centre / Dom Omladine, Beogradsko leto (Summer in Belgrade): `Ufo Party` /performance/Kanjiža (Serbia), Literary Camp / Književna Kolonija: `Konkretna i vizuelna poezija` (Concrete and Visual Poetry) (with Vujica R. Tucić and Bob Cobbing) /performance/Novi Sad (Serbia), Address: Istarski kej 37. sp. 8. st. Rade Šević: `Sound Poetry Performance` (with Vujica R. Tucić and Bob Cobbing) /performance/Novi Sad (Serbia), Youth Tribune Gallery / Tribina Mladih Galerija: `Phonopoemim` – Exhibition Launch for Slavica Grkavac: tapiserije `Jokastin kompleks` (`Jocasta Complex` Tapestry) /performance/Paris (France), UNESCO: `Guerre a la guerre` (War Against War) /performance/Milan (Italy), UNESCO: `Guerra alla guerra` (War Against War) /performance/Paris (France), UNESCO Pompidou Centre / Centre Georges Pompidou: `Polyphonix 5` /performance/1983Vienna (Austria), Wiener Festwochen (Vienna Festival): `Mandora 1.` /performance/Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti: `Nova umjetnost u Srbiji 1970-1980` (New Art of Serbia 1970-1980)Belgrade (Serbia), Youth Centre / Dom Omladine: `Oluja-po motivima Šekspira` (Tempest – Based on Shakespeare) – Exhibition Launch for Slavica Grkavac: tapiserije `Jokastin kompleks` (`Jocasta Complex` Tapestry) /performance/Belgrade (Serbia), Youth Centre / Dom Omladine: `Magic Bread` (with Paul Pignon)1984Glasgow (UK), Third Eye Centre, Poetsound 1984: `Mandora 1.` /performance/Milan (Italy), (Cultural Association of) Cooperativa Intrapresa: `Milanopoesia` /performance/Szeged (Hungary), József Attila University (Today: University of Szeged) / József Attila Tudományegyetem: `Mandora 1.` /performance/Cogolin (France), Rencontres Internationales de Poésie Contemporaine (International Festival of Contemporary Poetry): `Mandora 1.` /performance/Belgrade (Serbia), Cultural Centre / Kulturni Centar: `Mandora 1.` /performance/1985Belgrade (Serbia), Magaza Theatre / Pozorište Magaza: `Mandora 2.` /performance/Budapest (Hungary), Cultural Cente of Lágymányos / Lágymányosi Művelődési Otthon: `Mandora 2.` /performance/Budapest (Hungary), Metropolitan Cultural Centre / Fővárosi Művelődési Ház: `Alice` /performance/Zemun (Serbia), Festival Monodrame i Pantomime (Festival of Monodrama and Pantomimes): `Mandora` /performance/Novi Sad (Serbia), ‘Sonja Marinković’Cultural Centre / Kulturni Centar ‘Sonja Marinković’, Youth Tribune / Tribina Mladih: `Mandora` /performance/Stari Bečej (Serbia) /performance/1988Szeged (Hungary), JATE Club: `Polyphonix` /performance/Pécs (Hungary): `Alice` /performance/Budapest (Hungary), Vigadó Chamber Hall / Vigadó Kamaraterem, Hangár Est (‘Wall of Sound’ Evening): `Alice` /performance/1989Spoleto (Italy): `O Fortuna` /performance/Nové Zámky (Slovakia): `O Fortuna` /performance/Novi Sad (Serbia): `O Fortuna` /performance/1990Novi Sad (Serbia), Sport and Activity Centre of Vojvodina / SPENS Sportski i Poslovni Centar Vojvodina: `Otkrovenje` (Revelation) (with Zoltán Pletl) /performance/Vác (Hungary), Greek Chapel / Görög Templom, Ex-panzió 2. Festival: `Angyal/Angel` /performance/Novi Sad (Serbia): `Seraphine Tanz` /performance/1993Szentendre (Hungary), Dalmát Cellar / Dalmát pince, UHF Kisújrevue /performance/Szeged (Hungary), JATE Club: `Alice` /performance/Vác (Hungary), Greek Chapel / Görög Templom, Expanzió 5. Festival /performance/1994Szeged (Hungary): `Performancia` with Lukács Bitskey /performance/Zebegény (Hungary): `A helyettesítő asszony (The Substitute)` /performance/Pécs (Hungary): `A négydimenziós ablak (The Four-dimensional Window)` with Tamás Szalay /performance/1995Marseille (France), International Poetry Centre / Centre International de Poèsie: `Kassák` /performance/1996Marseille (France), Meyer Gallery / Galerie Meyer: `L’ agneau de Dieu et le double` (The Lamb of God and Its Double) /performance/Ajaccio – Corsica (France): `L’ agneau de Dieu et le double` (The Lamb of God and Its Double) /performance/2000s2002Novi Sad (Serbia), Cultural Centre of Novi Sad / Kulturni Centar Novog Sada, INFANT (International Festival of Alternative and New Theatre): `Fűketrec / Grass-cage`2003Novi Sad (Serbia), Chamber Theatre of Music / Kamerno Pozorište Muzike, INTERZONE Festival: `Tesla – Project` /performance/2004Monza (Italy) /performance/Salerno (Italy) /performance/Novi Sad (Serbia), Chamber Theatre of Music / Kamerno Pozorište Muzike, INTERZONE Festival: `Tesla – Project`Budapest (Hungary), A38 Ship / A38 hajó: `Lomtalanítás` (Cleaning the House) /performance/Budapest (Hungary), Ludwig Museum – Museum of Contemporary Art / Ludwig Múzeum – Kortárs Művészeti Múzeum: `Torony-Lomtalanítás` (Cleaning the Tower-House) /performance/2005Terény (Hungary), Expanzió Festival: `Angel` /performance/2006Budapest (Hungary), Serbian Theatre in Hungary / Magyarországi Szerb Színház / Srpsko Pozorište u Mađarskoj: `Tesla`, /audio-visual oratorio/Otterlo (Netherlands), Kröller-Müller Museum: `Change Art` /action/Amsterdam (Netherlands): `Tesla` /performance/Novi Sad (Serbia), Sport and Activity Centre of Vojvodina / SPENS Sportski i Poslovni Centar Vojvodina, Inventors Association of Vojvodina, TeslaFest: `Tesla` /performance/2007Nové Zámky (Slovakia), Art Gallery / Galéria Umenia: `Gyakorlatok üres húrokon – Kassák-kód` (Exercises on Empty Strings - Kassák Code) /performance/Budapest (Hungary), Erlin Club Gallery / Erlin Klub Galéria: `Fűketrec` (Grass-cage) /performance/Budapest (Hungary), Mu Theatre / Mu Színház: `Az Eszmélet szövedéke` (The Weave of Consciousness) (with Péter Bajka, Bern Atom Santi, Eszter Bereczky, Zsófia Varga) /performance/Verőce (Hungary), Ekszpanzió XX Festival: `Tesla, Audio-visual Oratorio` /performance/Szigliget (Hungary), Artist House of the Hungarian Public Foundation for Creative Art / Magyar Alkotóművészeti Közalapítvány Alkotóháza, József Attila Kör 18. irodalmi tábora (18th Literary Camp of the József Attila Circle): `Az Eszmélet szövedéke` (The Weave of Consciousness) (with Péter Bajka, Bern Atom Santi, Eszter Bereczky, Zsófia Varga) /performance/2008Budapest (Hungary), Petőfi Literary Museum / Petőfi Irodalmi Múzeum, A Szépírók Társasága V. őszi irodalmi fesztiválja – Nők a férfi birodalomban (5th Autumn Literary Festival of the Hungarian Belletrist Association – Women in a Men`s World): `Diptichon` (with Endre Szkárosi), performanceBelgrade (Serbia), ARTGET Gallery – Cultural Centre Belgrade / Galerija ARTGET – Kulturni Centar Beograda (World Poetry Day): `Tesla – hom*o Galacticus` /performance/Szigliget (Hungary), József Attila Kör 20. irodalmi tábora (20th Literary Camp of the József Attila Circle): `Trip-ti-chon` (with Veronika Czapáry), performanceBudapest (Hungary), Irodalmi Centrifuga (Literary Centrifuge): `Trip-ti-chon` (with Veronika Czapáry), performanceBratislava (Slovakia), Ars Poetica Medzinárodny Festival Poézie /The 6th Ars Poetica International Poetry Festival /sound poetry performance[4]2009Visegrád (Hungary), The Roof Terrace of King Matthias Museum / A Mátyás Király Múzeum tetőterasza, Ekszpanzió XXI Festival: “Kerub` (Cherub) /performance/2010s2010Budapest (Hungary), Gallery A22 / A22 Galéria, Tibor Papp`s Exhibition Opening: `Óraköltemény` (Poem-Clock) /performance/Subotica (Serbia), Kosztolányi Dezső Theatre / Kosztolányi Dezső Színház: `Tesla – hom*o Galacticus` /performance/Budapest (Hungary), Millenáris Theatre / Millenáris Teátrum, Book Festival: `Szabadkőműves szex` (Freemason Sex) (with drMáriás) /performance/Štaglinec (Croatia), `Voda` – `Water` Međunarodni Susret Umjetnika (International Art Festival): `Veliko spremanje` (Spring Cleaning) /performance/Eger (Hungary), Small Synagogue Gallery of Contemporary Art / Kis Zsinagóga Kortárs Galéria, artAlom élőművészeti fesztivál (artAlom Performing Arts Festival): `Bukott angyalok` (Fallen Angels) /performance/Szeged (Hungary) – Subotica (Serbia), Railway line, Kultúrcsempész Sínbusz Fesztivál (Culture-smuggler Railbus Festival): Megaphone-assisted readings by Gábor Virág, Slobodan Tišma, Gábor Lanczkor, Tamara Šuškić, Vladimir Kopicl, Katalin Ladik, Siniša Tucić, Roland Orcsik2011Budapest (Hungary), Kunsthalle (Palace/Hall of Art) / Műcsarnok: `Preparababrakabaré` /performance/Marseille (France), Museum of Contemporary Art / Musée d`Art Contemporain, Poésie Marseille 2011, 8ème Festival (8th Marseille Poetry Festival, 2011): `Le Grand Ménage` (Spring Cleaning) /performance/Târgu Mureș (Romania), National Theatre - Small Hall / Teatrul Naţional – Sala Mică, Testet öltött szavak rendezvény (Words Embodied – Event series): `Alice` /performance/Budapest (Hungary), Mu Theatre / Mu Színház, Ismeretlen kutatása improvizációs alkotóműhely (Searching the Unknown – Improvisational Workshop): `Hangmozdulat` (Sound Movement) (with Kati Dombi) /performance/2012Budapest (Hungary), Hungarian Writers` Association / Magyar Írószövetség: XXIV. Ekszpanzió Festival, `Idézet` Szimpozion és Kiállítás (`Quotation` Symposium and Exhibition): `Ásó, kapa, nagyharang` (`Till Death` lit.: Spade, Hoe and Bell) /performance/Komárom (Hungary), Fort Monostor – Film Museum / Monostori Erőd – Filmmúzeum, Mediawave 2012 Festival: `Nagytakarítás` (`Spring Cleaning`) /performance/Łódź (Poland), MS2 – Lodz Museum of Art / MS2 – Muzeum Sztuki w Łodzi: `Alicja w krainie kodów` (Alice in Codeland) /performance/Budapest (Hungary), Address: 8th district, Pál street 6.: Gödör bújócska – irodalom, zene, film, tánc, színház, beszélgetés (Gödör Club Hide-and-seek – literature, music, film, dance, theatre, discussions) /sound poetry performance/Ottawa, Ontario, Canada, City Hall Art Gallery, A B Series Workshop: `Nagytakarítás` (`Spring Cleaning`) /performance/Ottawa, Ontario, Canada, Arts Court Theatre, A B Series: `Alice Kódországban` (`Alice in Codeland`) /performance/[5]2013Budapest (Hungary), Óbudai Társaskör, Kassák Museum, Kassák Year: `Alice Kódországban` (Alice in Codeland) /performance/[6]Hvar (Croatia), 17th International Festival of Radio Plays and Documentary Radio Dramas PRIX MARULIĆ, „Tesla. hom*o Galacticus” /performance/Székesfehérvár (Hungary), Vörösmarty Theatre Studio, Contemporary Art Festival: `Alice Kódországban` (Alice in Codeland) /performance/[7]Budapest (Hungary), Fuga, Autonómia Filmklub 5, „I Belong to the Band”: Katalin Ladik`s voice on „poets of the absurd on chalk”[8]2014Százhalombatta (Hungary), Katalin Ladik - Endre Szkárosi, Slam Poetry /performance/Budapest (Hungary), Mika Tivadar Vigadó, JazzaJ, Katalin Ladik – Jean Michel van Schowburg, Katalin Ladik – Zsolt Sőrés, „Sounds to Go” (Hangok elvitelre) /performance/ [9]2015Eger (Hungary), Templom Gallery, artAlom Live Art Festival 2015: `Tranzit Zoon`, performanceGothenburg (Sweden), Gothenburg Book Fair `Tranzit Zoon`, performanceVienna (Austria), Campus AAKH Hof 7, Universität Wien, `Singende Schnittmuster – Singing Dress Pattern`, lecture-performance, multimedia slide-show2016Poreč (Croatia), Behind the Scenes with Katalin Ladik! Artists on Vacation: `The Sounds of a sewing machine`, Circe di Parenzo” /performance/,[10][11]Budapest (Hungary), MÜSZI, @Transart Communication, Katalin Ladik & Zsolt Sőrés „Alchemical Wedding” (Alkímiai nász) /performance/2016Milano (Italy), FM Centre for Contemporary Art, Non-Aligned Modernity. Eastern-European Art from the Marinko Sudac Collection, “Tranzit Zoon” /performance/2017Athens (Greece), Oval Staircase, Megaron – the Athens Concert Hall, All the In-Between Spaces, Concept and direction by: Paolo Thorsen-Nagel, “Follow me into mythology” /performance/Budapest (Hungary), Urania National Film Theatre, Janus Pannonius Grand Prize for Poetry 2017 Festivities of Hungarian Pen Club. Katalin Ladik: Sound Performance based on Concrete Poems of Augusto de CamposLimassol (Cyprus), Theatro Ena, SARDAM Mixed-media Literary Festival 5th edition, „Live Lecture” /solo sound poetry performance/Nicosia (Cyprus), Artos Foundation, SARDAM Mixed-media Literary Festival 5th edition „Live Lecture” /solo sound poetry performance/Limassol (Cyprus), SARDAM Mixed-media Literary Festival 5th edition, `Spring Cleaning`, performance/Limassol (Cyprus), SARDAM Mixed-media Literary Festival 5th edition, „Wall(ed)”, aRttitude Site-specific dance performance, Katalin Ladik (live sound and voice).Budapest (Hungary), Trafó, „Alice in Codeland” /multimedia performance/Vienna (Austria), Lobby of Hotel Prinz Eugen, Erste Bank Publication Presentation „Sound Poems” /live performance/Novi Sad (Serbia), Museum of Contemporary Art Voivodina (MSUV), „K.A.T (Culture – Activism – Theory) Conference”, „Creative Transitions”/live lecture, multimedia and sound poetry performance/Novi Sad (Serbia), Bulevar Books, „TraNSporteur multilingual poetry” /poetry reading/Lodz (Poland), House of Literature, „Puls Literary Festival, 2017, Hungarian Day”, „Sounds in Lodz” / live lecture, multimedia performance and live sound poetry performance/2018Berlin (Germany), neue Gesellschaft für bildende Kunst (nBgK), `Alice in Codeland`, multimedia performanceBerlin (Germany), Akademie der Künste, „Underground und Improvisation”, „Follow me into Mythology” /live lecture and soloperformance/Berlin (Germany), Akademie der Künste, „Underground und Improvisation”, „Desire of Touch” /Duoperformance with Natalia Pschenitschnikova/Budapest (Hungary), Mersz Klub, „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture and soloperformance/Budapest (Hungary), Hungarian University of Fine Arts, „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture with Emese Kürti/Budapest (Hungary), Közkincs Könyvtár, `MŰVÉSZ + NŐ` (ARTIST + WOMAN), „Feminizmus és művészet ma?” (Feminism and Art Today?), „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture/Belgrade (Serbia), Cultural Center of Belgrade, `Spoken Word, World Poetry Day` /poetry reading/Belgrade (Serbia), Cultural Center of Belgrade, `Spoken Word, World Poetry Day`, `Alice in Codeland` /multimedia performance/Zagreb (Croatia), „Showroom of Contemporary Sound”, „Transitions” /live lecture/Rome (Italy), Falconieri Palace (Hungarian Academy in Rome), „Fountains of Rome - Mouth to Lung!” /live lecture and sound performance/Budapest (Hungary), Három Holló – Drei Raben, „Antracit szájrúd (Antracit mouthpiece) /sound poetry performance/Berlin (Germany), Akademie der Künste, `19. poesiefestival berlin 2018, Weltklang – Night of Poetry`, sound poetry performanceBerlin (Germany), German Centre for Poetry (Haus f’ür Poesie), `lyrikline - Listen to the Poet`, poetry reading and live voice recordings for the archiveConcerts, musical performances (selection)Opatija (Croatia), 1969: Jugoslovenska muzička tribina (Yugoslav Music Tribune) (Ernő Király: Refleksija)Opatija (Croatia), 1970: Jugoslovenska muzička tribina (Yugoslav Music Tribune) (Ernő Király: Refleksija; Branimir Sakač: Bellatrix - Alleluja)Novi Sad (Serbia), 1970: Muzika i Laboratorija (Music and Laboratory) (with Ernő Király)Osijek (Croatia), 1970: Annale komorne opere i baleta (Annual festival of chamber opera and ballet)Zagreb (Croatia), 1971: Muzički biennale (Music Biennale – International Festival of Contemporary Music) (MBZ Radionica/Workshop II with Ernő Király, et al.; Chamber Music - Branimir Sakač: Bellatrix - Alleluja)Dubrovnik (Croatia), 1971: Dubrovačke ljetne igre (Dubrovnik Summer Festival) (ACEZANTEZ Ensemble)Radenci (Slovenia), 1971: Festival sodobne komorne glazbe (Contemporary Chamber Music Festival)Munich (Germany), 1972: (Cultural Program of the 1972 Summer Olympics) (ACEZANTEZ Ensemble)Radenci (Slovenia), 1972: Festival sodobne komorne glazbe (ACEZANTEZ Ensemble) (Contemporary Chamber Music Festival)Osijek (Croatia), 1972: Annale komorne opere i baleta (ACEZANTEZ Ensemble) (Annual festival of chamber opera and ballet)Novi Sad (Serbia), 1972, ‘Radivoj Ćirpanov’ Workers’ University / Radnički univerzitet ‘Radivoj Ćirpanov’ (ACEZANTEZ Ensemble)Belgrade (Serbia), 1972, Studentski kulturni centar (Student Cultural Centre) – Festival Expanded Media (ACEZANTEZ Ensemble)Belgrade (Serbia), 1979, Dom Sindikata – BEMUS Belgrade Music Festival: “Oratorio Profano” (composer: Dušan Radić, conductor: Oskar Danon)Opatija (Croatia), 1980: Jugoslovenska muzička tribina (Yugoslav Music Tribune)Budapest (Hungary), Spiritus Noister Group, 1996, 2002, 2004, 2007, 2008, 2009, 2010, 2011, 2012Budapest (Hungary), Italian Cultural Institute / Olasz kultúrintézet / Istituto Italiano di Cultura, Avantgárd művészetek a világban: mi lett a sorsuk? Nemzetközi tanácskozás (Avant-garde Arts in the World: What About Them? International conference): `Futurdadama (Futurdada Today)`, Spiritus Noister, 2001Vienna (Austria), Spiritus Noister Group, 2004Szentendre (Hungary), Spiritus Noister Group, 2009Szekszárd (Hungary), Spiritus Noister Group, 2012Budapest (Hungary), Művelődési Szint (MÜSZI), „@Transart Communication 2016”, „Alchimist Wedding” /concert and live sound performance with Zsolt Sőrés/Veszprém (Hungary), House of Arts, „Alkímiai mennyegző” („Alchimist Wedding”) /concert and live sound performance with Zsolt Sőrés/Budapest (Hungary), Müpa, UH Fest, Spiritus Noister /concert and live sound performance with Endre Szkárosi, Zsolt Sőrés, László Lenkes/Budapest (Hungary), Kassak Museum, „Dadarabok” /concert and live sound performance with Endre Szkárosi, Zsolt Sőrés, László Lenkes/ YouTubeBudapest (Hungary), 2017: Muted and silent films with live music series, I Belong To The Band vs. Berberian Sound StudioDebrecen (Hungary), MODEM, Katalin Ladik: „Határidőnapló” („Diary Book”) /concert and live sound performance with Gyula Várnai/Veszprém (Hungary), 2018, House of Arts, „Spring Reopening, We believe in life before death”, „Claes Oldenburg: I am for an Art” /concert and live sound performance with Gyula Várnai/TheatreAs an actressJean-Paul Sartre: The Condemned of Altona; dir. István Lányi; Ifjúsági Tribün (Tribina Mladih / Youth Tribune); Novi Sad (Serbia); 1963Imre Sarkadi: Elveszett Paradicsom (Paradise Lost); dir. Tibor Gellér; Petőfi Sándor Művelődési Egyesület (’Petőfi Sándor’ Cultural Association); Novi Sad (Serbia); 1963Molière: The Imaginary Invalid (Béline); dir. Ljubica Ravasi; Srpsko Narodno Pozorište (Serbian National Theatre); Novi Sad (Serbia); 1966 (Exam Piece)Sándor Guelmino: Özvegy (Widow); dir. Tibor Vajda; Echo (az Újvidéki Rádió és az Ifjúsági Tribün színpada / the joint theatre of Radio Novi Sad and the Youth Tribune); Novi Sad (Serbia); 1969Ferenc Tóth (text) – Ernő Király (composer): Jób (Job) (Performer – Recitative); dir. István Szabó, Jr.; Népszínház / Narodno Pozorište u Subotici (National Theatre in Subotica); Subotica (Serbia); 1972István Örkény: Macskajáték (Cats` Play) (Ilus); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1974Peter Weiss: How Mr. Mockinpott was cured of his Sufferings (First Angel/First Nurse); dir. Radoslav Dorić; Róbert Bambach; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1974Ödön von Horváth: Tales from the Vienna Woods (Emma); dir. Róbert Bambach; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1975Gergely Csiky: Mukányi (Ella); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1976Valentin Kataev: Squaring the Circle (Tanya); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1977Molière: Dom Juan or The Feast with the Statue (Mathurine); dir. Dušan Sabo; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978Anton Pavlovich Chekhov: Three Sisters (Masha); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978Ödön von Horváth: Tales from the Vienna Woods (Emma); dir. Péter Telihay; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978Anton Pavlovich Chekhov: The Cherry Orchard (Charlotta Ivanovna); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1979Ottó Tolnai: Végeladás (Clearance Sale) (Mrs Csömöre); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1979Gyula Hernádi: V.N.H.M. Szörnyek évadja (V. N. H. M. - Season of Monsters); dir. Miklós Jancsó; Summer Theatre in Gyula; Várszínház; (Hungary); 1980Edward Albee: Everything in the Garden (Cynthia); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1980Angelo Beolco (Il Ruzzante): La Betia; dir. Radoslav Dorić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981Ottó Tolnai: Bayer Aspirin (The Actress); dir. Miklós Jancsó; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981Ferenc Deák: Nirvana (Csontos Vali); dir. István Szabó Jr.; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981Bertolt Brecht: Baal (Emilie); dir. Milan Belegišanin; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1983Dezső Kosztolányi: Anna Édes ( Mrs Druma); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1983Alexander Vvedensky: Jelka kod Ivanovih (Christmas at the Ivanov’s) (Mother Puzirjova); dir. Haris Pašović; Akademsko Pozorište “Promena” (“Change” Academic Theater); Novi Sad; (Serbia); 1983Mihály Majtényi: Harmadik ablak (The Third Window) (Mrs Lódi); dir. György Hernyák; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1984Alfred Jarry: Ubu Roi (Mama Ubu); dir. Tibor Csizmadia; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1984Gyula Gobby Fehér: A Duna menti Hollywood (Hollywood by the Danube) – Multimedia Performance About the Life of Ernő Bosnyák (The Baron`s Lover); dir. Károly Vicsek; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985Ivo Brešan: Anera (Anera); dir. Dimitar Stankoski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985Peter Shaffer: Equus (Hesther Salamon); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985Howard Barker: The Castle (Skinner); dir. David Gothard; Népszínház / Narodno Pozorište u Subotici (National Theatre in Subotica); (Serbia); 1986Friedrich Dürrenmatt: The Visit (First Woman); dir. Radoslav Dorić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1986István Örkény: Forgatókönyv (Screenplay) (Mrs Littke); dir. Ljubisa Georgievski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1986István Örkény: Tóték (The Tót Family) (Mrs Tót); dir. Gábor Székely; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987Edward Albee: A Delicate Balance (Julia); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987Jordan Plevnes: „R” (Katerina); dir. Ljubisa Georgievski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987Johann Wolfgang von Goethe: Clavigo (Soffe); dir. Vladimir Milcin; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1988Samuel Beckett: Happy Days (Winnie); dir. Radoslav Lazić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1988Henrik Ibsen: An Enemy of the People (Mrs Stockmann); dir. Želimir Orešković; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1989Ferenc Molnár (Franz Molnar): Liliom (Mrs Muskát); dir. László Babarczy; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1990Ede Tóth: A falu rossza, avagy a negyedik ablak (The Village Rogue; Or, the Fourth Window) (Mrs Tarisznyás); dir. Hernyák György; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1990Ottó Tolnai: Paripacitrom (lit. Steed dung) (Krisztina); dir. Péter Tömöry; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991Marcel Achard: L`Idiote (A Shot in the Dark) (Chief Inspector`s Wife); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991Bertolt Brecht: Mother Courage and Her Children (Mother Courage); dir. Lajos Soltis; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991Józsi Jenő Tersánszky: Kakuk Marci (Her Ladyship); dir. Lajos Soltis; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1992Jean Anouilh: The Orchestra (Cello); dir. Voja Soldatović; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1992Péter Nádas (text) – László Vidovszky (composer): Találkozás (Encounter) (Mária); dir. András Éry-Kovács; Shure Studio; Budapesti Kamaraszínház (Chamber Theatre in Budapest); (Hungary); 1997Boris Vian: Vercoquin et le Plancton (Vercoquin and the Plankton) (Léon Charles Miqueut sous-ingénieur principal di CNU / Sub head-engineer at CNU); dir. Róbert Csontos; Kolibri Színház (Kolibri [’Hummingbird’] Theatre); Budapest (Hungary); 1997Sean O´Casey: Bedtime Story (Landlady); dir. Pál Kanda; Függeten Színpad III társulata (3rd Company of Independent Theatre); Kolibri Pince (Kolibri [’Hummingbird’] Cellar Theatre); Budapest (Hungary); 1998László Najmányi: Adieu Monsieur Bloom – Cabaret Noire (Nora Barnacle); dir. László Najmányi; Les Fleurs du Mal; `The Thinking Man`s Living Theatre`; Mu Színház (Mu Theatre); Budapest; (Hungary); 2003László Najmányi: A száműzött Joyce / The Exiled Joyce (Nora Barnacle); dir. László Najmányi; Bloomsday Festival; Szombathely; (Hungary); 2003Radoslav Zlatan Dorić: Ne daj Bože, da se Srbi slože / Ne adj isten, szerbek egyesülnek (God Forbid That the Serbs Should Agree) (Ruska); dir. Radoslav Zlatan Dorić; Magyarországi Szerb Színház / Srpsko Pozorište u Mađarskoj (Serbian Theatre of Hungary); Budapest; (Hungary); 2004László Najmányi: Nova Necropola. Cabaret Noire (Nora Barnacle); dir. László Najmányi; Mu Színház (Mu Theatre); Budapest; (Hungary); 2004László Najmányi: Az igazi Blum (The Real Blum /Bloom/) (Nora Barnacle); dir. László Najmányi; ReJoyce Festival; Szombathely; (Hungary); 2004György Baráthy: Origami (I Woman); dir. György Baráthy; Artéria Színházi Társaság (Theatre Company “Artéria”); RS9 Studio Theatre; Budapest; (Hungary); 2005As a directorThe Last Chapter by Navjot Randhawa, performed by the‘Theatre of Roots and Wings’ and Punjab Sangeet Natak Akademi in Punjabi at the Randhawa Auditorium, Chandigarh (Punjab, India); 2014.[12]Everything She Wants: Amrita and Boris by Navjot Randhawa and Jim Sarbh, Gaiety Theatre, Shimla, India; 2016,[13] The Mirage Yoga Studio, Andretta Arts, Andretta, India, 2016; M.L. Bhartia Auditorium, Alliance Francaise, New Delhi, India, 2016; Punjab Kala Bhawan, Chandigarh, India, 2016; Punjab Naatshala (Punjab Theatre), Amritsar, India, 2016Everything She Wants: Amrita and Boris with Navjot Randhawa;Sher-Gil Cultural Centre, Indian Embassy, Budapest (Hungary), 2017 [14]Fritz Wine House, Szekszárd (Hungary), 2017;National Film Theatre, Budapest (Hungary), 2017;Laffert Kúria, Dunaharaszti (Hungary), 2017;Municipal Library, Zebegény (Hungary), 2017.FilmsFeature filmsEduard i Kunigunda (Eduard and Kunigunda) (television adaptation of Renato de Grandis’ musical play), dir. Petar Teslić (1972, Serbian, Belgrade TV 2) (Kunigunda)Dübörgő csend (1978) on IMDb (Thundering Silence), dir. Miklós Szíjj (Hungarian) (Eta)Szetna, a varázsló (1980) on IMDb (Setna the Wizard), dir. András Rajnai (Hungarian) (Isis)Gulliver az óriások országában (1980) on IMDb (Gulliver in the Land of Giants), dir. András Rajnai (Hungarian) (Lady in attendance)Aelita, dir. András Rajnai (1980, Hungarian)[15]Atlantis, dir. András Rajnai (1980, Hungarian) (The Lady of Atlantis)Chekhov: The Cherry Orchard (televised theatrical performance), dir. György Harag (1982, Hungarian, produced in Yugoslavia, Novi Sad Television) (Charlotta Ivanovna)Chekhov: Three Sisters (televised theatrical performance), dir. György Harag (1982, Hungarian, produced in Yugoslavia, Novi Sad Television) (Masha)A világkagyló mítosza (The Myth of the World Shell), dir. András Rajnai (1982, Hungarian)Bábel tornya (The Tower of Babel), dir. András Rajnai (1982, Hungarian) (the Priestess Lagasa)Héroszok pokoljárása (The Heroes’ Journey Through the Underworld), dir. András Rajnai (1982, Hungarian) (Anna)Fajkutyák ideje (lit. The Time of Purebred Dogs), dir. Károly Vicsek (1984, Hungarian, produced in Yugoslavia)Ujed andjela (1984) on IMDb (Angel`s Bite), dir. Lordan Zafranović (Croatian) (Žena)Késdobáló (slang: Pub, lit. Knife-thrower), dir. Károly Vicsek (1984, Yugoslavian - Hungarian)Ekran sneži (1985) on IMDb, dir. Miljenko Dereta (Serbian)Napóleon (1989) on IMDb (Napoleon), dir. András Sólyom (Hungarian) (Leticia)Granica (1990) on IMDb (Border), dir. Zoran Maširević (Yugoslavian – Serbian – Hungarian)Sex-partijski neprijatelj br. 1 (1990) on IMDb (Sex, the Nr 1 Enemy of the Party), dir. Dušan Sabo (Bosnian) (Žuža)A nagy fejedelem (1997) on IMDb (The Great Prince), dir. Mária Sós (Hungarian) (The scientist’s wife)A szivárvány harcosa (2001) on IMDb (Rainbow`s Warrior), dir. Péter Havas (Hungarian) (Old Ms Sofia - voice)Kolorádó Kid,(2010) on IMDb, dir. András Vágvölgyi B. (Hungarian)Berberian Sound Studio,(2012) on IMDb, dir. Peter Strickland (English) (Resurrected Witch)Short filmsCastrati, dir. Domokos Moldován (1972, Hungarian, Balázs Béla Studio, Budapest) (Bald Medium)O-Pus, dir. Attila Csernik (1973) (with Katalin Ladik’s Sound Project)Csendélet hallal és más tragikus momentumokkal (2005) on IMDb (Still Life with Fish and Other Tragic Elements), dir. Natália Jánossy (Hungarian) (Agáta)Deda Kovač - Grandpa Kovač (2011) on IMDb, dir. Milica Đjenić (Serbian, Beograd-Lajpcig Express) (Rozi)RecitativesAhol kialszik a világ (1989) on IMDb (Where the World Goes Out) (based on Kalandozás a tükörben (Adventures in the Mirror) by János Pilinszky), dir. Károly Kismányoky (1989, Hungarian, Pannonia Film Studio)A párduc (The Panther), (Short animated film set to Rilke’s poem), dir. András Fiath (1998, Hungarian)Medea (animated study), dir. Zsófia Péterffy (2007)Örökre való / For Ever, dir. Katalin Riedl (2008-2010)DocumentaryTanuljunk magyarul (Let`s Learn Hungarian), dir. Károly Vicsek (1979, Serbian - Hungarian, Novi Sad Television), (language teaching series)Katalin Ladik - Bogdanka Poznanović (1980, Serbian-Hungarian, Akademija Umetnosti Novi Sad – Novi Sad Art Academy), (Documentary about Katalin Ladik)Monodráma születik (A Monodrama is Born), dir. Gyula Radó (1981, Hungarian, Szegedi TV), (Documentary about Katalin Ladik)Ez már nem én vagyok (This Isn`t Me Anymore), dir. Gyula Radó (1982, Hungarian, Szegedi TV), (Documentary about Katalin Ladik)Krleža u videomedijima 5.: TV-usporedbe Adam i Eva (Krleža in Video-Medium 5: TV Comparisons of Adam i Eva), dir. Mario Fanelli, (1984, Croatian, TV Zagreb), (performer, Eva), (documentary series)Bukott angyal (Fallen Angel), dir. Jenő Hartyándi (1992, Hungarian - Serbian, Mediawave) (performance-recording)Valahol Közép-Európában (Somewhere in Central Europe), dir. István Grencsó, Jenő Hartyándi (1993, Hungarian – Serbian) (Documentary)Amarissima: Katalin Ladik i novosadska umetnička scena sedamdesetih (Amarissima: Katalin Ladik and the Novi Sad Artistic Scene in the Seventies), dir. Milica Mrđa-Kuzmanov (1999, Serbian), (Documentary about Katalin Ladik’s art)Százféle szerelem (A Hundred Kinds of Love) (2002, Hungarian), (the poems of Éva Saáry are read by Katalin Ladik), (Documentary about Éva Saáry)A sikoly ars poétikája - Ladik Katalin portréfilm (The Ars Poetica of the Scream – Katalin Ladik`s Portrait), dir. Kornél Szilágyi, (2012, Hungarian) (Documentary about Katalin Ladik)(trailer) Sound Cage: A Portrait of Katalin Ladik, dir. Kornél Szilágyi (Igor Buharov), (2012, Hungarian with English subtitles) (Documentary about Katalin Ladik)A legismertebb magyar, dir. Gábor Tóth, HírTV (Documentary about Amrita Sher-Gil and the play Everything She Wants directed by Katalin Ladik and performed by Navjot Randhawa at the Indian Embassy, Budapest (2017)Writer’s CreditSámán (Shaman), dir. Pál Zolnay (1977, Hungarian, written by the director using poems of Attila József, László Nagy, Sándor Weöres és Katalin Ladik)Behind the Eye, dir. Sebő Kovács (1999, Hungarian, based on Katalin Ladik’s poem: Vers a szerelmes piócáról / The Poem of the Leech in Love)Radio playsWriter and performerFurcsa, aki darazsakról álmodik (Strange Is the One Who Is Dreaming About Wasps), 1982, Magyar Rádió Budapest (Hungarian Radio). Alex Avanesian, Imre József Katona and Katalin Ladik.Furcsa, aki darazsakról álmodik (Strange Is the One Who Is Dreaming About Wasps), 1985, Radio Novi Sad (Serbia). Tibor Vajda and Katalin Ladik.Bukott angyalok (Fallen Angels), 1992, Radio Novi Sad (Serbia). Tibor Vajda.Fűketrec (Grass-Cage), 2002, Radio Novi Sad. Tibor Vajda and Katalin Ladik.Tesla Project, 2003, Radio Novi Sad (Serbia). Tibor Vajda.Élhetek az arcodon? (Can I Live on Your Face?), 2012, Hungarian Radio, script by Otília Cseicsner, directed by Kornél SzilágyiA víz emlékezete (The Memory of Water), Rádiószínház, Hungarian Radio (Kossuth Rádió), directed by Otília Cseicsner, 27 June 2017, 21:30Radio Theatre: „Ladik Katalin: Hide-and-Seek, Variations of The Old Hungarian Lamentations of Mary” (Bujócska, Ómagyar Márai-siralom variációk), Magyar Rádió (Hungarian Radio), Kossuth Rádió, radio program editor: Otilia CseicsnerPerformerBertolt Brecht: Az árja-kaszt magánélete (The Private Life of the Master Race; alt. title for Fear and Misery of the Third Reich) (Woman), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1963Miodrag Djurdjević: A csavargó meg ők ketten (The Vagabond and the Two of Them) (the Girl), dir. István Varga, Radio Novi Sad (Serbia), 1963Miklós Gyárfás: Kisasszonyok a magasban – Férfiaknak tilos (Young Ladies Up High – No Men Allowed) (Júlia, who is barely even a young lady), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1964Lászó Kopeczky: Harangszó előtt (Before the Bell Rings) (Flóra), dir. István Varga, Radio Novi Sad (Serbia), 1964Leon Kruczkowski: A kormányzó halála (Death of the Governor) (Silvia), (adapted by Iván Horovitz), dir. István Varga, Radio Novi Sad (Serbia), 1964Mikhail Tonecki: Találka a „Mese” kávéházban (A Date in Café Tale) (Waitress), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1964János Herceg: Mindenkinek van egy álma (Everyone Has a Dream) (performer), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1965Aleksandar Obrenović: A tegnapi nap (Yesterday) (performer), dir. István Varga, Radio Novi Sad (Serbia), 1966Erskine Caldwell: Asszonyi sorsok (This Very Earth) (Vicky), (adapted by Jasmina Egrić), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1966Miroslav Mitrović: Még szemerkél az eső (The Rain Is Still Dripping) (Announcer), dir. Gellér Tibor, Radio Novi Sad (Serbia), 1966Momo Kapor: III. Olivér teremőre (The Guard of Oliver III) (performer), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1966Dušan Raksandić: Muratról, Pepekről, Angyeláról és rólam (About Murat, Pepek, Andjela and Me) (the Professor’s Wife), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1967Günter Eich: Carmilla meg én (The Other and I; orig. Die Andere und Ich) (performer), dir. László Szilágyi, Radio Novi Sad (Serbia), 1967Marguerite Duras: Andesmas úr délutánja (The Afternoon of Mr Andesmas) (Valérie), (adapted by Milan Topolavčki) dir. László Szilágyi, Radio Novi Sad (Serbia), 1967Miloslav Stehlík: Bizalomvonal (Helpline) (Telephone Assistant), dir. István Varga, Radio Novi Sad (Serbia), 1967Sead Fetahagić: Körbe, körbe, karikába (Round and Round) (Mira), dir. István Varga, Radio Novi Sad (Serbia), 1967Alessandro De Stefani: Csónak jön a tavon (A Boat Approaches on the Lake – Una barca viene dal lago) (Anna Marabini), (adapted by Iván Horovitz) dir. László Szilágyi, Radio Novi Sad (Serbia), 1968Michal Tonecki: Az ötödik (The Fifth) (a Lány szerepében), dir. Gusztáv Barlay, Radio Novi Sad (Serbia), 1968József Sulhóf (text), ed. by Ernő Király: Tavaszi bokréta dalest (Spring Bouquet – An Evening of Songs) (Announcer), Radio Novi Sad (Serbia), 1968Magda Szabó: A rab (The Prisoner) (Zsuzsanna Kazinczy), dir. Frigyes Marton, Radio Novi Sad (Serbia), 1968Aldo Nicolai: Éljen az ifjú pár! (Long Live the Newlyweds!) (Woman), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1969Ferenc Deák: Apoteózis (Apotheosis) (Recitative) (performer), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1969Boris Palotai: Öröklakás (Condominium) (Klára), dir. László Szilágyi, Radio Novi Sad (Serbia), 1969Endre Fejes: Vigyori (Grinner) (Girl), dir. István Varga, Radio Novi Sad (Serbia), 1970Eugène Ionesco: A kopasz énekesnő (The Bald Soprano), dir. László Szilágyi, Radio Novi Sad (Serbia), 1970Pál Saffer: A csend (The Silence) (Lidia), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1970Mihály Majtényi: A száműzött (The Exile) (Sibylla), dir. István Varga, Radio Novi Sad (Serbia), 1971Gerich Endre Művészestje: Azért is maradok...! (An Evening with Endre Gerich: I Say I’m Staying...!) (performer) dir. László Szilágyi, Radio Novi Sad (Serbia), 1971Silvia Andrescu – Theodor Manescu: Ismeretlen kedvesem (My Unknown Beloved) (Girl), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1971Aleksandr Solzhenitsyn: Gyertyaláng a szélben (Candle in the Wind) (Anni), dir. Árpád Benedek, Radio Novi Sad (Serbia), 1972És mi lesz tavasszal (What Will Happen in the Spring?) (comedy night) (performer), dir. Frigyes Marton, Radio Novi Sad (Serbia), 1972Mirjana Buljan: Jasna naplója (Jasna’s Diary) (Jasna), dir. László Szilágyi, Radio Novi Sad (Serbia), 1973Svetislav Ruškuc: A hetvennyolcas fordulatszámú ajtó (The 78 RPM Door) (Girl), dir. István Varga, Radio Novi Sad (Serbia), 1973Dušan Iljić: Beutazni a földet (To Travel the World) (Szitakötő /Dragonfly/, a Girl), dir. Miklós Cserés, Dr, Radio Novi Sad (Serbia), 1976Társult humor éve (The Year of Associated Humour) (performer), dir. Róbert Bambach, Radio Novi Sad (Serbia), 1976Szellemet idézünk! (Séance!) (performer), dir. György Turián, Radio Novi Sad (Serbia), 1977Vidám est (A Merry Evening) (performer), dir. Sándor Sántha, Radio Novi Sad (Serbia), 1977István Bosnyák: Szemben a bíróval (Facing the Judge) (docudrama in 7 episodes) (Ruth), dir. István Varga, Radio Novi Sad (Serbia), 1978Henrik Bardijewski: Kis komédia (A Little Comedy) (Lady I), dir. István Vajda, Radio Novi Sad (Serbia), 1978László Nemes: Szerencseszerződés (Contract of Luck) (adapted by János Borbély) (radio play series), dir. Slobodan Majak, Radio Novi Sad (Serbia), 1985Ottó Tolnai: Bayer Aszpirin (Bayer Aspirin) (The Actress), dir. Orsolya Lehoczky, Hungarian Radio / Magyar Rádió (Hungary), 1997 (monodrama)Iris Disse: Álmodott idő – 1956 (Dreamt Time – 1956), dir. Iris Disse, Radio Kossuth / Kossuth Rádió (Hungary), 2007 (Marika, the author`s alter ego)Artworks in permanent public and private collectionsBarcelona (Spain): MACBA – Museum of Contemporary Art in Barcelona / Museu d’Art Contemporani de Barcelona (18 collages: visual poetry and music scores, 1971-1978)Budapest (Hungary): Petőfi Literary Museum / Petőfi Irodalmi Múzeum (9 works of visual poetry – typewritten text on paper, photograph, collages of cardboard and collages of music score, 1976–1977, Aki miatt a harang szól (For Whom the Bell Rings) – In Memoriam Lajos Kassák collage, 1987)Belgrade (Serbia): Museum of Contemporary Art in Belgrade / (MSUB) Muzej Savremene Umetnosti, Beograd (Poemim photo, 1978)New York (USA): MoMA, The Museum of Modern Art (Novi Sad Project documentation, Wow Special Zagreb Issue, 1975)Budapest (Hungary): Ludwig Museum – Museum of Contemporary Art / Ludwig Múzeum – Kortárs Művészeti Múzeum (Photographs, Poemim series)Vienna (Austria): Kontakt Collection – The Art Collection of Erste Group / Kontakt – Die Kunstsammlung der Erste Group (5 items of the “Ausgewählte Volkslieder”(Selected Folk Songs) series (1973-1975); 5 other visual poetry and music scores; 12 stamps; the 48 remaining photographs of Change Art – a performance documentation 1975; two copies of the Phonopoetica SP album 1976)Croatia – Marinko Sudac`s Private Collection (photo documentation for performances, gramophone recording, 1968–89)Miami (USA): Sackner Archive of Visual and Concrete Poetry (4 postcards – mail-art – and documentation, 1977-1981)Belgrade (Serbia): Trajković Collection (Blackshave Poem – Zagreb performance, photo document, 1978)Chicago (USA): School of the Art Institute of Chicago – Joan Flasch Artist`s Book Collection (Poetical objects of the Urbanical Environment, 1976)ExhibitionsSolo exhibitions1973Belgrade (Serbia), Student Cultural Centre Gallery / Galerija Studentskog Kulturnog Centra1976Zagreb (Croatia), Photography, Film and Television Centre / Centar za fotografiju, film i televiziju: `Visual Poetry – Music Score` (visual poems, collages)Novi Sad (Serbia), Youth Centre – Art Gallery / Likovni Salon Tribine Mladih1977Zrenjanin (Serbia), Cultural Centre / Kulturni centar: `Visual Poetry – Music Score` (visual poems, collages)Zagreb (Croatia), Cultural and Information Centre / Centar za Kulturu i Informacije: `Visual Poetry – Music Score` (visual poems, collages)1979Budapest (Hungary), Young Artists’ Club / Fiatal Művészek Klubja: `Visual Poetry - Music Scores` (visual poems, collages)2007Budapest (Hungary), Erlin Club Gallery / Erlin Klub Galéria (visual poems, collages)2010Novi Sad (Serbia), Museum of Contemporary Art in Vojvodina / Muzej Savremene Umetnosti Vojvodine (MSUV): Retrospektivna Izložba 1962–2010. Moć Žene: Katalin Ladik (Retrospective Exhibition 1962–2010 The Power of a Woman: Katalin Ladik) (Curated by: Dragomir Ugren)2011Székesfeh

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U dobrom stanju!Dve knjige su u pitanju, jedna na Madjarskom jedna na SrpskomRedje u ponudi!Katalin Ladik (rođena 25. oktobra 1942. u Novom Sadu) je jugoslovensko-mađarski pesnik, izvođač i filmski stvaralac.Katalin Ladik počela je pisati 1962. godine radeći kao bankarski činovnik. Bila je radijska voditeljica i pozorišna glumica u Novom Sadu, kasnije je radila za film i televiziju. 1990. postala je urednica i predavala u oblastima muzike i pozorišta.Kao umetnički medij koristi vizuelnu poeziju, umetnost pošte, radio igre, prozu, kolaž, fotografiju, film i eksperimentalnu muziku. Ladik istražuje jezik vizuelnim i vokalnim izrazima, kao i kretanjem i gestovima. Ladik se više puta pojavljivao u kontekstu predstava, događaja i pozorišnih komada koji se često dešavaju u urbanom okruženju, ali i u prirodi. Bila je član umetničkog kolektiva Bosch + Bosch. Katalin Ladik živi i radi naizmenično u Novom Sadu (Srbija), Budimpešti (Mađarska) i na ostrvu Hvar (Hrvatska).U svojoj domovini postala je legendarna i kontroverzna figura u ranim šezdesetim godinama, pre svega kroz feminističko-šamanističku zvučnu poeziju i gole predstave.Ladik je primio nekoliko nagrada i igrao na brojnim nacionalnim i međunarodnim izložbama. 1977. Godine dala je ime sebi kao učesnica 10. međunarodnog festivala zvučne poezije u Amsterdamu. U 2010. godini u Muzeju savremene umetnosti Vojvodine u Novom Sadu održana je retrospektiva, koja je privukla nacionalnu pažnju, a 2017. godine bila je pozvana da učestvuje u dokumentarnoj 14. Takođe je uključena u seriju izložbi Feministička avangarda.Katalin Ladik (born Novi Sad, October 25, 1942) is a Hungarian poet, performance artist and actress. She was born in Novi Sad, Yugoslavia (now called Serbia) and in the last 20 years she has lived and worked alternately in Novi Sad, Serbia, in Budapest, Hungary and on the island of Hvar, Croatia. Parallel to her written poems she also creates sound poems and visual poems, performance art, writes and performs experimental music and audio plays. She is also a performer and an experimental artist (happenings, mail art, experimental theatrical plays). She explores language through visual and vocal expressions, as well as movement and gestures. Her work includes collages, photography, records, performances and happenings in both urban and natural environments.Katalin Ladik studied at the Economic High School of Novi Sad between 1961 and 1963. She then joined the Dramski Studio (Drama Studio) acting school in Novi Sad, between 1964 and 1966. Between 1961 and 1963, she worked as a bank assistant. During this time, in 1962, she began to write poetry. From 1963 to 1977 she worked for Radio Novi Sad. She joined the newly established Novi Sad Theatre in 1974, becoming a member of its permanent ensemble in 1977 and working there until 1992.[1] She primarily acted in dramatic roles. Over the years, she also played major and minor roles in various TV-films and movies. She led the poetry sections of literary magazines Élet és Irodalom (1993–94) and Cigányfúró (1994–99). Between 1993 and 1998 she taught at Hangár musical and theatrical education center.She is a member of the Hungarian Writers` Union, the Hungarian Belletrists Association, the Association of Hungarian Creative Artists and the Hungarian PEN Club.AwardsKatalin Ladik has earned various awards, including the Kassák Lajos Award (1991), the award of Mikes Kelemen Kör (Mikes International – Association for Hungarian Art, Literature and Science in the Netherlands) (2000), the József Attila Prize (2001), the Mediawave Parallel Culture Award (2003), the National Award for Culture of the Republic of Serbia (2009), and the Laurel Wreath Award of Hungary (2012).In 2015, she received the Klára Herczeg Award in senior category from the Studio of Young Artists’ Association (Hungary).[2]In 2016, she was awarded with the Lennon Ono Grant for Peace.[3]Her awards for acting include the Oktobarska nagrada grada Novog Sada (October Award of the City of Novi Sad), a collective award to the cast of Radio Novi Sad in 1967; first place at Smotra vojvođanskih profesionalnih pozorišta (Festival of Professional Theatres in Vojvodina) in 1978, for the role of Masha in Three Sisters, directed by György Harag, performed at the Novi Sad Theatre. The same role earned her the first place of Udruženje dramskih umetnika Srbije / Association of Dramatic Artists of Serbia, in 1979. Katalin Ladik also received the Magyar Televízió Elnöki Nívódíja / Award of the President of Hungarian Television for Acting Excellence for acting in András Rajnai’s TV film series, Televíziós mesék felnőtteknek (Television Tales for Adults) in 1980. In 1986, she was awarded first place at Smotra vojvođanskih profesionalnih pozorišta / Festival of Professional Theaters in Vojvodina for the role of Skinner in Howard Barker’s The Castle, directed by David Gothard, performed at the National Theatre in Subotica.2017 Artisjus Literary Award for her poetry volume „A víz emlékezete” („The Memory of Water”)2017 Janus Pannonius Filius Ursae Award for her literary oeuvre for „being defiant, provocative, and confrontational towards the actual literary canons”PoetryKatalin Ladik became known after 1962 through her surreal and erotic poems. In addition to a number of books in Hungarian, volumes of her poetry were published in Yugoslavia, France, Italy and the United States. Her poems also appeared in various magazines and anthologies worldwide, translated into Spanish, German, Polish, Bulgarian, Slovakian, Hindi, Chinese, Indonesian, Romanian, Macedonian, Rusyn and Slovenian.`She is able to embody the sense of poetry as action. I saw one of her readings in Bratislava at Ars Poetica Festival and she was the only poet able to electrize the audience without any translation. (...)She manages to pass linguistic barriers but, again, any translation of her poetry is at least difficult to be made (or should I say “performed`). Her activity covers a wide area that includes performance and sound poetry, with a force that captures any kind of audience no matter how illiterate in contemporary poetry they can be.`Poetry DepotProseHer first novel, entitled Élhetek az arcodon? (Can I Live on Your Face?) was published in 2007 by Nyitott Könyvműhely. It is considered to be an eminent work in Hungarian Avant-garde literature. It is partly autobiographical, partly self-reflecting. The novel alternates between reality and fiction, prose and poetry, sometimes switching to a prose poem style. Its main target audience is that part of the artists’ community who are receptive to esoteric allusions. The book is about three women: the Editor, who lives in Budapest, the Artist, and the Glasswoman who lives in Novi Sad, all of whom bear the same name. The shared name determines their lives. Initially, they are unaware of one another, but throughout the book their lives get gradually intertwined. After they get to know one another, they begin to live each other`s life, which changes everything for them forever. One of the peculiarities about the book is the uniquely rich textual documentation (letters, newspaper articles, posters) and the large number of photos.PublicationsVolumes in original languageBallada az ezüstbicikliről (Ballad of Silver Bike) | poems | Hungarian | with gramophone recording | Forum, Novi Sad, 1969Elindultak a kis piros bulldózerek (The Small, Red Bulldosers Have Taken Off) | poems | Hungarian | Forum, Novi Sad, 1971Mesék a hétfejű varrógépről (Stories of the Seven-Headed Sewing Machine) | poems | Hungarian | Forum, Novi Sad, 1978Ikarosz a metrón (Icarus on the Subway) | poems | Hungarian | Forum, Novi Sad, 1981A parázna söprű – Bludna metla (The Promiscuous Broom) | poems | Hungarian-Serbian bilingual | Forum, Novi Sad, 1984Kiűzetés (Exile) | poems | Hungarian | Magvető, Budapest, 1988Jegyesség (Engagement) | poems | Hungarian | Fekete Sas - Orpheusz, Budapest, 1994A négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Fekete Sas, Budapest, 1998Fűketrec (Grass-Cage) | poems | Hungarian | Orpheusz, Budapest, 2004Élhetek az arcodon? (Can I Live on Your Face?) | prose | Hungarian | Nyitott Könyvműhely, Budapest, 2007Belső vízözön (Deluge Inside) | poems | Hungarian | Parnasszus, Budapest, 2011Ladik Katalin legszebb versei (The Most Beautiful Poems of Katalin Ladik) | poems | Hungarian | AB-ART, Bratislava, 2012A víz emlékezete (The Memory of Water) | poems | Hungarian | Kalligram, Budapest, 2016Translated volumesPoesie Erotiche (Erotic Poems) | poems | Italian | selected and translated by: Giacomo Scotti | La Sfinge, Naples, 1983Erogen Zoon | poems | Serbian | translated by: Katalin Ladik, Selimir Radulović, Judita Šalgo, Arpad Vicko | Književna Zajednica Novog Sada, Novi Sad, 1987Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. B’Racz | New Native Press, Sylva, 1992Poèmes (Poems) | poems | French | selected by: Tibor Papp | translated by: Katalin Kluge, Tibor Tardos | CiPM / Spectres Familiers, Marseille, 1999Ikarova senka (Icarus’ Shadow) | poems | Serbian | translated by: Katalin Ladik, Selimir Radulović, Judita Šalgo, Arpad Vicko, Draginja Ramadanski | Orpheus, Novi Sad, 2004Stories of the Seven-Headed Sewing Machine | poems | English | translated by: Emöke Z. B’Racz | Burning Bush Press, Asheville, 2005Engagement | poems | English | translated by: Emöke Z. B’Racz | Burning Bush Press, Asheville, 2006Kavez od trave (Grass-Cage) | poems | Croatian | translated by: Kristina Peternai | Matica Hrvatska, Osijek, 2007E-booksFűketrec (Grass-Cage) | poems | Hungarian | Mikes International, The Hague, 2003 | downloadable, pdf formatFűketrec (Grass-Cage) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2003 | downloadable, multiple formatsA négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formatsIkarosz biciklijén (On Icarus’ Bicycle) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formatsKiűzetés ~ Jegyesség (Exile ~ Engagement) | poems | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, multiple formatsA négydimenziós ablak (The Four-Dimensional Window) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf formatKiűzetés ~ Jegyesség (Exile ~ Engagement) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf formatIkarosz biciklijén (On Icarus’ Bicycle) | poems | Hungarian | Mikes International, The Hague, 2004 | downloadable, pdf formatEngagement | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link]Stories of the Seven-Headed Sewing Machine | poems | English | Firefly Inx, Asheville, 2012 | downloadable, pdf format[permanent dead link]Milyen ízű vagyok? (How Do I Taste?) | poems | Hungarian | A hónap könyve, Szentendre, 2012 | buyable, pdf formatDiscographySound poetryBallada az ezüstbicikliről (The Ballad of the Silver Bicycle) | SP | supplement for book with same title | Forum, Novi Sad, 1969Phonopoetica | SP | Galerija Studentskog kulturnog centra, Belgrade, 1976Poésie Sonore Internationale (International Sound Poetry) | audio cassette | anthology of sound poetry, Paris, 1979La Nouvelle Revue d’Art Moderne, Special 2. (The Magazine of Modern Art) | audio cassette | Rencontres Internationales de Poésie Sonore (International Sound Poetry Festival), Paris, 1980Adriano Spatola: Baobab Femme | audio cassette | anthology for sound poetry magazine, Publiart Bazar Reggio Emilia, 1982Yugoslavian Sound Poetry | audio cassette | anthology of sound poetry, 1987Hangár / Hangar | audio cassette | anthology of sound poetry, Amsterdam – Budapest, 1987Aki darazsakról álmodik (Who is Dreaming About Wasps) | LP | recording of the radio play `Furcsa, aki darazsakról álmodik` (Strange Is the One Who Is Dreaming About Wasps) | Radio Novi Sad, 1988Spiritus Noister: Nemzeti zajzárványok / National Noise-Inclusions | audio cassette | Bahia Music, Budapest, 1996Vajdasági Magyar Zenei Esték / Vojvodina Hungarian Music Evenings 1988 | CD | JMMT, Novi Sad, 1998Vízisámán / Water Shaman | CD | Budapest, 1999Spiritus Noister – Kurt Schwitters: Ursonate | music CD | Hungaroton, Budapest, 2003Vodeni anđeo / Water Angel | music CD | Nova Misao, Novi Sad, 2011Music (experimental music, jazz)As vocalist, Katalin Ladik collaborated with prominent Croatian, Serbian and Hungarian composers, such as Dubravko Detoni, Branimir Sakač, and Milko Kelemen (1971–73, ensemble ACEZANTEZ); Ernő Király (1963-2002); Dušan Radić (Oratorio Profano, 1979); Boris Kovač (1986-1990); Deže Molnar ( 1989–91); Zsolt Sőrés a.k.a. Ahad, and Zsolt Kovács (1996-, Spiritus Noister).Ernő Király | LP | Udruženje Kompozitora Vojvodine, Novi Sad, 1978Boris Kovač: Ritual Nova I | LP | Symposion Records, Overstrand, 1986Boris Kovač: Ritual Nova II | CD | Recommended Records, London, 1989Ernő Király - Spectrum | CD | Autobus, Paris, 1999Deže Molnar: Weird Garden | CD | vocals on Track 1 (Water Clock) | Studentski Kulturni Centar Novi Sad, 2010I Belong to the Band Bakers Of The Lost Future | CD | vocals on Track 3 (Poets Of The Absurd On Chalk) | Inexhaustible Editions, Budapest, 2016Poetry readings, sound poetry performancesOnline AudioFűketrec (Grass-Cage) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2003 | downloadable, mp3 formatA négydimenziós ablak (The Four-Dimensional Window) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 formatIkarosz biciklijén (On Icarus’ Bicycle) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 formatKíűzetés - Jegyesség (Exile - Engagement) | sound poetry | Hungarian | Magyar Elektronikus Könyvtár (MEK), 2004 | downloadable, mp3 formatLive performances2011Négy fekete ló mögöttem repül (Four Black Horses Fly Behind Me); Jégmadár (Icebird); excerpts from Belső vízözön (The Deluge Inside) | poetry reading | Dzsudi Remake evening, Merlin Theatre, Budapest | Video on YouTubePerformance artMost of Katalin Ladik`s performances balance on the borderline between performance art and theatre: the performance of sound poems is accompanied by theatrical body action and in many cases, the surrounding space is structured similarly to a traditional theatre. Those who examine her poetry often refer to her sound poetry performances. On the other hand, no detailed analyses have been produced about the dramaturgical characteristics of her performances, and the relations of sign systems between her poetry and performances. It is a well-reasoned choice, however, to locate her in the context of female performance artists, as Katalin Ladik uses her body and person as the medium of her art in her performances, which occupies a special position within the history of Western art.A list of performances, happenings, actions1960s-`70s1968Budapest, Szentendre - Hungary | UFO | Tamás Szentjóby, Miklós Erdély, Katalin Ladik | happening1970Belgrade - Serbia | Pozorište Atelje 212, Podrum teatar (Theatre Atelje 212, Theatre in the Basem*nt) | performanceZagreb - Croatia | Žanr Festival eksperimentalnog filma (Genre Experimental Film Festival - GEFF) | performanceBudapest - Hungary | József Attila Művelődési Ház (Cultural Centre József Attila) | with Jenő Balaskó | literary performanceBelgrade - Serbia | Dom Omladine (Youth Centre) | performanceTemerin - Serbia | performance1971Bačka Topola - Serbia | UFO Party | performanceSamobor - Croatia | Samoborski Fašnik (Carnival in Samobor) | Eros sa ovogu svijeta (Eros of This World) | UFO Party | performanceBiograd - Croatia | UFO Party | performanceZagreb - Croatia | Studentski Centar (Student Centre) | performanceBelgrade - Serbia | Dom Omladine (Youth Centre) | performanceZagreb - Croatia | Teatar Poezije Zagreb (Poetry Theatre Zagreb) | Četvrta dimenzija kutije (Fourth Dimension of the Box) | performance1972Osijek - Croatia | Annale Komorne Opere i Baleta (Annual Festival of Chamber Opera and Ballet)Zagreb - Croatia | Teatar ITD (Theatre ITD)| performanceNovi Sad - Serbia | Tribina Mladih (Youth Tribune) | performanceBelgrade - Serbia | Studentski Kulturni Centar (Student Cultural Centre) | Festival Expanded Media | performanceBalatonboglár - Hungary | Kápolna Galéria (Kápolna Gallery) | Group Bosch+Bosch | performance1974Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media /performance/1975Zagreb (Croatia), Student Centre Gallery / Galerija Studentskog Centra: `Eksperimenti u jugoslovenskoj umjetnosti` (Experiments of Yugoslav Art) (Group Bosch+Bosch) /performance/Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media: `Ljubavi, Singer` (Loves, Singer) /performance/Novi Sad (Serbia), Youth Tribune / Tribina mladih: `Change Art` /action/Novi Sad (Serbia): `Spuštanje Novog Sada niz reku Dunav` (Floating Novi Sad Downstream the Danube) /action/1976Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar, Festival Expanded Media: `Change Art` /action/Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti /performance/1977Zrenjanin (Serbia), Cultural Centre / Kulturni Centar: `Poezija, fonična i vizuelna poezija Katalin Ladik` (Poetry, Phonic and Visual Poetry by Katalin Ladik)Kraków (Poland): `Phonopoetica` /performance/Zagreb (Croatia), Information Centre / Informativni Centar: `Phonopoetica` (with Vujica R. Tucić) /performance/Amsterdam (Netherlands), Stedelijk Museum: `Tekst in Geluid` (Text in Sound) /performance/Belgrade (Serbia), Student Cultural Centre / Studentski Kulturni Centar: `Phonopoetica` /performance/1978Kranj (Slovenia), Prešeren Theatre / Prešernovo Gledališče /performance/Sarajevo (Bosnia and Herzegovina), Youth Theatre / Pozorište Mladih, Festival Malih i Eksperimentalnih Scena (Festival of Small and Experimental Theatre): `Četvrta dimenzija – krik` (Fourth Dimension – Scream) /performance/Novi Sad (Serbia), Youth Tribune / Tribina mladih: `Pesnički maraton` (Poetry Marathon) /performance/Novi Sad (Serbia), Sonja Marinković Student Club / Studentski Klub ‘Sonja Marinković’: `Čudak je ko čekiće sanja` (Weird Is the One Who Dreams About Hammers) /performance/Würzburg (Germany), Hand Press Gallery / Handpresse Galerie: `Randkunst-Kunstrand` /performance/Novi Sad (Serbia), National Library / Narodna biblioteka: `Umetnost se ne ponavlja, ne ponavlja, ne ponavlja...` (Art Does Not Repeat Itself, Not Repeat Itself, Not Repeat Itself...) /performance/Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti: `Nova umjetnička praksa 1966-1978` (New Art Practice 1966-1978) /performance/1979Subotica (Serbia), Youth Centre / Dom Omladine: `Az éneklő varrógép – The Singing Sewing Machine` (with Zsolt Király) /performance/Novi Sad (Serbia), Youth Tribune / Tribina Mladih: `The Screaming Hole – A sikoltozó lyuk` /performance/Amsterdam (Netherlands): `One World Poetry` /performance/Utrecht (Netherlands), Gallery ‘T Hoogt / ‘T Hoogt Galerie: `One World Poetry` /performance/Novi Sad (Serbia), Youth Tribune / Tribina Mladih: `Mesék a hétfejű varrógépről` (Stories of the Seven-headed Sewing Machine) /performance/1980s-`90s1980Paris (France), Pompidou Centre / Centre Georges Pompidou: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/Le Havre (France), Cultural Centre of Le Havre / Maison de la Culture du Havre: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/Rennes (France), Cultural Centre of Rennes / Maison de la Culture de Rennes: `Rencontres Internationales de Poésie Sonore` (International Sound Poetry Festival) /performance/New York City (USA), Washington Square Church, The New Wilderness Foundation: `International Sound Poetry Festival` /performance/Baltimore (USA), School 33 Art Center, The Merzaum Collective`s Desire Productions Present: International Festival of Disappearing Art(s) /performance/Gyula (Hungary), Castle Theatre / Várszínház, Knights’ Hall / Lovagterem: `Alice` /performance/Belgrade (Serbia), Salon Museum of Contemporary Art / Salon Muzeja Savremene Umetnosti, Exhibition of Group Bosch+Bosch: `Orman koji ubrizgava (Injecting Closet)` /performance/1982Budapest (Hungary), Cultural Centre Jókai, Studio ‘K’/ Stúdió ‘K’ Jókai Művelődési Központ: `Ladik Katalin újvidéki költő és előadóművész szerzői estje` (An Evening with Novi Sad Poet and Performer, Katalin Ladik) /performance/Novi Sad (Serbia), Cultural Centre Petőfi Sándor / Petőfi Sándor Művelődési Ház: `Telepi esték – Ladik Katalin szerzői estje` (Evenings in Telep – with Poet Katalin Ladik) (with Ottó Tolnai, Zsolt Király) /performance/Budapest (Hungary), Young Artists’ Club / Fiatal Művészek Klubja: `Ladik Katalin szerzői estje` (An Evening with Katalin Ladik) (with Miklós Erdély, László Beke and Zsolt Király) /performance/Budapest (Hungary), Cultural Centre Jókai, Studio ‘K’ / Stúdió ‘K’ Jókai Művelődési Központ: `Ladik Katalin szerzői és előadói estje` (An Evening with Katalin Ladik) (with Miklós Erdély, László Beke and Zsolt Király) /performance/Belgrade (Serbia), Museum of Contemporary Art / Muzej Savremene Umetnosti: `Verbo-Voko-Vizuelno` (`Phonopoetry` with Judita Šalgo) /performance/Osijek (Croatia), Students’ Youth Centre / Studentski Centar Mladih, Osiječko ljeto (Summer in Osijek): `Čudak je ko čekiće sanja` (Weird Is the One Who Dreams About Hammers) /performance/Belgrade (Serbia), Youth Centre / Dom Omladine: `Ikar u metrou” (Icarus on the Subway) (with Judita Šalgo, Selimir Radulović) /performance/Belgrade (Serbia), Youth Centre / Dom Omladine, Beogradsko leto (Summer in Belgrade): `Ufo Party` /performance/Kanjiža (Serbia), Literary Camp / Književna Kolonija: `Konkretna i vizuelna poezija` (Concrete and Visual Poetry) (with Vujica R. Tucić and Bob Cobbing) /performance/Novi Sad (Serbia), Address: Istarski kej 37. sp. 8. st. Rade Šević: `Sound Poetry Performance` (with Vujica R. Tucić and Bob Cobbing) /performance/Novi Sad (Serbia), Youth Tribune Gallery / Tribina Mladih Galerija: `Phonopoemim` – Exhibition Launch for Slavica Grkavac: tapiserije `Jokastin kompleks` (`Jocasta Complex` Tapestry) /performance/Paris (France), UNESCO: `Guerre a la guerre` (War Against War) /performance/Milan (Italy), UNESCO: `Guerra alla guerra` (War Against War) /performance/Paris (France), UNESCO Pompidou Centre / Centre Georges Pompidou: `Polyphonix 5` /performance/1983Vienna (Austria), Wiener Festwochen (Vienna Festival): `Mandora 1.` /performance/Zagreb (Croatia), Gallery of Contemporary Art / Galerija Suvremene Umjetnosti: `Nova umjetnost u Srbiji 1970-1980` (New Art of Serbia 1970-1980)Belgrade (Serbia), Youth Centre / Dom Omladine: `Oluja-po motivima Šekspira` (Tempest – Based on Shakespeare) – Exhibition Launch for Slavica Grkavac: tapiserije `Jokastin kompleks` (`Jocasta Complex` Tapestry) /performance/Belgrade (Serbia), Youth Centre / Dom Omladine: `Magic Bread` (with Paul Pignon)1984Glasgow (UK), Third Eye Centre, Poetsound 1984: `Mandora 1.` /performance/Milan (Italy), (Cultural Association of) Cooperativa Intrapresa: `Milanopoesia` /performance/Szeged (Hungary), József Attila University (Today: University of Szeged) / József Attila Tudományegyetem: `Mandora 1.` /performance/Cogolin (France), Rencontres Internationales de Poésie Contemporaine (International Festival of Contemporary Poetry): `Mandora 1.` /performance/Belgrade (Serbia), Cultural Centre / Kulturni Centar: `Mandora 1.` /performance/1985Belgrade (Serbia), Magaza Theatre / Pozorište Magaza: `Mandora 2.` /performance/Budapest (Hungary), Cultural Cente of Lágymányos / Lágymányosi Művelődési Otthon: `Mandora 2.` /performance/Budapest (Hungary), Metropolitan Cultural Centre / Fővárosi Művelődési Ház: `Alice` /performance/Zemun (Serbia), Festival Monodrame i Pantomime (Festival of Monodrama and Pantomimes): `Mandora` /performance/Novi Sad (Serbia), ‘Sonja Marinković’Cultural Centre / Kulturni Centar ‘Sonja Marinković’, Youth Tribune / Tribina Mladih: `Mandora` /performance/Stari Bečej (Serbia) /performance/1988Szeged (Hungary), JATE Club: `Polyphonix` /performance/Pécs (Hungary): `Alice` /performance/Budapest (Hungary), Vigadó Chamber Hall / Vigadó Kamaraterem, Hangár Est (‘Wall of Sound’ Evening): `Alice` /performance/1989Spoleto (Italy): `O Fortuna` /performance/Nové Zámky (Slovakia): `O Fortuna` /performance/Novi Sad (Serbia): `O Fortuna` /performance/1990Novi Sad (Serbia), Sport and Activity Centre of Vojvodina / SPENS Sportski i Poslovni Centar Vojvodina: `Otkrovenje` (Revelation) (with Zoltán Pletl) /performance/Vác (Hungary), Greek Chapel / Görög Templom, Ex-panzió 2. Festival: `Angyal/Angel` /performance/Novi Sad (Serbia): `Seraphine Tanz` /performance/1993Szentendre (Hungary), Dalmát Cellar / Dalmát pince, UHF Kisújrevue /performance/Szeged (Hungary), JATE Club: `Alice` /performance/Vác (Hungary), Greek Chapel / Görög Templom, Expanzió 5. Festival /performance/1994Szeged (Hungary): `Performancia` with Lukács Bitskey /performance/Zebegény (Hungary): `A helyettesítő asszony (The Substitute)` /performance/Pécs (Hungary): `A négydimenziós ablak (The Four-dimensional Window)` with Tamás Szalay /performance/1995Marseille (France), International Poetry Centre / Centre International de Poèsie: `Kassák` /performance/1996Marseille (France), Meyer Gallery / Galerie Meyer: `L’ agneau de Dieu et le double` (The Lamb of God and Its Double) /performance/Ajaccio – Corsica (France): `L’ agneau de Dieu et le double` (The Lamb of God and Its Double) /performance/2000s2002Novi Sad (Serbia), Cultural Centre of Novi Sad / Kulturni Centar Novog Sada, INFANT (International Festival of Alternative and New Theatre): `Fűketrec / Grass-cage`2003Novi Sad (Serbia), Chamber Theatre of Music / Kamerno Pozorište Muzike, INTERZONE Festival: `Tesla – Project` /performance/2004Monza (Italy) /performance/Salerno (Italy) /performance/Novi Sad (Serbia), Chamber Theatre of Music / Kamerno Pozorište Muzike, INTERZONE Festival: `Tesla – Project`Budapest (Hungary), A38 Ship / A38 hajó: `Lomtalanítás` (Cleaning the House) /performance/Budapest (Hungary), Ludwig Museum – Museum of Contemporary Art / Ludwig Múzeum – Kortárs Művészeti Múzeum: `Torony-Lomtalanítás` (Cleaning the Tower-House) /performance/2005Terény (Hungary), Expanzió Festival: `Angel` /performance/2006Budapest (Hungary), Serbian Theatre in Hungary / Magyarországi Szerb Színház / Srpsko Pozorište u Mađarskoj: `Tesla`, /audio-visual oratorio/Otterlo (Netherlands), Kröller-Müller Museum: `Change Art` /action/Amsterdam (Netherlands): `Tesla` /performance/Novi Sad (Serbia), Sport and Activity Centre of Vojvodina / SPENS Sportski i Poslovni Centar Vojvodina, Inventors Association of Vojvodina, TeslaFest: `Tesla` /performance/2007Nové Zámky (Slovakia), Art Gallery / Galéria Umenia: `Gyakorlatok üres húrokon – Kassák-kód` (Exercises on Empty Strings - Kassák Code) /performance/Budapest (Hungary), Erlin Club Gallery / Erlin Klub Galéria: `Fűketrec` (Grass-cage) /performance/Budapest (Hungary), Mu Theatre / Mu Színház: `Az Eszmélet szövedéke` (The Weave of Consciousness) (with Péter Bajka, Bern Atom Santi, Eszter Bereczky, Zsófia Varga) /performance/Verőce (Hungary), Ekszpanzió XX Festival: `Tesla, Audio-visual Oratorio` /performance/Szigliget (Hungary), Artist House of the Hungarian Public Foundation for Creative Art / Magyar Alkotóművészeti Közalapítvány Alkotóháza, József Attila Kör 18. irodalmi tábora (18th Literary Camp of the József Attila Circle): `Az Eszmélet szövedéke` (The Weave of Consciousness) (with Péter Bajka, Bern Atom Santi, Eszter Bereczky, Zsófia Varga) /performance/2008Budapest (Hungary), Petőfi Literary Museum / Petőfi Irodalmi Múzeum, A Szépírók Társasága V. őszi irodalmi fesztiválja – Nők a férfi birodalomban (5th Autumn Literary Festival of the Hungarian Belletrist Association – Women in a Men`s World): `Diptichon` (with Endre Szkárosi), performanceBelgrade (Serbia), ARTGET Gallery – Cultural Centre Belgrade / Galerija ARTGET – Kulturni Centar Beograda (World Poetry Day): `Tesla – hom*o Galacticus` /performance/Szigliget (Hungary), József Attila Kör 20. irodalmi tábora (20th Literary Camp of the József Attila Circle): `Trip-ti-chon` (with Veronika Czapáry), performanceBudapest (Hungary), Irodalmi Centrifuga (Literary Centrifuge): `Trip-ti-chon` (with Veronika Czapáry), performanceBratislava (Slovakia), Ars Poetica Medzinárodny Festival Poézie /The 6th Ars Poetica International Poetry Festival /sound poetry performance[4]2009Visegrád (Hungary), The Roof Terrace of King Matthias Museum / A Mátyás Király Múzeum tetőterasza, Ekszpanzió XXI Festival: “Kerub` (Cherub) /performance/2010s2010Budapest (Hungary), Gallery A22 / A22 Galéria, Tibor Papp`s Exhibition Opening: `Óraköltemény` (Poem-Clock) /performance/Subotica (Serbia), Kosztolányi Dezső Theatre / Kosztolányi Dezső Színház: `Tesla – hom*o Galacticus` /performance/Budapest (Hungary), Millenáris Theatre / Millenáris Teátrum, Book Festival: `Szabadkőműves szex` (Freemason Sex) (with drMáriás) /performance/Štaglinec (Croatia), `Voda` – `Water` Međunarodni Susret Umjetnika (International Art Festival): `Veliko spremanje` (Spring Cleaning) /performance/Eger (Hungary), Small Synagogue Gallery of Contemporary Art / Kis Zsinagóga Kortárs Galéria, artAlom élőművészeti fesztivál (artAlom Performing Arts Festival): `Bukott angyalok` (Fallen Angels) /performance/Szeged (Hungary) – Subotica (Serbia), Railway line, Kultúrcsempész Sínbusz Fesztivál (Culture-smuggler Railbus Festival): Megaphone-assisted readings by Gábor Virág, Slobodan Tišma, Gábor Lanczkor, Tamara Šuškić, Vladimir Kopicl, Katalin Ladik, Siniša Tucić, Roland Orcsik2011Budapest (Hungary), Kunsthalle (Palace/Hall of Art) / Műcsarnok: `Preparababrakabaré` /performance/Marseille (France), Museum of Contemporary Art / Musée d`Art Contemporain, Poésie Marseille 2011, 8ème Festival (8th Marseille Poetry Festival, 2011): `Le Grand Ménage` (Spring Cleaning) /performance/Târgu Mureș (Romania), National Theatre - Small Hall / Teatrul Naţional – Sala Mică, Testet öltött szavak rendezvény (Words Embodied – Event series): `Alice` /performance/Budapest (Hungary), Mu Theatre / Mu Színház, Ismeretlen kutatása improvizációs alkotóműhely (Searching the Unknown – Improvisational Workshop): `Hangmozdulat` (Sound Movement) (with Kati Dombi) /performance/2012Budapest (Hungary), Hungarian Writers` Association / Magyar Írószövetség: XXIV. Ekszpanzió Festival, `Idézet` Szimpozion és Kiállítás (`Quotation` Symposium and Exhibition): `Ásó, kapa, nagyharang` (`Till Death` lit.: Spade, Hoe and Bell) /performance/Komárom (Hungary), Fort Monostor – Film Museum / Monostori Erőd – Filmmúzeum, Mediawave 2012 Festival: `Nagytakarítás` (`Spring Cleaning`) /performance/Łódź (Poland), MS2 – Lodz Museum of Art / MS2 – Muzeum Sztuki w Łodzi: `Alicja w krainie kodów` (Alice in Codeland) /performance/Budapest (Hungary), Address: 8th district, Pál street 6.: Gödör bújócska – irodalom, zene, film, tánc, színház, beszélgetés (Gödör Club Hide-and-seek – literature, music, film, dance, theatre, discussions) /sound poetry performance/Ottawa, Ontario, Canada, City Hall Art Gallery, A B Series Workshop: `Nagytakarítás` (`Spring Cleaning`) /performance/Ottawa, Ontario, Canada, Arts Court Theatre, A B Series: `Alice Kódországban` (`Alice in Codeland`) /performance/[5]2013Budapest (Hungary), Óbudai Társaskör, Kassák Museum, Kassák Year: `Alice Kódországban` (Alice in Codeland) /performance/[6]Hvar (Croatia), 17th International Festival of Radio Plays and Documentary Radio Dramas PRIX MARULIĆ, „Tesla. hom*o Galacticus” /performance/Székesfehérvár (Hungary), Vörösmarty Theatre Studio, Contemporary Art Festival: `Alice Kódországban` (Alice in Codeland) /performance/[7]Budapest (Hungary), Fuga, Autonómia Filmklub 5, „I Belong to the Band”: Katalin Ladik`s voice on „poets of the absurd on chalk”[8]2014Százhalombatta (Hungary), Katalin Ladik - Endre Szkárosi, Slam Poetry /performance/Budapest (Hungary), Mika Tivadar Vigadó, JazzaJ, Katalin Ladik – Jean Michel van Schowburg, Katalin Ladik – Zsolt Sőrés, „Sounds to Go” (Hangok elvitelre) /performance/ [9]2015Eger (Hungary), Templom Gallery, artAlom Live Art Festival 2015: `Tranzit Zoon`, performanceGothenburg (Sweden), Gothenburg Book Fair `Tranzit Zoon`, performanceVienna (Austria), Campus AAKH Hof 7, Universität Wien, `Singende Schnittmuster – Singing Dress Pattern`, lecture-performance, multimedia slide-show2016Poreč (Croatia), Behind the Scenes with Katalin Ladik! Artists on Vacation: `The Sounds of a sewing machine`, Circe di Parenzo” /performance/,[10][11]Budapest (Hungary), MÜSZI, @Transart Communication, Katalin Ladik & Zsolt Sőrés „Alchemical Wedding” (Alkímiai nász) /performance/2016Milano (Italy), FM Centre for Contemporary Art, Non-Aligned Modernity. Eastern-European Art from the Marinko Sudac Collection, “Tranzit Zoon” /performance/2017Athens (Greece), Oval Staircase, Megaron – the Athens Concert Hall, All the In-Between Spaces, Concept and direction by: Paolo Thorsen-Nagel, “Follow me into mythology” /performance/Budapest (Hungary), Urania National Film Theatre, Janus Pannonius Grand Prize for Poetry 2017 Festivities of Hungarian Pen Club. Katalin Ladik: Sound Performance based on Concrete Poems of Augusto de CamposLimassol (Cyprus), Theatro Ena, SARDAM Mixed-media Literary Festival 5th edition, „Live Lecture” /solo sound poetry performance/Nicosia (Cyprus), Artos Foundation, SARDAM Mixed-media Literary Festival 5th edition „Live Lecture” /solo sound poetry performance/Limassol (Cyprus), SARDAM Mixed-media Literary Festival 5th edition, `Spring Cleaning`, performance/Limassol (Cyprus), SARDAM Mixed-media Literary Festival 5th edition, „Wall(ed)”, aRttitude Site-specific dance performance, Katalin Ladik (live sound and voice).Budapest (Hungary), Trafó, „Alice in Codeland” /multimedia performance/Vienna (Austria), Lobby of Hotel Prinz Eugen, Erste Bank Publication Presentation „Sound Poems” /live performance/Novi Sad (Serbia), Museum of Contemporary Art Voivodina (MSUV), „K.A.T (Culture – Activism – Theory) Conference”, „Creative Transitions”/live lecture, multimedia and sound poetry performance/Novi Sad (Serbia), Bulevar Books, „TraNSporteur multilingual poetry” /poetry reading/Lodz (Poland), House of Literature, „Puls Literary Festival, 2017, Hungarian Day”, „Sounds in Lodz” / live lecture, multimedia performance and live sound poetry performance/2018Berlin (Germany), neue Gesellschaft für bildende Kunst (nBgK), `Alice in Codeland`, multimedia performanceBerlin (Germany), Akademie der Künste, „Underground und Improvisation”, „Follow me into Mythology” /live lecture and soloperformance/Berlin (Germany), Akademie der Künste, „Underground und Improvisation”, „Desire of Touch” /Duoperformance with Natalia Pschenitschnikova/Budapest (Hungary), Mersz Klub, „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture and soloperformance/Budapest (Hungary), Hungarian University of Fine Arts, „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture with Emese Kürti/Budapest (Hungary), Közkincs Könyvtár, `MŰVÉSZ + NŐ` (ARTIST + WOMAN), „Feminizmus és művészet ma?” (Feminism and Art Today?), „Túlélni a documenta 14-et” (Surviving documenta 14) /live lecture/Belgrade (Serbia), Cultural Center of Belgrade, `Spoken Word, World Poetry Day` /poetry reading/Belgrade (Serbia), Cultural Center of Belgrade, `Spoken Word, World Poetry Day`, `Alice in Codeland` /multimedia performance/Zagreb (Croatia), „Showroom of Contemporary Sound”, „Transitions” /live lecture/Rome (Italy), Falconieri Palace (Hungarian Academy in Rome), „Fountains of Rome - Mouth to Lung!” /live lecture and sound performance/Budapest (Hungary), Három Holló – Drei Raben, „Antracit szájrúd (Antracit mouthpiece) /sound poetry performance/Berlin (Germany), Akademie der Künste, `19. poesiefestival berlin 2018, Weltklang – Night of Poetry`, sound poetry performanceBerlin (Germany), German Centre for Poetry (Haus f’ür Poesie), `lyrikline - Listen to the Poet`, poetry reading and live voice recordings for the archiveConcerts, musical performances (selection)Opatija (Croatia), 1969: Jugoslovenska muzička tribina (Yugoslav Music Tribune) (Ernő Király: Refleksija)Opatija (Croatia), 1970: Jugoslovenska muzička tribina (Yugoslav Music Tribune) (Ernő Király: Refleksija; Branimir Sakač: Bellatrix - Alleluja)Novi Sad (Serbia), 1970: Muzika i Laboratorija (Music and Laboratory) (with Ernő Király)Osijek (Croatia), 1970: Annale komorne opere i baleta (Annual festival of chamber opera and ballet)Zagreb (Croatia), 1971: Muzički biennale (Music Biennale – International Festival of Contemporary Music) (MBZ Radionica/Workshop II with Ernő Király, et al.; Chamber Music - Branimir Sakač: Bellatrix - Alleluja)Dubrovnik (Croatia), 1971: Dubrovačke ljetne igre (Dubrovnik Summer Festival) (ACEZANTEZ Ensemble)Radenci (Slovenia), 1971: Festival sodobne komorne glazbe (Contemporary Chamber Music Festival)Munich (Germany), 1972: (Cultural Program of the 1972 Summer Olympics) (ACEZANTEZ Ensemble)Radenci (Slovenia), 1972: Festival sodobne komorne glazbe (ACEZANTEZ Ensemble) (Contemporary Chamber Music Festival)Osijek (Croatia), 1972: Annale komorne opere i baleta (ACEZANTEZ Ensemble) (Annual festival of chamber opera and ballet)Novi Sad (Serbia), 1972, ‘Radivoj Ćirpanov’ Workers’ University / Radnički univerzitet ‘Radivoj Ćirpanov’ (ACEZANTEZ Ensemble)Belgrade (Serbia), 1972, Studentski kulturni centar (Student Cultural Centre) – Festival Expanded Media (ACEZANTEZ Ensemble)Belgrade (Serbia), 1979, Dom Sindikata – BEMUS Belgrade Music Festival: “Oratorio Profano” (composer: Dušan Radić, conductor: Oskar Danon)Opatija (Croatia), 1980: Jugoslovenska muzička tribina (Yugoslav Music Tribune)Budapest (Hungary), Spiritus Noister Group, 1996, 2002, 2004, 2007, 2008, 2009, 2010, 2011, 2012Budapest (Hungary), Italian Cultural Institute / Olasz kultúrintézet / Istituto Italiano di Cultura, Avantgárd művészetek a világban: mi lett a sorsuk? Nemzetközi tanácskozás (Avant-garde Arts in the World: What About Them? International conference): `Futurdadama (Futurdada Today)`, Spiritus Noister, 2001Vienna (Austria), Spiritus Noister Group, 2004Szentendre (Hungary), Spiritus Noister Group, 2009Szekszárd (Hungary), Spiritus Noister Group, 2012Budapest (Hungary), Művelődési Szint (MÜSZI), „@Transart Communication 2016”, „Alchimist Wedding” /concert and live sound performance with Zsolt Sőrés/Veszprém (Hungary), House of Arts, „Alkímiai mennyegző” („Alchimist Wedding”) /concert and live sound performance with Zsolt Sőrés/Budapest (Hungary), Müpa, UH Fest, Spiritus Noister /concert and live sound performance with Endre Szkárosi, Zsolt Sőrés, László Lenkes/Budapest (Hungary), Kassak Museum, „Dadarabok” /concert and live sound performance with Endre Szkárosi, Zsolt Sőrés, László Lenkes/ YouTubeBudapest (Hungary), 2017: Muted and silent films with live music series, I Belong To The Band vs. Berberian Sound StudioDebrecen (Hungary), MODEM, Katalin Ladik: „Határidőnapló” („Diary Book”) /concert and live sound performance with Gyula Várnai/Veszprém (Hungary), 2018, House of Arts, „Spring Reopening, We believe in life before death”, „Claes Oldenburg: I am for an Art” /concert and live sound performance with Gyula Várnai/TheatreAs an actressJean-Paul Sartre: The Condemned of Altona; dir. István Lányi; Ifjúsági Tribün (Tribina Mladih / Youth Tribune); Novi Sad (Serbia); 1963Imre Sarkadi: Elveszett Paradicsom (Paradise Lost); dir. Tibor Gellér; Petőfi Sándor Művelődési Egyesület (’Petőfi Sándor’ Cultural Association); Novi Sad (Serbia); 1963Molière: The Imaginary Invalid (Béline); dir. Ljubica Ravasi; Srpsko Narodno Pozorište (Serbian National Theatre); Novi Sad (Serbia); 1966 (Exam Piece)Sándor Guelmino: Özvegy (Widow); dir. Tibor Vajda; Echo (az Újvidéki Rádió és az Ifjúsági Tribün színpada / the joint theatre of Radio Novi Sad and the Youth Tribune); Novi Sad (Serbia); 1969Ferenc Tóth (text) – Ernő Király (composer): Jób (Job) (Performer – Recitative); dir. István Szabó, Jr.; Népszínház / Narodno Pozorište u Subotici (National Theatre in Subotica); Subotica (Serbia); 1972István Örkény: Macskajáték (Cats` Play) (Ilus); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1974Peter Weiss: How Mr. Mockinpott was cured of his Sufferings (First Angel/First Nurse); dir. Radoslav Dorić; Róbert Bambach; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1974Ödön von Horváth: Tales from the Vienna Woods (Emma); dir. Róbert Bambach; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1975Gergely Csiky: Mukányi (Ella); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1976Valentin Kataev: Squaring the Circle (Tanya); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1977Molière: Dom Juan or The Feast with the Statue (Mathurine); dir. Dušan Sabo; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978Anton Pavlovich Chekhov: Three Sisters (Masha); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978Ödön von Horváth: Tales from the Vienna Woods (Emma); dir. Péter Telihay; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1978Anton Pavlovich Chekhov: The Cherry Orchard (Charlotta Ivanovna); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1979Ottó Tolnai: Végeladás (Clearance Sale) (Mrs Csömöre); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1979Gyula Hernádi: V.N.H.M. Szörnyek évadja (V. N. H. M. - Season of Monsters); dir. Miklós Jancsó; Summer Theatre in Gyula; Várszínház; (Hungary); 1980Edward Albee: Everything in the Garden (Cynthia); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1980Angelo Beolco (Il Ruzzante): La Betia; dir. Radoslav Dorić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981Ottó Tolnai: Bayer Aspirin (The Actress); dir. Miklós Jancsó; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981Ferenc Deák: Nirvana (Csontos Vali); dir. István Szabó Jr.; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1981Bertolt Brecht: Baal (Emilie); dir. Milan Belegišanin; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1983Dezső Kosztolányi: Anna Édes ( Mrs Druma); dir. György Harag; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1983Alexander Vvedensky: Jelka kod Ivanovih (Christmas at the Ivanov’s) (Mother Puzirjova); dir. Haris Pašović; Akademsko Pozorište “Promena” (“Change” Academic Theater); Novi Sad; (Serbia); 1983Mihály Majtényi: Harmadik ablak (The Third Window) (Mrs Lódi); dir. György Hernyák; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1984Alfred Jarry: Ubu Roi (Mama Ubu); dir. Tibor Csizmadia; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1984Gyula Gobby Fehér: A Duna menti Hollywood (Hollywood by the Danube) – Multimedia Performance About the Life of Ernő Bosnyák (The Baron`s Lover); dir. Károly Vicsek; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985Ivo Brešan: Anera (Anera); dir. Dimitar Stankoski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985Peter Shaffer: Equus (Hesther Salamon); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1985Howard Barker: The Castle (Skinner); dir. David Gothard; Népszínház / Narodno Pozorište u Subotici (National Theatre in Subotica); (Serbia); 1986Friedrich Dürrenmatt: The Visit (First Woman); dir. Radoslav Dorić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1986István Örkény: Forgatókönyv (Screenplay) (Mrs Littke); dir. Ljubisa Georgievski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1986István Örkény: Tóték (The Tót Family) (Mrs Tót); dir. Gábor Székely; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987Edward Albee: A Delicate Balance (Julia); dir. Mihály Virág; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987Jordan Plevnes: „R” (Katerina); dir. Ljubisa Georgievski; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1987Johann Wolfgang von Goethe: Clavigo (Soffe); dir. Vladimir Milcin; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1988Samuel Beckett: Happy Days (Winnie); dir. Radoslav Lazić; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1988Henrik Ibsen: An Enemy of the People (Mrs Stockmann); dir. Želimir Orešković; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1989Ferenc Molnár (Franz Molnar): Liliom (Mrs Muskát); dir. László Babarczy; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1990Ede Tóth: A falu rossza, avagy a negyedik ablak (The Village Rogue; Or, the Fourth Window) (Mrs Tarisznyás); dir. Hernyák György; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1990Ottó Tolnai: Paripacitrom (lit. Steed dung) (Krisztina); dir. Péter Tömöry; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991Marcel Achard: L`Idiote (A Shot in the Dark) (Chief Inspector`s Wife); dir. Tibor Vajda; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991Bertolt Brecht: Mother Courage and Her Children (Mother Courage); dir. Lajos Soltis; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1991Józsi Jenő Tersánszky: Kakuk Marci (Her Ladyship); dir. Lajos Soltis; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1992Jean Anouilh: The Orchestra (Cello); dir. Voja Soldatović; Újvidéki Színház (Novi Sad Theatre); (Serbia); 1992Péter Nádas (text) – László Vidovszky (composer): Találkozás (Encounter) (Mária); dir. András Éry-Kovács; Shure Studio; Budapesti Kamaraszínház (Chamber Theatre in Budapest); (Hungary); 1997Boris Vian: Vercoquin et le Plancton (Vercoquin and the Plankton) (Léon Charles Miqueut sous-ingénieur principal di CNU / Sub head-engineer at CNU); dir. Róbert Csontos; Kolibri Színház (Kolibri [’Hummingbird’] Theatre); Budapest (Hungary); 1997Sean O´Casey: Bedtime Story (Landlady); dir. Pál Kanda; Függeten Színpad III társulata (3rd Company of Independent Theatre); Kolibri Pince (Kolibri [’Hummingbird’] Cellar Theatre); Budapest (Hungary); 1998László Najmányi: Adieu Monsieur Bloom – Cabaret Noire (Nora Barnacle); dir. László Najmányi; Les Fleurs du Mal; `The Thinking Man`s Living Theatre`; Mu Színház (Mu Theatre); Budapest; (Hungary); 2003László Najmányi: A száműzött Joyce / The Exiled Joyce (Nora Barnacle); dir. László Najmányi; Bloomsday Festival; Szombathely; (Hungary); 2003Radoslav Zlatan Dorić: Ne daj Bože, da se Srbi slože / Ne adj isten, szerbek egyesülnek (God Forbid That the Serbs Should Agree) (Ruska); dir. Radoslav Zlatan Dorić; Magyarországi Szerb Színház / Srpsko Pozorište u Mađarskoj (Serbian Theatre of Hungary); Budapest; (Hungary); 2004László Najmányi: Nova Necropola. Cabaret Noire (Nora Barnacle); dir. László Najmányi; Mu Színház (Mu Theatre); Budapest; (Hungary); 2004László Najmányi: Az igazi Blum (The Real Blum /Bloom/) (Nora Barnacle); dir. László Najmányi; ReJoyce Festival; Szombathely; (Hungary); 2004György Baráthy: Origami (I Woman); dir. György Baráthy; Artéria Színházi Társaság (Theatre Company “Artéria”); RS9 Studio Theatre; Budapest; (Hungary); 2005As a directorThe Last Chapter by Navjot Randhawa, performed by the‘Theatre of Roots and Wings’ and Punjab Sangeet Natak Akademi in Punjabi at the Randhawa Auditorium, Chandigarh (Punjab, India); 2014.[12]Everything She Wants: Amrita and Boris by Navjot Randhawa and Jim Sarbh, Gaiety Theatre, Shimla, India; 2016,[13] The Mirage Yoga Studio, Andretta Arts, Andretta, India, 2016; M.L. Bhartia Auditorium, Alliance Francaise, New Delhi, India, 2016; Punjab Kala Bhawan, Chandigarh, India, 2016; Punjab Naatshala (Punjab Theatre), Amritsar, India, 2016Everything She Wants: Amrita and Boris with Navjot Randhawa;Sher-Gil Cultural Centre, Indian Embassy, Budapest (Hungary), 2017 [14]Fritz Wine House, Szekszárd (Hungary), 2017;National Film Theatre, Budapest (Hungary), 2017;Laffert Kúria, Dunaharaszti (Hungary), 2017;Municipal Library, Zebegény (Hungary), 2017.FilmsFeature filmsEduard i Kunigunda (Eduard and Kunigunda) (television adaptation of Renato de Grandis’ musical play), dir. Petar Teslić (1972, Serbian, Belgrade TV 2) (Kunigunda)Dübörgő csend (1978) on IMDb (Thundering Silence), dir. Miklós Szíjj (Hungarian) (Eta)Szetna, a varázsló (1980) on IMDb (Setna the Wizard), dir. András Rajnai (Hungarian) (Isis)Gulliver az óriások országában (1980) on IMDb (Gulliver in the Land of Giants), dir. András Rajnai (Hungarian) (Lady in attendance)Aelita, dir. András Rajnai (1980, Hungarian)[15]Atlantis, dir. András Rajnai (1980, Hungarian) (The Lady of Atlantis)Chekhov: The Cherry Orchard (televised theatrical performance), dir. György Harag (1982, Hungarian, produced in Yugoslavia, Novi Sad Television) (Charlotta Ivanovna)Chekhov: Three Sisters (televised theatrical performance), dir. György Harag (1982, Hungarian, produced in Yugoslavia, Novi Sad Television) (Masha)A világkagyló mítosza (The Myth of the World Shell), dir. András Rajnai (1982, Hungarian)Bábel tornya (The Tower of Babel), dir. András Rajnai (1982, Hungarian) (the Priestess Lagasa)Héroszok pokoljárása (The Heroes’ Journey Through the Underworld), dir. András Rajnai (1982, Hungarian) (Anna)Fajkutyák ideje (lit. The Time of Purebred Dogs), dir. Károly Vicsek (1984, Hungarian, produced in Yugoslavia)Ujed andjela (1984) on IMDb (Angel`s Bite), dir. Lordan Zafranović (Croatian) (Žena)Késdobáló (slang: Pub, lit. Knife-thrower), dir. Károly Vicsek (1984, Yugoslavian - Hungarian)Ekran sneži (1985) on IMDb, dir. Miljenko Dereta (Serbian)Napóleon (1989) on IMDb (Napoleon), dir. András Sólyom (Hungarian) (Leticia)Granica (1990) on IMDb (Border), dir. Zoran Maširević (Yugoslavian – Serbian – Hungarian)Sex-partijski neprijatelj br. 1 (1990) on IMDb (Sex, the Nr 1 Enemy of the Party), dir. Dušan Sabo (Bosnian) (Žuža)A nagy fejedelem (1997) on IMDb (The Great Prince), dir. Mária Sós (Hungarian) (The scientist’s wife)A szivárvány harcosa (2001) on IMDb (Rainbow`s Warrior), dir. Péter Havas (Hungarian) (Old Ms Sofia - voice)Kolorádó Kid,(2010) on IMDb, dir. András Vágvölgyi B. (Hungarian)Berberian Sound Studio,(2012) on IMDb, dir. Peter Strickland (English) (Resurrected Witch)Short filmsCastrati, dir. Domokos Moldován (1972, Hungarian, Balázs Béla Studio, Budapest) (Bald Medium)O-Pus, dir. Attila Csernik (1973) (with Katalin Ladik’s Sound Project)Csendélet hallal és más tragikus momentumokkal (2005) on IMDb (Still Life with Fish and Other Tragic Elements), dir. Natália Jánossy (Hungarian) (Agáta)Deda Kovač - Grandpa Kovač (2011) on IMDb, dir. Milica Đjenić (Serbian, Beograd-Lajpcig Express) (Rozi)RecitativesAhol kialszik a világ (1989) on IMDb (Where the World Goes Out) (based on Kalandozás a tükörben (Adventures in the Mirror) by János Pilinszky), dir. Károly Kismányoky (1989, Hungarian, Pannonia Film Studio)A párduc (The Panther), (Short animated film set to Rilke’s poem), dir. András Fiath (1998, Hungarian)Medea (animated study), dir. Zsófia Péterffy (2007)Örökre való / For Ever, dir. Katalin Riedl (2008-2010)DocumentaryTanuljunk magyarul (Let`s Learn Hungarian), dir. Károly Vicsek (1979, Serbian - Hungarian, Novi Sad Television), (language teaching series)Katalin Ladik - Bogdanka Poznanović (1980, Serbian-Hungarian, Akademija Umetnosti Novi Sad – Novi Sad Art Academy), (Documentary about Katalin Ladik)Monodráma születik (A Monodrama is Born), dir. Gyula Radó (1981, Hungarian, Szegedi TV), (Documentary about Katalin Ladik)Ez már nem én vagyok (This Isn`t Me Anymore), dir. Gyula Radó (1982, Hungarian, Szegedi TV), (Documentary about Katalin Ladik)Krleža u videomedijima 5.: TV-usporedbe Adam i Eva (Krleža in Video-Medium 5: TV Comparisons of Adam i Eva), dir. Mario Fanelli, (1984, Croatian, TV Zagreb), (performer, Eva), (documentary series)Bukott angyal (Fallen Angel), dir. Jenő Hartyándi (1992, Hungarian - Serbian, Mediawave) (performance-recording)Valahol Közép-Európában (Somewhere in Central Europe), dir. István Grencsó, Jenő Hartyándi (1993, Hungarian – Serbian) (Documentary)Amarissima: Katalin Ladik i novosadska umetnička scena sedamdesetih (Amarissima: Katalin Ladik and the Novi Sad Artistic Scene in the Seventies), dir. Milica Mrđa-Kuzmanov (1999, Serbian), (Documentary about Katalin Ladik’s art)Százféle szerelem (A Hundred Kinds of Love) (2002, Hungarian), (the poems of Éva Saáry are read by Katalin Ladik), (Documentary about Éva Saáry)A sikoly ars poétikája - Ladik Katalin portréfilm (The Ars Poetica of the Scream – Katalin Ladik`s Portrait), dir. Kornél Szilágyi, (2012, Hungarian) (Documentary about Katalin Ladik)(trailer) Sound Cage: A Portrait of Katalin Ladik, dir. Kornél Szilágyi (Igor Buharov), (2012, Hungarian with English subtitles) (Documentary about Katalin Ladik)A legismertebb magyar, dir. Gábor Tóth, HírTV (Documentary about Amrita Sher-Gil and the play Everything She Wants directed by Katalin Ladik and performed by Navjot Randhawa at the Indian Embassy, Budapest (2017)Writer’s CreditSámán (Shaman), dir. Pál Zolnay (1977, Hungarian, written by the director using poems of Attila József, László Nagy, Sándor Weöres és Katalin Ladik)Behind the Eye, dir. Sebő Kovács (1999, Hungarian, based on Katalin Ladik’s poem: Vers a szerelmes piócáról / The Poem of the Leech in Love)Radio playsWriter and performerFurcsa, aki darazsakról álmodik (Strange Is the One Who Is Dreaming About Wasps), 1982, Magyar Rádió Budapest (Hungarian Radio). Alex Avanesian, Imre József Katona and Katalin Ladik.Furcsa, aki darazsakról álmodik (Strange Is the One Who Is Dreaming About Wasps), 1985, Radio Novi Sad (Serbia). Tibor Vajda and Katalin Ladik.Bukott angyalok (Fallen Angels), 1992, Radio Novi Sad (Serbia). Tibor Vajda.Fűketrec (Grass-Cage), 2002, Radio Novi Sad. Tibor Vajda and Katalin Ladik.Tesla Project, 2003, Radio Novi Sad (Serbia). Tibor Vajda.Élhetek az arcodon? (Can I Live on Your Face?), 2012, Hungarian Radio, script by Otília Cseicsner, directed by Kornél SzilágyiA víz emlékezete (The Memory of Water), Rádiószínház, Hungarian Radio (Kossuth Rádió), directed by Otília Cseicsner, 27 June 2017, 21:30Radio Theatre: „Ladik Katalin: Hide-and-Seek, Variations of The Old Hungarian Lamentations of Mary” (Bujócska, Ómagyar Márai-siralom variációk), Magyar Rádió (Hungarian Radio), Kossuth Rádió, radio program editor: Otilia CseicsnerPerformerBertolt Brecht: Az árja-kaszt magánélete (The Private Life of the Master Race; alt. title for Fear and Misery of the Third Reich) (Woman), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1963Miodrag Djurdjević: A csavargó meg ők ketten (The Vagabond and the Two of Them) (the Girl), dir. István Varga, Radio Novi Sad (Serbia), 1963Miklós Gyárfás: Kisasszonyok a magasban – Férfiaknak tilos (Young Ladies Up High – No Men Allowed) (Júlia, who is barely even a young lady), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1964Lászó Kopeczky: Harangszó előtt (Before the Bell Rings) (Flóra), dir. István Varga, Radio Novi Sad (Serbia), 1964Leon Kruczkowski: A kormányzó halála (Death of the Governor) (Silvia), (adapted by Iván Horovitz), dir. István Varga, Radio Novi Sad (Serbia), 1964Mikhail Tonecki: Találka a „Mese” kávéházban (A Date in Café Tale) (Waitress), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1964János Herceg: Mindenkinek van egy álma (Everyone Has a Dream) (performer), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1965Aleksandar Obrenović: A tegnapi nap (Yesterday) (performer), dir. István Varga, Radio Novi Sad (Serbia), 1966Erskine Caldwell: Asszonyi sorsok (This Very Earth) (Vicky), (adapted by Jasmina Egrić), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1966Miroslav Mitrović: Még szemerkél az eső (The Rain Is Still Dripping) (Announcer), dir. Gellér Tibor, Radio Novi Sad (Serbia), 1966Momo Kapor: III. Olivér teremőre (The Guard of Oliver III) (performer), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1966Dušan Raksandić: Muratról, Pepekről, Angyeláról és rólam (About Murat, Pepek, Andjela and Me) (the Professor’s Wife), dir. Tibor Gellér, Radio Novi Sad (Serbia), 1967Günter Eich: Carmilla meg én (The Other and I; orig. Die Andere und Ich) (performer), dir. László Szilágyi, Radio Novi Sad (Serbia), 1967Marguerite Duras: Andesmas úr délutánja (The Afternoon of Mr Andesmas) (Valérie), (adapted by Milan Topolavčki) dir. László Szilágyi, Radio Novi Sad (Serbia), 1967Miloslav Stehlík: Bizalomvonal (Helpline) (Telephone Assistant), dir. István Varga, Radio Novi Sad (Serbia), 1967Sead Fetahagić: Körbe, körbe, karikába (Round and Round) (Mira), dir. István Varga, Radio Novi Sad (Serbia), 1967Alessandro De Stefani: Csónak jön a tavon (A Boat Approaches on the Lake – Una barca viene dal lago) (Anna Marabini), (adapted by Iván Horovitz) dir. László Szilágyi, Radio Novi Sad (Serbia), 1968Michal Tonecki: Az ötödik (The Fifth) (a Lány szerepében), dir. Gusztáv Barlay, Radio Novi Sad (Serbia), 1968József Sulhóf (text), ed. by Ernő Király: Tavaszi bokréta dalest (Spring Bouquet – An Evening of Songs) (Announcer), Radio Novi Sad (Serbia), 1968Magda Szabó: A rab (The Prisoner) (Zsuzsanna Kazinczy), dir. Frigyes Marton, Radio Novi Sad (Serbia), 1968Aldo Nicolai: Éljen az ifjú pár! (Long Live the Newlyweds!) (Woman), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1969Ferenc Deák: Apoteózis (Apotheosis) (Recitative) (performer), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1969Boris Palotai: Öröklakás (Condominium) (Klára), dir. László Szilágyi, Radio Novi Sad (Serbia), 1969Endre Fejes: Vigyori (Grinner) (Girl), dir. István Varga, Radio Novi Sad (Serbia), 1970Eugène Ionesco: A kopasz énekesnő (The Bald Soprano), dir. László Szilágyi, Radio Novi Sad (Serbia), 1970Pál Saffer: A csend (The Silence) (Lidia), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1970Mihály Majtényi: A száműzött (The Exile) (Sibylla), dir. István Varga, Radio Novi Sad (Serbia), 1971Gerich Endre Művészestje: Azért is maradok...! (An Evening with Endre Gerich: I Say I’m Staying...!) (performer) dir. László Szilágyi, Radio Novi Sad (Serbia), 1971Silvia Andrescu – Theodor Manescu: Ismeretlen kedvesem (My Unknown Beloved) (Girl), dir. Tibor Vajda, Radio Novi Sad (Serbia), 1971Aleksandr Solzhenitsyn: Gyertyaláng a szélben (Candle in the Wind) (Anni), dir. Árpád Benedek, Radio Novi Sad (Serbia), 1972És mi lesz tavasszal (What Will Happen in the Spring?) (comedy night) (performer), dir. Frigyes Marton, Radio Novi Sad (Serbia), 1972Mirjana Buljan: Jasna naplója (Jasna’s Diary) (Jasna), dir. László Szilágyi, Radio Novi Sad (Serbia), 1973Svetislav Ruškuc: A hetvennyolcas fordulatszámú ajtó (The 78 RPM Door) (Girl), dir. István Varga, Radio Novi Sad (Serbia), 1973Dušan Iljić: Beutazni a földet (To Travel the World) (Szitakötő /Dragonfly/, a Girl), dir. Miklós Cserés, Dr, Radio Novi Sad (Serbia), 1976Társult humor éve (The Year of Associated Humour) (performer), dir. Róbert Bambach, Radio Novi Sad (Serbia), 1976Szellemet idézünk! (Séance!) (performer), dir. György Turián, Radio Novi Sad (Serbia), 1977Vidám est (A Merry Evening) (performer), dir. Sándor Sántha, Radio Novi Sad (Serbia), 1977István Bosnyák: Szemben a bíróval (Facing the Judge) (docudrama in 7 episodes) (Ruth), dir. István Varga, Radio Novi Sad (Serbia), 1978Henrik Bardijewski: Kis komédia (A Little Comedy) (Lady I), dir. István Vajda, Radio Novi Sad (Serbia), 1978László Nemes: Szerencseszerződés (Contract of Luck) (adapted by János Borbély) (radio play series), dir. Slobodan Majak, Radio Novi Sad (Serbia), 1985Ottó Tolnai: Bayer Aszpirin (Bayer Aspirin) (The Actress), dir. Orsolya Lehoczky, Hungarian Radio / Magyar Rádió (Hungary), 1997 (monodrama)Iris Disse: Álmodott idő – 1956 (Dreamt Time – 1956), dir. Iris Disse, Radio Kossuth / Kossuth Rádió (Hungary), 2007 (Marika, the author`s alter ego)Artworks in permanent public and private collectionsBarcelona (Spain): MACBA – Museum of Contemporary Art in Barcelona / Museu d’Art Contemporani de Barcelona (18 collages: visual poetry and music scores, 1971-1978)Budapest (Hungary): Petőfi Literary Museum / Petőfi Irodalmi Múzeum (9 works of visual poetry – typewritten text on paper, photograph, collages of cardboard and collages of music score, 1976–1977, Aki miatt a harang szól (For Whom the Bell Rings) – In Memoriam Lajos Kassák collage, 1987)Belgrade (Serbia): Museum of Contemporary Art in Belgrade / (MSUB) Muzej Savremene Umetnosti, Beograd (Poemim photo, 1978)New York (USA): MoMA, The Museum of Modern Art (Novi Sad Project documentation, Wow Special Zagreb Issue, 1975)Budapest (Hungary): Ludwig Museum – Museum of Contemporary Art / Ludwig Múzeum – Kortárs Művészeti Múzeum (Photographs, Poemim series)Vienna (Austria): Kontakt Collection – The Art Collection of Erste Group / Kontakt – Die Kunstsammlung der Erste Group (5 items of the “Ausgewählte Volkslieder”(Selected Folk Songs) series (1973-1975); 5 other visual poetry and music scores; 12 stamps; the 48 remaining photographs of Change Art – a performance documentation 1975; two copies of the Phonopoetica SP album 1976)Croatia – Marinko Sudac`s Private Collection (photo documentation for performances, gramophone recording, 1968–89)Miami (USA): Sackner Archive of Visual and Concrete Poetry (4 postcards – mail-art – and documentation, 1977-1981)Belgrade (Serbia): Trajković Collection (Blackshave Poem – Zagreb performance, photo document, 1978)Chicago (USA): School of the Art Institute of Chicago – Joan Flasch Artist`s Book Collection (Poetical objects of the Urbanical Environment, 1976)ExhibitionsSolo exhibitions1973Belgrade (Serbia), Student Cultural Centre Gallery / Galerija Studentskog Kulturnog Centra1976Zagreb (Croatia), Photography, Film and Television Centre / Centar za fotografiju, film i televiziju: `Visual Poetry – Music Score` (visual poems, collages)Novi Sad (Serbia), Youth Centre – Art Gallery / Likovni Salon Tribine Mladih1977Zrenjanin (Serbia), Cultural Centre / Kulturni centar: `Visual Poetry – Music Score` (visual poems, collages)Zagreb (Croatia), Cultural and Information Centre / Centar za Kulturu i Informacije: `Visual Poetry – Music Score` (visual poems, collages)1979Budapest (Hungary), Young Artists’ Club / Fiatal Művészek Klubja: `Visual Poetry - Music Scores` (visual poems, collages)2007Budapest (Hungary), Erlin Club Gallery / Erlin Klub Galéria (visual poems, collages)2010Novi Sad (Serbia), Museum of Contemporary Art in Vojvodina / Muzej Savremene Umetnosti Vojvodine (MSUV): Retrospektivna Izložba 1962–2010. Moć Žene: Katalin Ladik (Retrospective Exhibition 1962–2010 The Power of a Woman: Katalin Ladik) (Curated by: Dragomir Ugren)2011Székesfeh

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